The History Of Benga Music: A Report by Ketebul Music Story
…African countries—Kenya, Uganda and Tanzania—covering an area of over 68,000 square kilometers. The Luo who live around its shores in Kenya speak a western Nilotic tongue distinctly different from their Bantu neighbours to the north and south, and their Kalenjin distant cousins to the east. The Luo comprise close to 3 million people. Their forefathers migrated south from the Bahr al Ghazal region in what is today know as Southern Sudan in a stead…
Central Uganda: Day 5 – Jinja to Kampala Story
…were founded in 1990. The group were voted group of the year in Uganda in 2004. Their leader is Haruna Walusimbi. They have 4-5 drummers depending on the song, 2-3 flute players, 2 tube fiddle players and 2 thumb pianos. They also have the traditional Ugandan Xylophone. All instrumentalists also sing and are supported by three ladies who sing and dance. The three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Ar…
Interview: fusion band Ndoto Afrika News
…terviewed them to find out more: https://www.youtube.com/watch?v=OeRj9BrTT20 Hi Holly. Tell us about yourself and Ndoto Afrika – what’s your story? They say stories live forever and one famous Kenyan writer keeps saying that a story is good, until another is told. We are here to share with the world how wonderful it is to be born and raised in Africa. Sadly, the urban African youths are so consumed with the modern technology that they no longer ar…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…Peter’s work to record the King’s musicians of the Buganda Kingdom in the 60s and 80s. You can listen to some of those recordings here. Here, too, is a full list of Peter’s work on African music. We asked Peter to tell us a little more about his time working with Musisi in the 60s. “In 1967, as head of Music at Kyambogo and at the suggestion of the wonderful young musician Bulasio Busuulwa, one of the former royal flute players, who was already wo…
Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…Patterson and Vicki Denison, charity administrator and fundraiser. Our BA flight from London arrived on time at Entebbe at 22.30. We didn’t have the same delays at customs as the Ketebul team and we were at the airport guesthouse with a Nile Special (and their daily supply of one Pringles can) in hand before midnight. It felt good to be back on Ugandan soil in the familiar environment of the Airport Guesthouse. An early start the next day meant n…
The repatriation of Kenya’s music heritage News
…being returned to the communities in which these songs were made in the 1950s by English ethnomusicologist, Hugh Tracey. The repatriation of these recordings began in August, during a two-week pilot project in Kenya’s Rift Valley led by Prof Diane Thram, Director of the International Library of African Music (ILAM) in South Africa and the team from Ketebul Music, supported and funded by The Abubilla Music Foundation as part of the Singing Wells pr…
Music Depositories and Archives around the World News
…training in performance of African music. Diane Thram became Director in 2005 and, under her leadership, an online listening library has been created, in line with the cutting edge of content access, to allow anyone to listen to Hugh Tracey’s recordings, with work currently being done to also make the Dave Dargie and Andrew Tracey Collections available for online access. There are over 12000 30 second recordings from the 1930s, 40s and 50s. The a…
Archiving Guidelines News
…he Production and Preservation of Digital Audio Objects (IASA-TC 04) – in 2009, which is described as ‘an accepted authority on digital audio preservation in the sound archiving field.’ It is informed by their other publication, ‘The Safeguarding of the Audio Heritage: Ethics, Principles and Preservation Strategy’ (IASA-TC 03). When researching guidelines for the online archiving of sound, the term metadata is often mentioned and this is the large…
A History of Recording East African Music News
…Fellowship grant to study South Rhodesian music, with which he made over 600 recordings, and inspiring traditional English musicians, Ralph Vaughn Williams and Gustav Holst, at the Royal Academy of Music, who urged him to “discover every chord” of traditional African music, Tracey ran out of funding. He became a broadcaster, utilising every opportunity to promote African music. However, he could not stay away from Africa long, and in 1946 realise…
Tracey Instrument Collection News
…da, as it is demanded so much for drums, lyres and fiddles. Endara log xylophone The xylophone is 263.5cm long, made up of 16 roughly cut keys and tuned to a pentatonic scale. It is played using one beater, which is attached to the xylophone by string and can be played by up to five people at one time. This frame was actually made by Hugh Tracey, after he collected it in 1950, though the original frame was made of two banana stalks with loose keys…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
ILAM, Repatriation and Jimmie Rodgers/Chemirocha News
…zens of influences on village life, from rites of passage that trace back 100’s of years, to record albums accidentally left behind by passers through. That doesn’t ‘dilute’ the music, it makes it abundantly more rich and interesting. We live in a world of musical circles. There is no doubt that Jimmie Rodgers music was inspired by and build upon the influences of Black-American music, and it is only fitting that his work filtered back to Kenya. W…
Report from Womex 2013 News
…particular suprise here – in a population of 1.2 billion, 50 % are under 30 and consuming music. In Africa – 60% have electricity whereas 86% have a mobile phone. This is again another area in which the Singing Wells project may be interested in the future – mobile phones and ring back tones as a method of delivery for music. Mike and I also attended the African music networking session which became the launch for a new initiative by the Cape Ver…
SWP Uganda 2013 – our proposed itinerary News
…ace to stay on our first night being just minutes from the airport (the BA flight from London arrives at 22.40). We have stayed at the Guesthouse before and Jan Willem, George and the rest of the Gorilla Tours team have always been excellent hosts. On our final day of the Uganda 2012 trip we had an very special afternoon in the garden recording the wonderful Watmon Group with our ‘Influences’ artist Akello. We are very grateful to Gorilla Tours fo…
A recording studio which fits into the back of an SUV Story
…Book Pro 2 MOTU Traveler MK3 Audio Interface 4 Headphone amps 8 Sony MDR-V600 headphones 2 Shure mics & stands 2 Rode Lavalier omni-directional mics 2 Rode NTG-1 condenser Shotgun mics 1 Matched Pair of AKG C414 XL Microphones 1 Matched Pair of Rode NT5 Microphones 2 Rode professional boom pole 1 K&M telescopic mic stand/boom 1 Canon EOS 7D 1 Canon EOS 60D 1 Canon EOS 5D 1 LED video camera lights 1 Flip HD video camera ThinkTank sun screens (for t…