Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…day we focus on roles/responsibilities of the core team. On arrival at the site, we divide into three teams: Interview Team This team is typically Tabu Osusa, who acts as the on-site Singing Wells representative, formally meeting the band and handling all their questions about the project and their role in it. Tabu is typically joined by our local music expert, in this case Gregg, who took the lead in interviews. Gregg has a worksheet prepared in…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…away from home. Recording at the Airport Guesthouse, Entebbe The Recording Site: The guesthouse has a lovely garden and we set up in one corner so we could run the recordings from one of our rooms. The setting is generally quiet, but it is in the name really – we are near the airport. Every day for an hour or two, the local military facility likes to start up all their helicopters. This is noisy. We had to shift recording at that point to inside o…
Central Uganda: Day 6: Kampala to Entebbe Story
…ch more drama to the equation.” Here’s their music The Journey to the Next Site We then packed up and left the University Grounds and headed back into Kampala to the Uganda Museum. The Recording Site We set up directly in the Museum grounds and were surrounded by an open air museum which was a collection of traditional grass thatched huts from throughout Uganda. Fairly surprised museum guests stopped to watch us. A slightly miffed grass cutter pol…
Kenya’s Amazing Musical Instruments News
…. When well-played, it takes on the role of the “fiddle” found in Irish or American country music. The Orutu is a one-string instrument played with a bow, whose notes are created by finger pressure against the central stick, producing the effect of ‘fretting’ notes. Watch here as the Aloka Ohangla Group plays “Nyar Karapul” (the Orutu is on the far left): Nyangile The Nyangile is a Luo instrument whose name literally means “box.” To play it, a mus…
Central Uganda: Day 5 – Jinja to Kampala Story
…morning, other than to gather in the garden after breakfast. The Recording Site We woke, had an early breakfast, packed the personal luggage and then set up a recording session in the beautiful gardens of the Gately Hotel. The Nile Beat Artists The Nile Beat Artists joined us over the morning and we were ready to record at about noon. There were founded in 1990. The group were voted group of the year in Uganda in 2004. Their leader is Haruna Walus…
Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…Song with Jacinta – they performed the traditional African song, Malaika. American Farewell: After this they performed American Farewell (originally called “Wimoweh” and popularised as “A lion sleeps tonight”). Altawale. This was a great combination of heavy brass, traditional drums, marching band drums and a good old fashioned American Marching Band Twirler, straight from Music Man. Here’s their music: We loved what Julius had created. First and…
Central Uganda: Day 2 – Kampala to Budaka Story
…unty, to a small village near the Budaka Progressive School. The Recording Site: Given our early departure we arrived before our groups were ready to perform so we had plenty of time to set up, interview the group leaders, the school head master, etc… The site was on two levels. Our ‘stage’ was on the lower level, with two small brick single story homes and a little kitchen cleaning area. On the second level to the right of the houses was a hill,…
Central Uganda: Day 1 – From Entebbe to Kidinda Story
…g with “Influences” sessions on our last day. The Journey to the Recording Site In three cars, we drove from Entebbe towards Kampala and then took the road southwest toward Masaka. We turned north at Kammengo onto the Mbarra Road to Kindinda – the trip was about 110 kilometers. From Kindinda, we turned right at a trading center and went another 10 kilometers into the fields, to a small village called Kidinda. The Recording Site: The village had on…
Our top 5 Singing Wells songs for March News
…d I’ve spent the last few weeks listening to pretty much every song on the site, getting to know the amazing traditional music of East Africa! It was tough to pick, but for my first blog post I thought I’d share my top 5 songs so far. 1. Otacho Young Stars – Amilo Love The Singing Wells team first encountered the Otacho Young Stars group on a trip to record the music of the Luo in Western Kenya in December 2011. They were later invited to Ketebul…
Music Depositories and Archives around the World News
…are the collections with the most relevant collections to East Africa. The site also provides little case studies of people who have used the British Library Sound archive for research, one of which is by a PhD student looking at traditional Ugandan music, who used to Klaus Wachsmann archive to further his research. The British Library has approximately 3.5million sound recordings in total available to listen to onsite, with a Reader Pass. However…
A History of Recording East African Music News
…his work at the Makerere University in Uganda, which must be listened to onsite. The availability of this archive to the general public is unknown to Cooke (though his concern is that it should be available to everyone) His personal website gives details of all published work he has done and where it can be found He also has copies of his recordings at the Indiana Archive, Bloomington References Hugh Tracey http://en.wikipedia.org/wiki/Hugh_Trac…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
ILAM, Repatriation and Jimmie Rodgers/Chemirocha News
…immie Rodgers music was inspired by and build upon the influences of Black-American music, and it is only fitting that his work filtered back to Kenya. We find this circular tale in all music we are recording – most notably the massive influence of gospel on East African music, which, in turn was created in large part by Black-American music, directly inspired by early African village music. We listen to the likembe music in Uganda and here the st…
James Isabirye and Tabu Osusa Discuss East African Music News
…sounds vulgar – some Kampala teen-ager singing F this and F that in a bad American accent. Why is this good? Why is it unique? Why is it art? What they should do is learn about their culture, their identity – it is so rich, so wonderful, so new and exciting for others. If I’m an American or English person, when I hear a Ugandan I would want to hear something new from their culture – why do I want to hear t hem cursing about the police in Los Ange…
Report from Womex 2013 News
…p members from England, Wales, Scotland and Ireland. We were pleased to be sited next to New Zealand across the way and next door were South Africa! Podcast Andy recorded a few snippets of audio for an upcoming podcast – which will feature on the site soon. The Team A big thanks to Mike and Louise who were marvellous evangelists for the project over the course of the 4 days. Here is a picture of us all at our stand: And Finally… We were intrig…