Singing Wells Stories Page
…f trying to help preserve traditional music is to try and make it relevant to today’s audiences and musicians and this goes a long way to helping. Since the field trip, we are pleased to report that Akello has been performing more with the Watmon Cultural Group (our group of the month for September – read more about that here. To read more about Akello and her part in Influences, click here: Akello To hear her collaboration with the Watmon Cultura…
Day Three: Bungoma Town to Kakamega Story
…and had a big local hit. This made them stars and allowed each band member to buy their own home. Wilbert said at this point they were too big for the small bars and were invited everywhere to preform. They brought in other musicians to form a much bigger band. They then produced their third CD in 2013, Namusia, again with Soundcheck in Kisumu. They started performing all over Kenya. They are now very well established with houses, and Wilbert is m…
Nile Beat Artists Group
…r of the band was Seby Ntege, who left Uganda in the early 2000s and moved to the UK, keen to evolve his sound. He plays the Kora, and much of his writing combines West African instruments with an East African writing style. Song Meanings “Ikobo Kobo”: It is a type of herb. It is a song about a girl who is very bitter because her mother will not let her play with her friends freely. The mother explains to her that she was barren but the spirits he…
3. Background of the Naizungwe drums Story
…ded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The…
Day Four: January 21 2019 Mwanza Story
…th his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewane nsanja: girlfriend got pregnant and came to singer for papers Tudumishe mila: about honouring our culture Raisi Ametamka: politicians must support education https://youtu.be/Hmp4zM3kSaM Sadly, we then got rained out and went back to hotel. We scheduled additional groups for same location the next…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day 9 – Sunday 9th July 2017 Story
…ists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin str…
Conclusion: Challenges and Recomendations Story
…and economise on filming time. From a methodological point of view, for us to be able to build on the original concept of the series and remain scientifically both pertinent and correct, a proper research preparation should be put in place as a standard. The ideal approach to pre‐recording preparations should thus include: short pre‐interviews with identified interviewees (this would later allow better and easier data collection and create a certa…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…s a trailblazer who revolutionized taarab music in a way the is still felt today…Whereas her predecessors were all male and sang predominately in Arabic, she was the first woman to perform in Swahili…She was born in 1880 in the Fumba village in Zanzibar…She left her home village and met Al Muhsin of Nadilkhwani Safa, a taarab group indebted to the Sultan at that time. Muhsin…decided to teach her…at the time it was considered immoral for women to…
Imachina Group
…undu: This is about the smell of a decaying body and the song tells people to come toward the smell and honour the man. Don’t run from this, confront it and honour his memory. The Mayo Procession – this is about bullfighting. The songs include: Lukumili: This is about the moment the horns lock between the two fighting bulls and the context really begins. Ing’ombe: This is about the bulls (I can’t read my handwriting here!) Iminyi: This is a type o…
Day Two: February 17, 2020 (Stonetown) Story
Our second day we drove into Stone Town. We recorded the first two groups at the Emerson Spice Hotel along the seaside. This hotel is an Arab style hotel, reminiscent of the rhiads in Marrakech with lots of small courtyards. In the Emerson Spice Hotel we filmed the first two groups in a courtyard usually used for meals in the hotel. While it became very hot as the sun hit the stage for the second group, the overall setting was beautiful –…
Field Recording Report by Kahithe Kiiru Story
…est hits, songs that any Kenyan can easily identify with: “Kweli Ndugu”; “Mtoto si Nguo”; “Sengula Nakupenda”; “Kunywa Kidogo” and “Watu Wanasema Uongo”. Fadhilee’s reaction to this last session was worth the wait, as he discovered the author of “Kweli Ndugu”, a song he had done a cover of years ago. Therefore, we recorded one last Influences with Fadhilee playing the song alongside Mukabi. The day was closed with a photo session ringing together…
FAQ’s Page
…ording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download fro…
Day Four: 10 March 2022 (Rongo) Story
…eing that most of the musicians we interacted with were immediately trying to put into practice some of the suggestions we made to them on ways of improving their performances. Most of them were ready to experiment with new ways of playing their traditional musical instruments, as well trying to devise standard tuning for them. Furthermore, we appreciated the fact that our intentions were well received and that the musicians did not consider us to…
Serengeti Group Group
…where the two lead dancers ‘nodded’ their head in almost a trance like way to the music and to their large eight-stringed instrument. We were mesmerized. Their instruments included the: Zeze, Virandi (shakers), and Ritungu (eight stringed instrument, huge Nyatiti). The group had three musicians in ‘red’ and two dancers in ‘white.’ The dancers were performing a ‘head nodding’ dance which was mesmerizing and was extremely unique. The athleticism of…