The Entenga Drums: Part 1 Story
…red to as the OMUTEMYO. From now on, you’ll see the phrase OMU which means basically ‘player of’ and the name that follows is the drum. The role of the Omutemyo, who has only one stick, is essentially to keep time. He’s the metronome. In our revival of the drums, John Ssempeke was our Nakawombe, and Bernard Okiror was our Omutemyo. Now we are on the main kit, and we’ll start with the ‘starter’ – the OMUKOONEZI, who is the drum leader. He plays the…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…did this twice, once with and one without the ladies humming (they needed to hum to get the beat right). Kangema Urban Women Group The group is led by Jacinta Njoki Mwangi and formed in 2006. The group plays in thee Gitiro style – the dance performed by women during ruracio, a dowry payment occasion. Gitiro: led by Jacinta Njoki. Ndumo (ya iritu): led by Jacinta and Mary Njoki. Kibuthi: led by Jacinta Njoki. Kangema Mwomboko Dancers The group is…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…na ivinda (Chasing After Time). This song talks about the President’s call to stop corruption. The call to chase after time comes from the society that won’t condone these malpractices. Kaniini Kaseo The group is led by Mumbi Wambua, in Kyolo style. The group is also from Kamba ethnic community (ukambani wa kitui) and also from the village of Kiongwe. They have 16 members and were formed in 1980. They performed 3 songs, all of which use the Ileve…
Before They Pass Away News
…r than charge in and start pointing his camera at these people, Nelson had to get to know them and to gain their trust. When he met the Chukchi people, the elders told him: “You cannot photograph us. You have to wait, you have to wait until you get to know us, you have to wait until you understand us.” Jimmy managed to gain this trust, spending weeks or months immersing himself in the tribe’s way of life. In Papua New Guinea, for example, Jimmy me…
Central Uganda: Day 1 – From Entebbe to Kidinda Story
…the group because they have talent. They are good at it. My parents tried to stop me from music and I refused to listen. They are the same. It is a higher calling.” We agree with James. This group is fantastic, energetic and committed to their music. Again and again in our trips to Uganda we find that the rural youth of Uganda are passionate about tribal music; sadly, this is in direct contrast to Kenya, where we find the interest of the rural yo…
Music Depositories and Archives around the World News
…oken word, instruction, and sounds from around the world’ and is committed to ‘to cultural diversity, education, increased understanding, and lively engagement with the world of sound.’ They currently have more than 3,200 albums and 45,000 tracks and, through the dissemination of audio recordings and educational materials, are seeking to expand this legacy. Their vast content is relatively easy to search – though of course it helps to know what yo…
Ketebul Music: A Year in Review News
…r Colmore. We are getting all the genres of Kenyan music. I would like the book to be done by types of music. It needs to involve DJ’s, musicians, writers, etc… We have almost all the material. It is now about making a big impression. My dream is we launch this book during the Smithsonian conference next year in Washington DC. In terms of artists, Winyo is doing very well. Benga Blues is sold out. He’s been to China, where he met Jackie Chan, and…
The Birara Batwa Community Story
…he Singing Wells project is to make traditional East Africa music relevant to today’s artists and audiences. We want to celebrate and promote the music heritage of East Africa in a contemporary context. We are doing this with ‘Influences’. We were staying at The Traveller’s Rest Hotel in Kisoro and the staff kindly allowed us to set up the studio under the verandah and it was there that we recorded our first ‘Influences’ session – a fusion of Batw…
The Batwa Community Story
…bout this unique group of people. The Batwa people of Uganda The Batwa, historically a nomadic, forest dwelling community of hunter-gatherers, are widely acknowledged to have been the first human residents of the forest areas which stretch across much of what is now Uganda, Rwanda, Burundi and DRC. In recent history however, the Batwa have become a displaced and largely forgotten ethnic group and their traditional culture and way of life is threat…
The Key to Sustainable Aid in Africa? Perhaps we should follow the music. News
…sic heritage of the region and to help make this legacy relevant and fresh to today’s audiences. The last five years has only re-enforced our commitment. On our first goal, we only have to remember that we were probably the last folks to record Okumu K’Orengo, one of the great Nyatiti players, before he died. On our second goal, we only have to remember Francis and Jessie playing together in Kisoro. And as we plan for our next trip to Kampala this…
What people say about Singing Wells News
…e future.” PSN Europe Magazine Read the review of Singing Wells here. Mark Totokwa via YouTube “This is good stuff – a good example of a sustainable project both in context and content. A big thank you to those behind this project and most importantly to the resourceful musicians. A job well done!” (Posted on YouTube here) Atesh Sonneborn, Associate Director, Smithsonian Folkways Recordings “Andy, It was a real pleasure to speak with you this morn…
Fiona’s story Story
…abukunga Batwa community who we met when we took the Singing Wells project to Uganda in 2011. Fiona has been able to attend junior school through the sponsorship of the United Organization for Batwa Development in Uganda (UOBDU), an NGO based in Kisoro. She is a wonderful role model for the Batwa community and is proving that, with the right opportunity, Batwa children can achieve the same educational goals as any other child in the district. Ever…
Day 9 (AM): Ketebul Studio – Influences session for Cheri Story
…involves about 9 days in the field recording new groups AND then we return to Nairobi to work in the studio with tribal musicians discovered previously. Yesterday we worked with Mwenzele-Nyerere wa Konde Music Club on five studio songs. Today, we brought them back in to work with Stanley on his song Cheri, featuring Macadem. Here’s how the process worked today: Jaybee first worked with Stanley, Bishop and Johnnie to get the basic song structure do…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…nting: Drove 8 minutes to Airport. About 600 meters outside airport we had to stop and all get out of van and go through a metal detector. There was a large sign telling us not to bring in pistols and rifles. The van was then searched. At airport, we had to unload bags at departures, take them by trolly to bottom of stairs. Take all bags up the stairs. Find new trolly and proceed to next stage. All this would be fairly straightforward except we ha…
Promotion of Batwa cultural music: UOBDU report March 2013 News
…ng the performance of music and drama to local audience and to allow UOBDU to monitor and update the performance of the groups visited by The Abubilla Music Foundation. During the visit the members met six Batwa dancing groups from different communities which includes among others Birara, Mperwa, Kanyabukungu. Mikingo, Gatera and Kabahenda from Kisoro district. This report therefore shows various progresses from different Batwa groups. Monitoring…
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…he weaknesses of 1 and 2’s position). We even sorted out after a while how to stop the groups from starting the song while our poor clapper board person (Nick) was still running from the shot. Third, we then had to sort out interviews and research. We’re really good now at doing interviews on songs, villages and groups and supporting that with research. This all sounds like pretty basic things and we agree. But imagine arriving at a village that h…