Day 4: Tuesday, February 21st, 2017 Story
…t one: We recorded with Chibite players only: Muheme (the tree to make the best drums). Interestingly, we later had a long conversation with Leo about wooden drums. He said that most drums are now steel, because it takes a whole tree to make one drum and you can’t afford to keep cutting down trees in villages. He then told the story of another tree, the Mninga, which is a very rare tree out of which the best marimbas are made. He was in the market…
Day 3: Monday, 2017 February 20th Story
…/RSE3dMgCEVk From the Boma Village we travelled to our hotel, the Bagamoyo Country Club and recorded music with Henry Mkanyia, his son Leo Mkanyia, Rajab Alli Nyunyusa, Tomato (Steven Jonas) Sophie Grant, and Elliot Wenman. First, a bit of background on all the players here: Henry: Henry was born in 1950 and has played in multiple bands throughout his life. He plays guitar and vocals. Earlier, when he was a soldier, he played in the JKI Kimbuga Mi…
Day 2: Sunday, 2017 February 19th Story
…Uganda, where all ages participated and you had a feeling that the young people still really enjoyed the traditional dances. Here, the women are discussing how best to perform their dance for Sophie: And that was day two. A short drive back to the hotel….
Day 1: Saturday, 2017 February 18th Story
…. We arrived in Dar es Salaam Tanzania at 0815AM (yes, our departure from Nairobi was early!). The full Singing Wells crew is sleepless. The Abubilla Music Foundation Crew (Jimmy, Hunter, Sophie and Elliot) arrived in Nairobi from London the night before. The Ketebul team (Tabu, Steve, Patrick and Nick) spent the evening preparing equipment. After a brief hold up at airport to check documents and buy a chicken burger, we were met by our drivers, I…
Our journey to the Royal Drums: in the words of James Isabirye Story
…mpeke and Musisi out to pick the drums and tune them. We brought in Peter Gaira, one of the best drum tuners, to tune them (see our Field Report for more detail on tuning). I felt I was on a race for time to have new musicians learn these drums. I told Musisi, ‘please teach our boys 100 songs.’ I told Shaban, ‘you must learn every part and every song.’ And that is how we ended up on this road. We filmed the drums yesterday and today we are going t…
Ketebul Music presents Shades of Benga Online News
…ode 2 of their online series Shades of Benga Online, to go alongside their book ‘Shades of Benga: The Story of Popular Music in Kenya 1946 -2016’. You can watch the latest episode below, and also find out more at their website here. Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music st…
Recce to Tanzania for our 2020 Field Visit News
…e Singing Wells team has been travelling through Tanzania in search of the best groups to record during our upcoming field visit in February. We are struck once again by the amazing talent this country has to offer, and can’t wait to capture some amazing moments with these artists when we visit again with the full team in a few weeks time. Thanks to the good people at Dhow Countries Music Academy for helping us with the information and contacts fr…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…nts and play, the children come and the children dance and the children ask us to stay. We can’t say they’ve lost interest. All we can say is that they’ve lost access to the music.” In the fields of the Kampala museum we debated all this through blazing suns and pending thunderstorms. And we agreed to meet in Nairobi over the weekend to reflect further and decide the next steps for Singing Wells. Enough chatter, we concluded, let’s get back to the…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…fer to musicians as the ‘last surviving’ musician. This is based on James’ best reckoning, having tried for years to find others. Neither James nor the musician involved wants the title of ‘last surviving’ and we would love to be proven wrong. Musisi is looking for more drummers and the ones we talked to today are desperate to find others that played with them. Richard Ssewannyana We first travelled about an hour from Mukono to the village of Bamu…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
…tune very cool drums inside and my drums will never go out of tune in the sun. As the sun dries them and the pitch rises, you simply wet them down to keep them in tune.” Here, we learn that drums must leave the drum maker with a tendency to pitch higher – that is, the sun will tighten them. You can always ‘loosen in the field’ with water and pounding of the fist on the skin (as we saw our royal drummers do), but you can’t pitch lower without goin…
The Return of Bigwala News
…one, and quite unique in its association with the political history of the country. The gourd and musical style were for hundreds of years an integral part the kingdom of Busoga, and would be played at coronations and other royal ceremonies. When Prime Minister Milton Obote sought to unify the nation in 1966, and in doing so abolished the kingdoms and made illegal the performance of Bigwala, the instrument had to be played in secret, and gradually…
The Entenga Drums: Part 1 Story
…essentially plays the melody, but not the bass notes. He is generally the best drummer and we were blessed to have Shaban as our Omukoonezi, a life-long professional drummer who led the group. He also admitted that learning the Entenga was the hardest drumming role he’s ever had. To the left of the ‘starter’, is the OMUNAZI, who plays the 9th, 8th, 7th, 6th and sometimes 5th. And yes, you’ve now noticed. The drummers overlap, playing the drums of…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…olks roads, modernise them. But Singing Wells has discovered in fact – the best sustainable development is to keep folks rooted in their villages and the best villages are those with a vibrant musical community. This puts the soul, the software at the top of the developmental agenda. Have folks realised this? SW: What is your advice to us? GT: In the context of the vital importance of this, I ask myself ‘what is the future of this?’ What if there…
The History Of Benga Music: A Report by Ketebul Music Story
…assion. It is a shrine for many Kenyans who have either been away from the country for long or reside outside the capital. They visit it to collect old hits every time they are in Nairobi. Melodica has also received numerous musicians eager to experiment with Kenyan styles and Western-based researchers anxious to locate a local music archive. Melodica produced Juma Odundo, Adams Nyahone and Ochieng’ Kabaselleh, a Luo pop artist who occasionally te…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…famous Kikuyu accordion player, who played in clubs like the Roasters in Nairobi in the 70’s. The musicians were very influenced by American Country music, and one of his songs was the ‘Yoodle’ which he recorded with Merciiria. He was heavily influenced by Gacungi wa Kamau, a pioneering accordion player who was the first ‘secular player’. He often visited Wanganangu’s homeland and recruited Wangangangu to pursue a musical career. We recorded 6 so…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…Saberio and Jacob Newarimi. Refers to a friend of the opposite sex. It is sung when Ameru are celebrating harvest and having a good time. They sing in male/female pairs to celebrate the harvest season. Kirarire: Lead singers are Jacob Karia and Laui Mwiti. The tradition song before circumcision. Exit Song: Authi style, lead singers are Francis Rithaa and Cyrus Kirigic. Again, pre-circumcision. Geoffrey Mutwiri Mbaraka We ended the evening with Ge…