Richard Sewanyana Group
…B Kizimula to meet with Richard Ssewannyana. As we believe Musisi is the ‘last surviving’ royal drummer, we believe Richard is the last surviving royal flutist. Please, let’s be wrong here. We first interviewed Richard: “I am Richard Ssewannyana, son of Paulino Kajubi, whos father was Buko Ssempiira. My village is Ndese, in sub-county Kasawo, of County Kyaggwe. My grandfather used to play the flute in the palace but he was aging and wanted a fami…
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…ession of the day than it started drizzling. Fortunately, the rain did not last long and by 7:00pm we were back on track with Julius Itenya and his Super Phoenix Band on stage. They were a well-rehearsed team and all went according to plan until a group of mourners appeared from nowhere with a coffin of a dead relative that had just recently arrived from Nairobi. Although the burial was planned for the following day, the emotional villagers were a…
Stories Page
…sic Read some of our articles and stories behind the Music of East Africa. Dive into musical genres, different instruments and the musicians keeping these traditions alive. Picture We manage to take some beautiful photos on our trip. Find out the stories behind some of our favourite pictures we have taken on the field. Community Get to know some of the inspiring communities we have met on our trips, as well as some of the Singing Wells community w…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…(drums, with a kick) and Njiga (shakers from gourds). It is worth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate wooden kick pedal, so he could play all the drums with his hands and kick with his feet. We had not seen this before and it meant the group has a very traditional sound but a very modern feel,…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…festivals. When we got to their village in Mpendae we had some difficulty finding a place in the shade that was quiet. There were airplanes and motorbikes going by occasionally. We managed to record one song but had to stop after that due to noise. We hope to have this group come to the hotel on our last recording day. We felt bad that they only were able to perform one song but they took it graciously. Performers: Rajab Suleiman (qanun and direc…
Kithara Group
…festivals. When we got to their village in Mpendae we had some difficulty finding a place in the shade that was quiet. There were airplanes and motorbikes going by occasionally. We managed to record one song but had to stop after that due to noise. We hope to have this group come to the hotel on our last recording day. We felt bad that they only were able to perform one song but they took it graciously. Performers: Rajab Suleiman (qanun and direc…
Kangema Mwomboko Dancers Group
…group played 5 songs plus one magic moment: Mwomboko Ndongomothi Kariara Rumba Jeki Magic Moment: The group then focused on a minute of Wendire Mugunda…
Day Four: 10 March 2022 (Rongo) Story
…ified it to ‘Rodi Kopany’. When Ben Mukabwa returned to Kakamega after our last recording in Kisumu, Dave Otieno joined us in Rongo and teamed up with Fiston Lusambo to continue our experimental fusion of contemporary elements with traditional sounds of Western Kenya region. Dave and I go back a long way as we worked together on several musical projects under the Nairobi City Ensemble. Other notable projects with Dave were during the period of Spo…
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
Field Recording Report by Kahithe Kiiru Story
…I – leg rattles; EFIRIMBI – a metallic whistle; OLWIKA – antelope horn aerophone; LIKHANGO – another aerophone made out of a reed attached to a wild goat horn; MUTINDI – flat two-skin drum played using two wooden sticks. Their props included spears (lifumo), shields (esikhumba), fly whisks (mukia) and clubs (eskong’o). They were wearing hats and tops made out of leather, leaves and feathers, and most original skirts which were in fact recycled umb…
FAQ’s Page
…ording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download fro…
Global Influences Project: Loop Library Page
…da. They play music in the Kidinda style using the Amadinda, a 22 slab xylophone which was historically an instrument which could only be played in front of the King. You can find out more about the band here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop Joginda Boys – 116BPM Joginda boys are from Aluny Village, East Alego, Kenya. This play wonderful Nyatiti music, with Organda J…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
The Revival of the Entongooli Page
…start a new generation of skilled players and builders of the Entongooli. Finding the Materials Finding the correct materials is half of the battle of reviving such a unique and rare instrument. The beginning of the Entongooli building process begins with forming the bowl shaped base, the soundbox, of the Entongooli. A specific tree species called Omusita is used to ensure that the word is strong enough to endure the shaping, and to make sure it…