Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they are out there. And it gets much deeper. Our view of development is hardware – give folks roads, modernise them. But Singing Wells has discovered in fact –…
The History Of Benga Music: A Report by Ketebul Music Story
…y, and has remained there since. It is at Chandarana’s studios that a vast number of musicians from western Kenya first put their work on spool tapes. Chandarana’s business acumen was in large part responsible for the replication of the Benga sound by singers from the mid-Rift Valley region. His shop and recording premises in the town are still in operation, though he has retreated into reclusive old age and is hardly keen on granting media interv…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…the Roasters in Nairobi in the 70’s. The musicians were very influenced by American Country music, and one of his songs was the ‘Yoodle’ which he recorded with Merciiria. He was heavily influenced by Gacungi wa Kamau, a pioneering accordion player who was the first ‘secular player’. He often visited Wanganangu’s homeland and recruited Wangangangu to pursue a musical career. We recorded 6 songs with Wangangangu over two sessions: Cal Wa Kadogo Ngur…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…Video 1’s location. This is a balance. We want to give the groups complete freedom to perform as they would normally do, without our intervention. But we also need a good recording – and too often the groups will stray far off camera and far away from the mics. Or, as often can happen, the leader will plant him or herself directly in front of Video 1, meaning we don’t get a take of the groups. Finally, we use lapel mics on the lead singers so ther…
Central Uganda: Day 5 – Jinja to Kampala Story
…o is very bitter because her mother will not let her play with her friends freely. The mother explains to her that she was barren but the spirits helped her to conceive. The spirits set the condition, however: that she should never play in the rain. Amagombe: This is a song about the death of the leader’s father. He wrote it after his father’s death. 95% of the song is about what his father told him before he died. Ebibira: This song talks about t…
Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…
A Tanzanian Effort to Salvage the Music of the Past News
…nd paid for all their instruments. Some of their songs are actually public service announcements set to a catchy tune, conveying information about how to take care of children or how best to help one another build a new, independent Tanzania. “It was all about love, all about unity, all about coming together and building a new nation”, said Benson Rukantabula, who also works on the project. But as with any state-sponsored propaganda, some messages…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…tional African song, Malaika. American Farewell: After this they performed American Farewell (originally called “Wimoweh” and popularised as “A lion sleeps tonight”). Altawale. This was a great combination of heavy brass, traditional drums, marching band drums and a good old fashioned American Marching Band Twirler, straight from Music Man. Here’s their music: We loved what Julius had created. First and foremost he was giving these kids stability…
Kenya’s Amazing Musical Instruments News
…. When well-played, it takes on the role of the “fiddle” found in Irish or American country music. The Orutu is a one-string instrument played with a bow, whose notes are created by finger pressure against the central stick, producing the effect of ‘fretting’ notes. Watch here as the Aloka Ohangla Group plays “Nyar Karapul” (the Orutu is on the far left): Nyangile The Nyangile is a Luo instrument whose name literally means “box.” To play it, a mus…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…teaching them to the music students and to music teachers who came for in-service courses. Like Musisi, Busuulwa had not found conditions good for him at the palace and after the attack on the palace and the flight of the Kabaka (King) into exile in London, Musisi no longer had a patron so they were both enthusiastic about working at Kyambogo. Sadly Bulasio Busuulwa died during that awful period of turmoil under the dictatorship of Amin and Obote…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…great to see our old friends at the hotel. We had a quick dinner and a few free drinks (we had charmed some flight attendants on the plane to contribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the AMF are J…
Current Leading Figures News
…ery important for certain occasions, like marches. He is providing a great service. Brass music is very good and I love it.” Tabu argued, “He knows the traditions. It is not what you play, but how you play it. He is so steeped in Ugandan music that he will create a very interesting fusion over time.” David Odwar David Odwar founded the TAKS Centre in 2005, along with his sister Joyce Laker, who Steve and Patrick met in 2012 on their recce for a…
Music Depositories and Archives around the World News
…’s vibrant, folky art beautifully adorns their CDs covers, they know their customer base; “Cultural Creatives” (a sociological term for 50 million North Americans and millions more around the world with an interest in culture, travel and the arts), and have ensured they have visible presence in the places it matters, such as speciality retailers and record stores, all across America. 20 million CDS sold, with 70 of its collections selling more tha…
A History of Recording East African Music News
…listen to the recordings, one must make an appointment with the Listening Service to listen to the recordings on site at the British Library. Michael Baird produced 21 CDs of Tracey’s work; Historical Recordings of Hugh Tracey series. These can be bought online at SWP Records and a review of most of the CDs can be found here. Michael Baird said “The sad conclusion after compiling this series is that so much music recorded by HT [Hugh Tracey] has…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
ILAM, Repatriation and Jimmie Rodgers/Chemirocha News
…immie Rodgers music was inspired by and build upon the influences of Black-American music, and it is only fitting that his work filtered back to Kenya. We find this circular tale in all music we are recording – most notably the massive influence of gospel on East African music, which, in turn was created in large part by Black-American music, directly inspired by early African village music. We listen to the likembe music in Uganda and here the st…