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Our journey to the Royal Drums: in the words of James Isabirye Story

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…e drummers. I thought I was in great shape, because I knew Sebuwufu, a xylophone player who knew all about the drums and agreed to help me. Together, we found out that Peter Cooke had recorded the drums and we listened to some of these recordings. But then, Sebuwufu passed away in August 2015 and I realised I had a big problem now. He might have been the last person who knew the drums. But I remembered that Sebuwufu had heard of someone named Musi…

Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story

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…sm and business is focused on marketing which demands immediate return. So on one hand, our government investing in messages that say ‘see our animals not our people.’ And business is looking for big numbers which means popular things, which sadly means easy to digest, disposable pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. Y…

The History Of Benga Music: A Report by Ketebul Music Story

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…963, the Ogara trio recorded the song “Selestina Juma” at the African Gramophone Stores, famously known as AGS, in Nairobi. Curiously, the song bears a distinct beat of ska, the precursor of today’s reggae. The trio’s guitar work was evidently inspired by influences from way beyond Luoland and was pretty much ahead of its time. It is possible that its ingenuity came from itinerant guitarists from the Congo, Uganda and Zambia who were already visit…

Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story

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…cause – they aren’t rooted. I was a session musician at AGS (African Gramophone Studio) and CMS (Capital Music Studio) studios, both on River Road. I formed Sega Sega and we had a drummer called Katoi and Juma Otheth. We did a huge amount of studio work and as Benga became popular, the three of us played on a lot of others’ songs. This meant that our Luo sound was getting on a lot of records. The early sixties was mostly about studio work but by…

Kenya’s Amazing Musical Instruments News

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…than seven houses, two cows and lots of chickens, but it was home to the wonderful Nyerere wa Konde Music Club. The club included a percussion trio playing the Lungo and the Ndema, as well as two shakers and a Filimbi (a type of whistle). Listen here: Nyatiti The Nyatiti is a stringed Luo instrument which, in the hands of the masters, serves as a bass, drum and rhythm guitar combined. One of the most famous Nyatiti players of all time is Ayub Oga…

Central Uganda: Day 5 – Jinja to Kampala Story

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…dle players and 2 thumb pianos. They also have the traditional Ugandan Xylophone. All instrumentalists also sing and are supported by three ladies who sing and dance. The three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Artists. Walusimbi was once the Global Youth Earth Day Ambassador for Africa after winning the Global Youth Earth Day Ambassadors Competition in Marikina-Philipines. Nabayaza Sumaya Baiga: Sh…

Central Uganda: Day 4 – Jinja Story

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…His influence is local but amazing. He is a composer and he can compose a song on the spot – if you tell him the names and topic he will come back with a beautiful song, on the spot. The challenge we have for him and for all like him is a) illiteracy, b) that the instruments are acoustic – if we could amplify our instruments we can then give him a bigger stage. We are trying at the university to help amplify instruments. Every time we try, we stru…

Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story

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…e. After these two songs, Julian took over the lead with his drums and xylophone to play Chiina Chedya Mayi, a beautifully chilled song about the loss of a mother.. Here is their music: The Elgon Hero Brass Band Following this very traditional tribal music, the contrast couldn’t be greater – on marched the Elgon Hero Brass Band. Here’s the band with our Influences artist, Jacinta. They performed the following: Malaika (Influences): They started wi…

Singing Wells in Numbers…. News

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Published in: About Singing Wells

…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes.  …

ILAM, Repatriation and Jimmie Rodgers/Chemirocha News

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…Kenyan girls. The song is haunting but made more so by Tracey’s introduction on the LP record (not included on the CD): “The mysterious singer and dancer Chemirocha has been turned into a local god Pan — a faun — half man, half antelope. He is urged by the girls to do the leaping dance, familiar to all Kipsigis, so energetically that he will jump clear out of his clothes… Who could resist such an offer?” Tracey concludes. The charm of the spoken…

James Isabirye and Tabu Osusa Discuss East African Music News

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…rnment program on culture, we need to give the artist the stage and a microphone and an audience. Let people rediscover their culture through great artists doing great things. You don’t rediscover you heritage with a government policy. James: Exactly. One other issue. Part of the problem we have is our ‘everything now’ culture. 50 years ago, if you got a job, you knew that if you worked hard and stayed with the job and got promoted you could buy a…

Report from Womex 2013 News

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Published in: News & Views

onsuming music. In Africa – 60% have electricity whereas 86% have a mobile phone. This is again another area in which the Singing Wells project may be interested in the future – mobile phones and ring back tones as a method of delivery for music. Mike and I also attended the African music networking session which became the launch for a new initiative by the Cape Verde government. It has been calculated that music is their biggest export and so ha…

SWP Uganda 2013 – our proposed itinerary News

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…ce) and ‘Nasale’, playing traditional instruments such as the Embaire (xylophone), Ndingidi (tube fiddle) and Efumbo (long drum). Once the recording sessions are finished we will pack up the studio and drive the short distance to Mbale, the location of our recording session on Thursday morning. Day 4: Mbale & Nakisenyi – Music of the Bagisu and Basoga On this morning we will meet the Elgon Ngoma Troupe who perform Bagisu music. Steve met the leade…

A recording studio which fits into the back of an SUV Story

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…have two mobile recording units, each capable of recording from four microphones plus other sources at a high resolution to Apple MacBook Pro laptops. The benefit of the systems we have chosen is that they can run off the battery power of the laptops if we are in the situation where we do not have a generator (or there is a power cut mid-session which happened to us when we recorded to the Batwa at the Traveller’s Rest Hotel in Kisoro, Uganda!) W…

73,603 views on YouTube News

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…tist Winyo.     And in first place with over 21,700 views is ’71 Hours to Monday’- a global track from Abubilla Music featuring musicians from Sao Paulo, Nairobi and London which was produced to support the launch of the Singing Wells project in 2011.     Keep watching!    …

A new type of city Story

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…was hilly and most of the roads were not built for vehicles. The shops were small shacks mostly and at night stayed open, lit by candle light. There were animals everywhere and make-shift houses, which starkly contrasted to the taller office buildings you could see in the distance. Despite this unconventional type of city,I loved it. There was certainly a lot going on and during the week Akello told us many stories of the vibrant buzz in Kampala….