Singing Wells Stories Page
…d make it relevant to today’s audiences and musicians and this goes a long way to helping. Since the field trip, we are pleased to report that Akello has been performing more with the Watmon Cultural Group (our group of the month for September – read more about that here. To read more about Akello and her part in Influences, click here: Akello To hear her collaboration with the Watmon Cultural Group – Amari – click here: 2011 – 2013 sampler CD Win…
Day 2 – Sunday 2nd July 2017 Story
…g) and oduong (a foot ring placed on the thumb toe). He then explained the way he tunes his instrument and confirmed our presumption that the tuning techniques vary from player to player, as well as the fact that not all know how to do it correctly. Meshack Okoth Okumu K’orengo then played for us, accompanied with a choir of 5 men of different age, 3 tunes on his nyatiti. The tunes were recorded as follows: Koblo gi long maratong’ Owino Konjwang’…
Day 3 – Monday 3rd July 2017 Story
…akes the resonator stronger and more difficult to break. Finally, Sewa told us he got the knowledge of nyatiti making from his step‐father and commented on the custom of making a sacrifice upon completion of each instrument in an equally liberal way: “it’s upon the client”. Thus, our day with Sewa Oriwo was, I believe, very pertinent, since it was at the same time technically the most complete demonstration of nyatiti making and revealed the comme…
Day 4 – Tuesday 4th July 2017 Story
…le he confirms no formal teaching actually happens. Traditionally the only way to learn the nyatiti is by observing and trying out. On the topic of gender taboo, Ogutu commented he does not recall ever seeing a female nyatiti player, yet does not think there exists an actual explicit restriction. We were also content to hear William Ogutu’s stories of nyatiti competitions which used to happen, occasions they used to play in (mostly funerals) and a…
Elgon Ngoma Troupe Group
…rking with the National Theatre and various troupes around Mbale. He was always extremely proud of his tribe, the Bagisu, and always wanted to do something musically building off his own culture. He also wanted to help other kids facing what he faced – either has orphans or from severely disadvantaged homes. He started to go to University but found that gathering the funds for tuition each time extremely difficult. He had raised the funds for anot…
Adungu Instrument
…also recorded an Adungu group in Kampala, as we passed back through on the way to Entebbe. It is an arched harp instrument with between 7 and 10 or more strings. They vary in size between smaller instruments, played close to the body and the larger bass adungu, on which the player can sit. The sound box is commonly covered in animal hide, and is also at times used as a percussion instrument – by a musician sitting behind the adungu, hitting it…
Here for Research? Page
…, expect interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down into stringed, percussion or wind a…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rs of the group: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxaphone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Songs: Alamina Dura – The orbit of the Gods Pakistan – written by Siti Binti Saad who loved Pakistan when she visited Kasha – Kenyan Taarab love song. A man singing about…
Day Five: February 20, 2020 (DCMA) Story
…mers: Tarajazz: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxophone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Kirundo: Lukoa Nenes (sticks), Joshua Muyumovela ( shakers), Nyemo Mopana (guitar, kalimba (hand held thumb piano), lead singer), Heri Kombo (drums) Songs: Mwaludeja – Ki…
Group 5: Ababeramuco Group Story
…or the king and queen to sit. When they go inside, they each go a separate way to their shared bedroom at the back. It was a beautiful setting amongst very green tall trees. We luckily had a dry afternoon. This group is made up of four older men who have been playing professionally their entire lives. The leader of the band is Mushabizi who plays the Inanga and is the uncle of Sophie Nzayisenga who we had seen the day before. She learned much of h…
Jackie Akinyi Group
…education, and that’s when she started her career as an artist. She has always loved music, especially traditional drums and songs. This love for music started way back in primary school when she used to sing in a traditional music choir and continued even after joining Secondary School. In 1998, she started singing with Jambo Star Band of Mwanza Town, and while with them, she composed her song known as “Wawili Wawili” in the year 2000. After thi…
The Revival of the Entongooli Page
…e look at how to shape these trees to create and tune each note on the Xylophone. From Embaire to Entongooli: Part 2 In this video, we continue to learn about the process of building the Embaire, also known as the xylophone, to help educate our young music scholars about music, melody and instrument building. We are shown how they finish off their Embaire and then talk to some young students about what they have learned. What is clear from our tri…
Field Recording Report by Kahithe Kiiru Story
…I – leg rattles; EFIRIMBI – a metallic whistle; OLWIKA – antelope horn aerophone; LIKHANGO – another aerophone made out of a reed attached to a wild goat horn; MUTINDI – flat two-skin drum played using two wooden sticks. Their props included spears (lifumo), shields (esikhumba), fly whisks (mukia) and clubs (eskong’o). They were wearing hats and tops made out of leather, leaves and feathers, and most original skirts which were in fact recycled umb…
Privacy Policy Page
…you aware of this without being too intrusive, so we feel this is the best way to do it. You’ll also notice that all sites are starting to do it. The directive says that functions that are essential to the site are exempt, so sites with shopping carts that remember what you have added etc. won’t have to ask you, but sites like http://www.bbc.co.uk do – and you will notice them asking you about it. The ruling was passed a few years back, and they…
Global Influences Project: Artist Submissions Page
…to include African sounds, and we just LOVE that! “Loops are such a great way to start a track for me. They are a great way of finding inspiration, and i particularly liked the rhythmic elements that these loops have. They have an organic sound and are not exactly on the grid because the instruments are played by people. in the case of Watmon Cultural Group loop for example, the plucked instrument provides both melodic and a groove to the track….
Group 8: Abutazi Story
…nanga with rap. Their flow was such that they often went straight from one number into another, so the set list reflects this. Set list Agahinda (“Sad”) and Inanga. Agahinda is a song about depression that Makare wrote 8 months ago, using a metaphor of a burning house where the smoke can’t be kept in. This went straight into Inanga, an ode to the inanga and its sound and all it does for them. We loved this double number so much we recorded it twic…