The History Of Benga Music: A Report by Ketebul Music Story
…in active music. The era of 78 rpm discs and His Master’s Voice (HMV) gramophones had been ushered in by European producers when Kenya’s first recording studio was set up in 1947. This is the magical year in which pioneer guitarist, Fundi Konde, who was a member of the Entertainment Unit during the Second World War reportedly played Kenya’s first electric guitar. European recording companies were to hold a monopoly over the East African music indu…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…the Roasters in Nairobi in the 70’s. The musicians were very influenced by American Country music, and one of his songs was the ‘Yoodle’ which he recorded with Merciiria. He was heavily influenced by Gacungi wa Kamau, a pioneering accordion player who was the first ‘secular player’. He often visited Wanganangu’s homeland and recruited Wangangangu to pursue a musical career. We recorded 6 songs with Wangangangu over two sessions: Cal Wa Kadogo Ngur…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…with the vocalist stationary and one, without a lapel mic, where they are free to dance as they normally would. Lead vocalists and instruments We also work to identify all the major instruments and vocals that will be used and make sure these have appropriate microphones and will be seen by the video team. The purpose of Video 2 is to zoom in on these performances so we want our ‘leads’ stationed close to Video 2 if possible. Song Length Our firs…
Kenya’s Amazing Musical Instruments News
…. When well-played, it takes on the role of the “fiddle” found in Irish or American country music. The Orutu is a one-string instrument played with a bow, whose notes are created by finger pressure against the central stick, producing the effect of ‘fretting’ notes. Watch here as the Aloka Ohangla Group plays “Nyar Karapul” (the Orutu is on the far left): Nyangile The Nyangile is a Luo instrument whose name literally means “box.” To play it, a mus…
Central Uganda: Day 5 – Jinja to Kampala Story
…o is very bitter because her mother will not let her play with her friends freely. The mother explains to her that she was barren but the spirits helped her to conceive. The spirits set the condition, however: that she should never play in the rain. Amagombe: This is a song about the death of the leader’s father. He wrote it after his father’s death. 95% of the song is about what his father told him before he died. Ebibira: This song talks about t…
Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…re, London, I received my first lesson in playing the Kiganda amadinda xylophone from the South African musicians Andrew and Paul Tracey before their evening show Wait a Minim.” “My work in Uganda led me to begin exploring that country’s traditional music initially with the aim of collecting useful materials for teaching purposes. That exploration has continued since then, apart from during the chaos of the periods of the rule of Amin and the Seco…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…oir with alternating lead vocals. Their style is Embaire, which is the xylophone. Their instruments were: Embaire, Xylophone Endigidi, tube fiddle Enkwanzi, pan pipes The performance was simply spectacular. Our search for the best xylophone players in Uganda is declared over! What a group. Obutasoma (Education), with lead singer Muniru Ayubu Obwiire Bukyeire (The Time Has Come), with lead singer Kisubi Eliasa Magic Moment: We loved the xylophone a…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…he hotel. We had a quick dinner and a few free drinks (we had charmed some flight attendants on the plane to contribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the AMF are Jimmy Allen (Founder), sound engin…
Music Depositories and Archives around the World News
…tomer base; “Cultural Creatives” (a sociological term for 50 million North Americans and millions more around the world with an interest in culture, travel and the arts), and have ensured they have visible presence in the places it matters, such as speciality retailers and record stores, all across America. 20 million CDS sold, with 70 of its collections selling more than 100,000 copies each and several surpassing 400,000 3,000 book, gift, clothin…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
ILAM, Repatriation and Jimmie Rodgers/Chemirocha News
…immie Rodgers music was inspired by and build upon the influences of Black-American music, and it is only fitting that his work filtered back to Kenya. We find this circular tale in all music we are recording – most notably the massive influence of gospel on East African music, which, in turn was created in large part by Black-American music, directly inspired by early African village music. We listen to the likembe music in Uganda and here the st…
James Isabirye and Tabu Osusa Discuss East African Music News
…sounds vulgar – some Kampala teen-ager singing F this and F that in a bad American accent. Why is this good? Why is it unique? Why is it art? What they should do is learn about their culture, their identity – it is so rich, so wonderful, so new and exciting for others. If I’m an American or English person, when I hear a Ugandan I would want to hear something new from their culture – why do I want to hear t hem cursing about the police in Los Ange…
Report from Womex 2013 News
…n which the Singing Wells project may be interested in the future – mobile phones and ring back tones as a method of delivery for music. Mike and I also attended the African music networking session which became the launch for a new initiative by the Cape Verde government. It has been calculated that music is their biggest export and so has set up the African Music Forum to make it easier for musicians to make a living – from visas and flights to…
SWP Uganda 2013 – our proposed itinerary News
…lumsimbi who told the story of how music by Nile Beat and the Muwewesi Xylophone Group was used by American banjo player Bela Flack, whose album ‘Throw Down Your Heart: Tales from the Acoustic Planet’ won the Grammy Award for Best Contemporary World Music Album. Day 7 & 8: Music of the Baganda and ‘Influences’ After five days travelling in the field we will head back to the city for our final two days of recording which will focus on the music of…
A recording studio which fits into the back of an SUV Story
…ing with us: 2 Apple MacBook Pro 2 MOTU Traveler MK3 Audio Interface 4 Headphone amps 8 Sony MDR-V600 headphones 2 Shure mics & stands 2 Rode Lavalier omni-directional mics 2 Rode NTG-1 condenser Shotgun mics 1 Matched Pair of AKG C414 XL Microphones 1 Matched Pair of Rode NT5 Microphones 2 Rode professional boom pole 1 K&M telescopic mic stand/boom 1 Canon EOS 7D 1 Canon EOS 60D 1 Canon EOS 5D 1 LED video camera lights 1 Flip HD video camera Thin…