Conclusion: Challenges and Recomendations Story
…and economise on filming time. From a methodological point of view, for us to be able to build on the original concept of the series and remain scientifically both pertinent and correct, a proper research preparation should be put in place as a standard. The ideal approach to pre‐recording preparations should thus include: short pre‐interviews with identified interviewees (this would later allow better and easier data collection and create a certa…
3. Background of the Naizungwe drums Story
…ded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The…
Day 1 – Saturday 1st July 2017 Story
…local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti makers in the area, according to Meshack and mention of several masters who passed away; ‐ Discussion on playing positions (traditionally played while seated on a stool, some contemporary artistes play while standing as well) and its cultural and symbolic importance; ‐ The practice of praising peop…
Day 9 – Sunday 9th July 2017 Story
…ists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin str…
Support Singing Wells Page
…is funded by the Abubilla Music Foundation, the below link will direct you to make a donation to the Abubilla Music Foundation: — CLICK HERE TO DONATE NOW — Donate your time, products or services We are always keen to hear from people who are happy to offer their time to help the project and from companies which may be able to support us with products or services free of charge. If you can help out in this respect please contact: info@singingwells…
Royal Entenga Drummers Group
…h Albert and Shaban, a professional drummer who now leads the new band, they built a new set of Royal Drums, recruited a team of passionate drummers to learn how to play the drums, learned to tune the drums and ultimately learned to play new music….
Ayub Ogada Group
…of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti,…
Baseki Group
…praise for the region. Bahuni ba ng’wanza: A song referring to local women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they often tend to small…
Biluli Dutwa Group
…praise for the region. Bahuni ba ng’wanza: A song referring to local women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they often tend to small…
Here for the Music? Page
…you are in the right place. For some of our stories, videos and the chance to listen to some of our Singing Wells Albums, head to the links below. Stories Read some of our most memorable stories from the field, featuring stunning photography taken by our team. Learn more about the communities we meet, the instruments that are being played and the background stories behind some of the photohraphy on our website. Albums Head here to see the collecti…
Recording Resources Page
…ment Audio Recording Protocol Field Visit Workflow We hope these are useful for other researchers in the field. Please do get in touch if you find these helpful!…
Day Three: January 20th, 2019 Story
…! We recorded five performances: Busumabuno Kulima: A song about farming Watoto wakalime Freestyle on Kulima Magic Moment Busumabudo, focus on percussion https://youtu.be/dHeTdA5m5gQ Group 3: Awilo: The group, which is a comedy circus act, is from Ikungu lya nkoma and performs in the Bununguli style. They are from the Sukuma community and were formed in 1981. They played the Ng’oma and entertained the kids with circus acts involving fire, razor bl…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…d three performances: Tamasha la kumi: a song about ten principal rules on how to live a meaningful and productive life within society. Mapambano: a song against FGM and early girl child marriage. Vibibi Viwili: a warning song on alcohol and drug abuse. Group Four: Hiari Ya Moyo: This group was formed in 1957 by their grandfathers and is located in Dodoma. They are from the Wanyamwezi Community and performed in the Ngoma Style. Their instruments…
Global Influences Project: Artist Submissions Page
…any more musicians to go back to their roots and create something special! To find out more about L3GS, follow them on @l3gsmusic JAY P PRODUCTION X RUBANGA KINGDOM AWACH BOYS This upbeat bop has been submitted by Jay P Production for our latest installment of the Global Influences Project. We love how they used this beat to create something that got the whole team wanting to dance! When we asked about their process, Jay P Production said “We have…
The Revival of the Entongooli Page
…as travelled to visit Mr Mukadisi, who is educating a group of children on how to build and play this instrument in the hopes of continuing it’s legacy. Below you will find footage and information about the Entongooli and how the project is working to restore this instrument back to it’s former glory. Skip ahead to your preferred section… A Musical Education Finding the Materials Simple but Effective Tools Getting things Dung! Meet the Students…
FAQ’s Page
…sicians who collaborate with us on field and studio recordings. Click here to find out about these musicians. We also rely on local liaison personnel who have direct contact with the communities we visit and an expert knowledge of local music styles. During the field recording visits we also benefit from the voluntary help of the Abubilla Music Foundation trustees and UK Project Managers. How long have you been working on the project? We made our…