Musisi’s Story, Part 1: The Fall of the Buganda Kingdom Story
…. This project was the result of the work of a very large team, but at its center is Musisi, the last surviving drummer that we know of. Here is his story, in roughly his words: “My father was the leader of the flutes at the Buganda Kingdom, and as his son, I was trained to play the flutes and eventually joined him in the palace. When I arrived, I found that I loved the Entenga drums far more than I liked the flutes. And every chance I had, I woul…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they are out there. And it gets much deeper. Our view of development is hardware – give folks roads, modernise them. But Singing Wells has discovered in fact –…
The History Of Benga Music: A Report by Ketebul Music Story
…in active music. The era of 78 rpm discs and His Master’s Voice (HMV) gramophones had been ushered in by European producers when Kenya’s first recording studio was set up in 1947. This is the magical year in which pioneer guitarist, Fundi Konde, who was a member of the Entertainment Unit during the Second World War reportedly played Kenya’s first electric guitar. European recording companies were to hold a monopoly over the East African music indu…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…the Roasters in Nairobi in the 70’s. The musicians were very influenced by American Country music, and one of his songs was the ‘Yoodle’ which he recorded with Merciiria. He was heavily influenced by Gacungi wa Kamau, a pioneering accordion player who was the first ‘secular player’. He often visited Wanganangu’s homeland and recruited Wangangangu to pursue a musical career. We recorded 6 songs with Wangangangu over two sessions: Cal Wa Kadogo Ngur…
Bigwala Trumpets perform for coronation anniversary News
…William Gabula Nadiope IV of the Busoga kingdom. The trumpets can be seen here performing at Budhumbula in front of the Kyabazinga (the elected ruler of the kingdom) and processing behind him. https://youtu.be/HtHhkMrlXWw Read about our contact with the Bigwala players here. James tells us that soon some of the Bigwala players will begin paid jobs teaching the instrument in schools, which is a testament to the continuing success of this project,…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…rls from the local village will feed them, but otherwise there is no other contact. During their time, they are taught songs and told stories about the ritual itself and preparing them for man hood. In Lewis’s case he was taught that he can no longer live with his mother and must never enter the kitchen again, as this was the place for women and children. They are also taught what will be expected of them on the day of the ritual and after as they…
Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story
…first joy was the site of Mount Kenya as we hit the road. We met our local contact, Jane Kagai, and then travelled to the KCC area, a lovely field about 100 meters below the road. While a lot easier than the hill we faced in Kisoro (SW Uganda), we nonetheless had to take our 44 bags down to the site. We set up under a tree and recording 4 separate groups, all of whom stayed for the day. The 80 or so band members, all in full costume, were scattere…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…Muranga on the Thika road, arriving at the Nokras Hotel in Muranga at about 1800. Here’s the route: We were all pretty shattered, so had a quick dinner (only quick if you ordered fish or meat, the chickens were apparently hard to catch and took considerably longer), drank the mandatory round of Tuskers and slipped off to bed. Working Practices: Roles and Responsibilities of the Team Each day, we will also bring you a set of ‘working practices’ we…
Central and Eastern Kenya: Day 0 – London/Nairobi Story
…(Video 3), who is from the Meru ethnic community and has been our primary contact person to support this trip (e mail: lkoome2000@yahoo.com) Raphael Sipalla (Audio 4) our ‘Influences’ artist (e mail: ruffmaud@yahoo.com) We will be interviewing them throughout this trip to provide additional color to our Field Reports. We spent our Saturday packing and preparing the vans for the trip. Let’s remind you of our team – we cheated and took photos from…
Kenya’s Amazing Musical Instruments News
…. When well-played, it takes on the role of the “fiddle” found in Irish or American country music. The Orutu is a one-string instrument played with a bow, whose notes are created by finger pressure against the central stick, producing the effect of ‘fretting’ notes. Watch here as the Aloka Ohangla Group plays “Nyar Karapul” (the Orutu is on the far left): Nyangile The Nyangile is a Luo instrument whose name literally means “box.” To play it, a mus…
Central Uganda: Day 5 – Jinja to Kampala Story
…dle players and 2 thumb pianos. They also have the traditional Ugandan Xylophone. All instrumentalists also sing and are supported by three ladies who sing and dance. The three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Artists. Walusimbi was once the Global Youth Earth Day Ambassador for Africa after winning the Global Youth Earth Day Ambassadors Competition in Marikina-Philipines. Nabayaza Sumaya Baiga: Sh…
Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…oir with alternating lead vocals. Their style is Embaire, which is the xylophone. Their instruments were: Embaire, Xylophone Endigidi, tube fiddle Enkwanzi, pan pipes The performance was simply spectacular. Our search for the best xylophone players in Uganda is declared over! What a group. Obutasoma (Education), with lead singer Muniru Ayubu Obwiire Bukyeire (The Time Has Come), with lead singer Kisubi Eliasa Magic Moment: We loved the xylophone a…
Central Uganda: Day 2 – Kampala to Budaka Story
…Malinywa. Their instruments were: Ekongo: Thumb Piano Embaire (13 slab xylophone) Endingidi: Tube fiddles Omulere: Flute Engoma: Drums Efumbo: Long drum Engalabi: Shorter drum, but still ‘long’ Ensasi: Shakers Ekwanzi: Pan Pipes They performed four songs: Olumbe Namuna: This was a song about aids, beautifully but mournfully sung. You could feel the sense of loss as the female singers performed. Animals were sacrificed during the story to bring hop…
Central Uganda: Day 1 – From Entebbe to Kidinda Story
…trip was about 110 kilometers. From Kindinda, we turned right at a trading center and went another 10 kilometers into the fields, to a small village called Kidinda. The Recording Site: The village had one cement single story home, one stable (with a small and very loud cow tucked in the back) and one angry bull tethered to the middle of the grounds. Chickens hung about ready to provide backing vocals. Children began to gather as we un-loaded equip…
Music Depositories and Archives around the World News
…tomer base; “Cultural Creatives” (a sociological term for 50 million North Americans and millions more around the world with an interest in culture, travel and the arts), and have ensured they have visible presence in the places it matters, such as speciality retailers and record stores, all across America. 20 million CDS sold, with 70 of its collections selling more than 100,000 copies each and several surpassing 400,000 3,000 book, gift, clothin…