Ekhunjwe Musical Group Group
…organized group of twenty eight (28) members coming from the different administrative areas of Samia district. Ekhunjwe ya Abasamiawas formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. Their Chairman Mr. Bwire…
South Teso Jazz Group
…is string sound is complemented with a home-crafted drum-set they refer to as akicheketin their vernacular language. This is a set of metal tin drums of different sizes joint on a wooden stand, together with bottle tops and a metal plate. Finally, the ensemble also a metal ring called edongotanditwol– shakers made out of gourds and seeds….
Bungoma Roots Band Group
…School, in the Michimeru Village. Wilbert and his school friends formed a band and competed with other school bands. They were quite good and had all their school fees paid for. During breaks from playing at the school they took up ‘Marketing’ and showed up at any events that were being held. The band members held day jobs, mostly in construction, and then would gig in the evening, often in clubs filled with drunkards. However, after years of hard…
Matia Kakumirizi Group
…e Parish in 1966. He is now 70 years old, lives in Kampala and sings in Luganda and Kirwahdi, C&C Busega, C&C Kibuye. He still plays the guitar he has had since 1972. He was recorded in 1971 in the Polygram studios in Nairobi. His peers include Dan Mugula, Christopher Ssebaduko, Vincent Muwunge, Sulayiman Mayanja. Dan influenced him hugely. Song meanings “Abapangisa”: featuring Passy Nassonko from the Kiki Boys Cultural Troupe. The song talks abou…
Adagha Nalya Drama Group Group
…nity. Performed at introduction ceremonies – a traditional party where a girl introduces the man to her parents. “Nsomesa Nsomesa”: When a child goes to school and they don’t perform well and come back with a bad report the parents will be angry and sad….
Kigane Traditional Dancers Group
… Kigane Traditional Dancers, from Kigane Kithurini and Ngatia villages, Suri Location, Bogeta Division. They are 11 men, 12 women, led by Cyrus Kirigia. Their style is Kwimbo, and the songs ares sung to celebrate the harvest mostly in August and March. They are from the Ameru ethnic community and use the Kibere (leg shakers) and Vilingi (whistle)….
Biluli Dutwa Group
…ocal women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they often tend to small plots at the school. Serengeti: We are near the national park an…
Watmon Cultural Group Group
…choli traditional dance which he had learnt when he was young, both from grandfather in his village and from watching dancers at village events. He went around his district in Kampala, telling people he would like to start a dance troupe, and was met with a positive reaction. Eventually he had people coming to him asking to be a part of it, and from that point the group became an institution. In the fallout of the war against Idi Amin’s regime, ma…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Kangema Mwomboko Dancers Group
…i Village, Muguru Sub-location, Kangema District. The group has 45 members and was started in 2000, but the original Mwomboko style was started in 1943. This is a ‘pairing’ dance style, inspired by colonial masters but adapted locally. Mwomboko, Peter Mwangi is the lead singer and plays the accordion. George Kinyua plays the Karing’aring’a (the metal ring). The group played 5 songs plus one magic moment: Mwomboko Ndongomothi Kariara Rumba Jeki Mag…
Camera Group
…Camera, who has been performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE….
Recording Resources Page
…d to have worked alongside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to m…
Obasie Palnyang Group
…The group was founded in 1958 by Obasie’s grandfather, Okomo. Obasie plays several instruments, including the Accordian, the Adeudeu and the single string instrument, the Eggereger (similar to the Orutu, but a deeper body). The drums are called ‘Atenus’. In addition the percussionist, Obasie is accompanied by a Etwo Aporutu player (gourd and pipe, or ‘Arupepe’). We recorded 8 songs, featuring each of the instruments….
Omong’oluk Traditional Dancers Group
…s….
Albums Introduction Page
…ng Wells project is to record and share the music we record in East Africa and one of the ways in which we can share this music is through our albums series. For each project we undertake, we curate an album of the resulting recordings. In most cases, this will include at least one recording from each group recorded. Where it works artistically, we’ll arrange the tracks on the album in chronological order of the recording date – so you can experie…
Day 4 – Tuesday 4th July 2017 Story
…lent nyatiti player. He told us about the history of nyatiti in his family and its presence in all occasions (both weddings and burials), as well as about organised competitions he used to take part in. He remembered the olden days and the hostility among competing players fondly and said that every player had his own hit composition. When we asked him about “Koblong”, he dated it as late as 1980s and even claimed the tune was borrowed from his re…