Guy Morley Staff Profile
…ation. No Nation is an independent UK based arts programming and promotion company. Some of the festivals that Guy has programmed include The Big Chill, Brighton Festival and African Soul Rebels. Guy is also a freelance music promoter and DJ. In the course of his career he has produced a radio show called Afro Base, on Juice 107.2 and Totallyradio.com and been the resident DJ in several venues in Manchester. Working under the name Yam Yam, Guy Mor…
Day Zero: 6 March 2022 – Travel To Stream Story
…osting online performances, directly streaming shows to mobile devices and computers of audiences wherever they may be. With the prevailing situation, it is becoming increasingly apparent that the ability of performers to earn a living is quickly shifting to a dependence on access to Internet connectivity and online streaming services. This solution works well for urban-based performers where the infrastructure exists and is relatively easy to acc…
FAQ’s Page
…ording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download fro…
Field Recording Report by Kahithe Kiiru Story
…raditional lyre; ISIRILI – a one-string fiddle; LUENGELE– a percussive idiophone composed of a wooden bowl struck with wooden sticks on both the outside and the inside; ENG’OMA – a generic term for drums, use it for several drums of different shapes and sizes; CHICHUKA – shakers made out of gourds; metal ring struck with wooden sticks metal plate used as a drum-set cymbal. The charismatic Namatete played for us 6 songs and did one of his song (“Oc…
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
Global Influences Project: Artist Submissions Page
…witter (@afroshona), Instagram (@officialshonasa) and on Facebook (https://www.facebook.com/afroshona) AMZI ODEK X ALOKA OHANGLA//NYATITI GROUP We really enjoyed this submission from Trombonist and Producer, Amzi Odek. Based in Nairobi, he has been actively learning and embracing his culture through music, and we love how his submission reflects that so clearly. “The song is called “Watu Wetu Ni Kina Nani” meaning “who are our people”. This speaks…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Our Sponsors Page
…n Sports, London SW14 Type of sponsorship: donation in kind Thanks to Sheen Sports shop for providing footballs which we took as gifts to Uganda in 2013. During our field trips we often find that the whole village community comes to watch the performances we are recording. We have found that a football is an ideal and inclusive gift to offer the gathered crowd before we leave! http://www.sheensports.co.uk/ …
3. Background of the Naizungwe drums Story
…higher pitches. Then vocalists yodel, hum and recite poetic passages than compete with the loud drumming. Nobody needs loud speakers; the natural amplifiers are sufficient for the audience that is here. Everything comes out naturally and meaningfully to the people. That is what I see in the recording. How are these Basoga drums different from the Baganda ones? Athough Basoga and Baganda conical drums are similar in many ways, they have difference…
Contact Page
…sing, publicity, volunteering or anything else, please contact Victoria Denison Email Victoria: victoria@abubillamusic.com Our business addresses Abubilla Music Wey Court West Union Road, Farnham, Surrey GU9 7PT (A Limited Liability Partnership. Registered no: OC354221) www.abubillamusic.com Abubilla Music Foundation Valiant House 12, Knoll Rise Orpington, Kent BR6 0PG (Registered charity no:1142173) www.abubillamusicfoundation.org.uk Ketebul Musi…
Day 9 – Sunday 9th July 2017 Story
…t” (1). According to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (ty…
Conclusion: Challenges and Recomendations Story
…estimated times for completion of certain interviews. I would also want to comment here briefly on the instrument comparison exercise done on day 8 of recording. Although I believe it to be a good idea, which allows putting a central instrument – in this case the nyatiti, into a larger context and isolating its particularities, I am convinced it could be done much better if organised differently and adequately prepared for. A group interview is al…
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Kochia Traditional Dancers Group
…ccompanied by drumming, and the Tung’, the Luo horn. You can contact the Kagan Kochia group for bookings on +254 700 600881 Sources: www.hivisasa.com www.allafrica.com Homa Bay, Kenya Leader: William Odero Ondiek…