A quick summary of the Singing Wells Project News
…village. But they went to the village and the village elder came out, explaining that he was a member of the Macedonia band, and proceeded to lead the village men in singing Uganda Land of Freedom, some of them playing the Likembe. The government forces in frustration spared the extended band and went to the next village. Again, the elder led the village men in a rendition of Uganda Land of Freedom. They went to village after village and everyone…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…right 3 or 4 repeatable models that will drive our success. If we can get into the right routines, we can learn more and more from each trip and get better and better. For the March Pilot in 2011, simply getting audio equipment to work in the field was the most important routine. Don’t underestimate the learning required to set up 8 mic recording session in the dirt, surrounded by cows. By Kisoro and the recording of the Batwa, audio was fully so…
Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story
…ar these villages were under rebel control from 1989-1992. The rebels came into the village to kills the men and seize the boys to take into the bush to fight. But the Macedonia band began to play Uganda Land of Freedom and the rebels started to gather round, starved for music and a chance to relax. An argument broke out amongst the rebels – most wanted to continue the raid and kill the musicians but a small group started to argue that the band co…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…then laid down to dry, looking like long carpets. They are then bundled up into long packets, about 6 feet long and 18 inches thick. The bundles are tied with ropes made of other plants. Each woman then pops one on her head and marches into the local market to sell a packet for about 2,000 Ugandan shillings ($1). By our calculation, that is a 15-30 kilometer round trip the market, giving her time to make two runs. Most of the women carry empty bot…
Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story
…Here’s a video of their ‘magic moment’: Their first song was Kica Watimon Nining, which is a song of forgiveness. Two men start the song fighting (and it is a pretty good tussle) before they are encouraged by the band and woman dancers to calm down, solve their differences and forgive. Given the recent wars in Uganda and given that we are in formally held Kony territory, this song is pretty important. https://youtu.be/_u4-hVbcVV0 In the same vein,…
Northern Uganda: Day 2 – from Gulu to Acet Story
…ick up a generator, a bunch of electric cables and Big Jimmy our Acet Coordinator, below). It was a beautiful day with stunning blue skies and we drove for about 80 kilometers in glorious sunshine through village after village until we reached Acet, where we will meet Acholi musicians (hundreds, in fact). We landed in a field, pock marked with cement block buildings. Not the best site. But in the middle of the field was the most stunning tree that…
The Tribal and Musical Structure of East Africa – Worldmap Research News
To help us gain as much insight into the role of music in the areas we visit, we want to know as much as possible about the tribal and musical structure of East Africa. Over the last few months The Abubilla Music Foundation worked with Tati Kalveks and Rosie Balfour-Lynn to do this research. It was directed using WorldMap, an interesting way of visually displaying data. Here is a shot of the map below, the highlighted regions are the areas in whi…
Day 6: Recording the Tugen & back to Nairobi Story
…ed Kewamoi Women Dancers from the same area. These women have been singing together since 1982 and sing in a lot of events in the area. They focus on traditional songs. They wear white blouses with blue patterned sarongs, decorated with golden designs and lines, looking like trees and fruits. Hunter felt the costumes represented the landscape. Eddie did three Influences sessions – two with the first group playing guitar on ‘Ribwege’, a song about…
Day 5: Recording the Marakwet Story
…1,000 Kenyan runners train here and the roads are filled with athletes training for London 2012. In addition, over 300 foreigners train here, mostly from Europe. We went to the main training centre and interviewed a project manager about why so many people travel all this way to train on the red dirt roads around Iten. She answered: “First, the altitude (roughly 2300 meters) is perfect – right at the peak of natural altitude where you can still t…
Day 4: the Pokot Tribes Story
…mply couldn’t help herself. That is the power of music. We will try to put together a video clip of her best moments. Lomuke Group We recorded 9 songs: Anya Kar, Chepo Laleiyo, Kirap, Kiter, Kiyuar, Asoiyen, Adong’o and Montonyo. The women were dressed in white, carrying sticks and the men carried spears and their portable chairs/sleeping pillows. Kalomoywa We recorded 8 songs with them and a magic moment of wonderful chorus. The songs were: Kinya…
Day 3 continued – an interview with Steve Kivutia Story
…bu because of his legendary status within Kenyan music. Tabu invited Steve into a meeting where he brought some songs he had worked on. Steve was still a big Hip Hop fan and loved R Kelley. He also liked Salif Keita, an afro-pop singer/songwriter from Mali, his only ‘African music’ influence. Steve’s first job at Ketebul was as an intern working with Jesse and Gabriel on the Spotlight on Kenyan Music series. His feature artist was Makedem who ‘ble…
Day 2: Nairobi to Kitale & an interview with Pato Story
…sic and not good. I knew the second it started. I was so glad it started raining and we could get out of there.” [Editor note: we did not include this group in any Singing Wells materials.] So here is Pato’s favourite Singing Wells track – Jovah from the Mperwa Batwa community in Kisoro performing with Jesse on piano at the Ketebul Music studios This track is also on our album Best of Singing Wells 2011 Jovah – Ye Warararaye by singingwells We ask…
Day 1: In Nairobi, packing and talking to Tabu Story
…s and naturally join in when others are singing. There isn’t any formal training in tribal music. It is mother to child.” Tabu goes on to describe the role of tribal music,” Their music is a ‘way of life’. They use music for communication, passing on information and entertainment. Music is always present when there is a birth, a death, a wedding or other ceremony. Each tribe will have unique stories to tell of their history, of war, of famine etc…
Victoria’s reflections on the music of the Batwa Story
…part of the trip to take on that role; on Wednesday we changed the flights into my name and on Sunday I found myself on a plane to Nairobi to meet Jimmy and Andy who had flown out the day before. It’s midnight in Nairobi when I arrive at the Fairview Hotel – in torrential rain. Jimmy and Andy have been working in the Ketebul Studio all day and are ready to retire for the night. We say a quick hello and arrange to meet for breakfast at 7.00am. Tomo…
Return of the Batwa @ Ketebul Music Studios Story
…dj Mbirikimu Mbarushimana – “Challenger” The magic bass player (beat boxes into a pot) with Tiny Moses. Great backing vocals as well. Mbirikimu Mbarushimana Gaudancia (and baby Stella) A wonderful singer from the group ‘Togetherness’ who we recorded in the empty (good news) refugee camp outside of Kisoro. She sang with each of the groups over the weekend. Gaudancia Kampire And here were the results of our efforts! The Singing Wells Team 4 Decemb…
Day 4: Discovery of the Young Stars… Story
…t the Nyangile: Below is more detail on the Nyangile and we’ll try to explain how it works. The musician holds two ogeng’, one in his right hand, one in his right big toe. Both are placed on the box. With his left hand he hits either ring (with different sounds), or the side of the box or the top of the box (with different sounds). He also has the option, and this is where it begins to sound more like a bass, to slide the rings along the top as he…