Group 2: Sophie Nzayisenga Story
…o seeing her. Since then she’s toured America, East Asia and Europe – last week she was in Holland with 200 artists from around the world, and was one of only 5 chosen as the best of the festival. Over the last few years the inanga has been having a resurgence among younger Rwandans, and Sophie is teaching a host of young women to play. The location where we were going to film was flooded, so she came to our hotel and the other guests were treated…
Day Five: January 22, 2019 Mwanza Continued Story
We returned to the same location (Kagera Bukoba) as yesterday to record three groups: Group 1: Karambi Sanaa Group: From Kagera Bukoba and part of the Wahaya Community, this group was formed in 2000 and performs in the Akasimbo style. Their instruments are: Kangote (Drums), Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together, and they wear Ebisheshe (grasses). We recorded four performances: Wachumba Walya: A song abo…
Our Sponsors Page
…ntral Uganda in November 2013. The donation was dedicated to our recording day in Mbale. Click here to read our field report from that day. We were also delighted to welcome Brad Gibbs from Mara to our recording session in Entebbe on our last day in Uganda – click here. Click here to find out more about Mara and the projects supported by The Mara Foundation in East Africa. Bain Capital Type of Sponsorship: Sponsor of Music Groups, Uganda 2013 Th…
Day Three: 9 March 2022 (Kisumu) Story
…Lukachia both members of Loko Band, the resident band at Dunga Hill Camp. DAY 3: Wednesday, 09 March 2022 Act Two Artiste: Olith Ratego Genre: Dodo Location: Dunga Hill Camp – Kisumu City Profile: Olith Ratego Olith Ratego was born Musa Odhiambo Omondi on 26 December 1974 in Asere, Ugenya in Western Kenya. The middle child in a family of three Olith Ratego dropped out of school at an early age to help his father, Walter Omondi Onyango, run his ca…
Day Four: 10 March 2022 (Rongo) Story
…uded the recordings with Otacho Stars and formally ended Travel to Stream! DAY 4: Thursday, 10 March 2022 Act One: Ontitri Bikundo Genre : Obukano Location: Treat House Resort – Rongo Profile: Ontiri Bikundo Ronald Ontiri Onchuru Bikundo is a versatile obukano player who was born in 1974 in Kisii. Ontiri started playing music in 1985 and recorded his first song ‘Bikundo Obaba mbono’ in 1994 and from then on he has been the main star of the obukano…
Days 10 to 12 – Monday 10th July to Wednesday 12th July 2017 Story
…John Otieno ‘Rapasa’, Gabriel Oduor, Walter Koga and Meshack Okoth Okumu. Day 11 – Tuesday July 11th 2017 (as per team’s report): Studio recording of the two master players ‐ William Omondi Ogutu & Odondi Diel Matara and of Meshack Okoth Okumu; done at Ketebul Studio, GoDown Arts Centre (Nairobi). Day 12 – Wednesday July 12th 2017 (as per team’s report): Recording of a nyatiti class for children, held by Rapasa at a private residence in Karen (Na…
Day 3 – Monday 3rd July 2017 Story
The third day of our field recordings was particularly fruitful. We visited Patrice Odour Oriwo known as ‘Sewe Oriwo’ at his home in Murumba village, Sega constituency (Siaya County), who fully demonstrated the making of a nyatiti resonator. We started off by going to a nearby wood and picking a log, which was then transported back to the compound on a bicycle. Upon arrival, Sewe, an elderly man of impressive strength and skill, started working o…
Day Two: February 17, 2020 (Stonetown) Story
…in Rahaleo. All male group ranging from age 7 up to 40, ten all together today. They sing Islamic and secular songs for weddings and celebrations. Today was mainly an acapello performance with one flute made out of a bamboo stick. The singers included: Ibrahim Ali Hassan (lead singer, flute ), Issa Ali Hassan (lead singer), Mlenge Ali Hassan, Othman Mlenge Ali, Afann Mlenge Ali, Iddi Abdallah Mohd, Abdillah Salum Juma (lead singer), Fesal Sleiman…
Day One: January 18, 2019. Assemble in Tanzania Story
…and we typically have two general mics for the group and 5-6 specific microphones for singers and musicians, b) we have three video cameras operating – one wide shot for full performance, one close up to capture details of instruments and one roving camera to provide a second angle on the performance and c) we interview all group leaders to understand group musical styles and background, instruments and songs. In almost every village, we struggle…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rs of the group: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxaphone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Songs: Alamina Dura – The orbit of the Gods Pakistan – written by Siti Binti Saad who loved Pakistan when she visited Kasha – Kenyan Taarab love song. A man singing about…
Day One: February 16, 2020 (Ngawala Hotel) Story
On our first day of recording, we follow Siti Binti Saad’s footsteps to Bi Kidude and to Amina Abdalla, a performer we met on the grounds of the Ngawala Hotel (Coincidently, Ngawala is another name for Dhow), where we recorded three groups. Nyota Za Meremeta – The group’s name means ‘twinkling stars’. They play in the Taarab style and are led by Professor Mohamed Ilyas, who played at the Serena Zanzibar Hotel for over twenty years and teaches…
Day One: The Iteso People and their Music Story
Sunday, February 18th, 2018: This day is all about the Iteso people and their music. The Iteso are a smaller ethnic community in Kenya but has very distinctive music. In Uganda, they are more Iteso, located in Soroti. Its language is Ateso. The Iteso are Nilotics, one of the people of the Nile. We drove to the town of Adungosi to record the Omong’oluk Traditional Dancers. The current leader is Ibriam Aduomg Omong’oluk, the grandson of the founder…
Day 2 – Sunday 2nd July 2017 Story
We started day two with a visit to Meshack at his late father’s home in Umala village, Alego constituency (Siaya County). His setting up for playing brought about a discussion and interesting notes on the accompanying “equipment” traditionally used when playing the nyatiti. These include: badiz (a piece of cloth tied to the player’s ankle as background for bells); gara (series of bells; should be a minimum of 8 in a string) and oduong (a foot rin…
Day 5 – Wednesday 5th July 2017 Story
On our last day in Lake Region, we paid a visit to Ayub Ogada, probably the most internationally acclaimed Kenyan musician, whose use of the nyatiti in different musical genres is both original and pertinent for our Masters of the Nyatiti story. We spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti…
Singing Wells Stories Page
…part of our field visit to record the music of the Luo. It had been a bad day up to that point – we had been hit by a spell of rain. We changed location to Dinky’s Resort Club in Rongo, and the first group we recorded was the Young Stars. Their brand of traditional music songs brightened our day immensely. Their song Charles Manager tells the story of a plantation manager they thank for simply doing his job. We invited them back to Nairobi in Mar…
Day 4 – Tuesday 4th July 2017 Story
…commercial clients for whom he does no such thing. Finally, we closed our day with an indoors interview at Namsagali hotel in Siaya. There we talked to Thadayo Owit Mutumura (born 1940), an excellent nyatiti player. He told us about the history of nyatiti in his family and its presence in all occasions (both weddings and burials), as well as about organised competitions he used to take part in. He remembered the olden days and the hostility among…