Day One: January 18, 2019. Assemble in Tanzania Story
…ravel day. The main Ketebul crew (Steve, Patrick, Drix) left Nairobi early to drive to Kisumu, while Tabu flew with Jimmy and Hunter to Kisumu (Jimmy and Hunter arrived from London on the 17th. We all met at the Kenya/Nairobi border and after two hours, cleared the border and drove to Tarime, where we met Jackline Odhiambo Aringo (Jackie Akinyi), a Tanzanian musician who helped organize our trip (see our interview with Jackie here). We arrived at…
Singing Wells Stories Page
…rying to help preserve traditional music is to try and make it relevant to today’s audiences and musicians and this goes a long way to helping. Since the field trip, we are pleased to report that Akello has been performing more with the Watmon Cultural Group (our group of the month for September – read more about that here. To read more about Akello and her part in Influences, click here: Akello To hear her collaboration with the Watmon Cultural G…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…ny stops. But we digress. From the Dodoma Hotel, we drove about 90 minutes to Nzali to record four groups: Group 1: Makunga: This group is from Dodoma and the Wagogo Community, which they argued is the main indigenous community of Tanzania (always from the land, never migrated into Tanzania. The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style. Their instruments/costumes include the: Ndulele (Horn…
Day 1 – Saturday 1st July 2017 Story
…local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti makers in the area, according to Meshack and mention of several masters who passed away; ‐ Discussion on playing positions (traditionally played while seated on a stool, some contemporary artistes play while standing as well) and its cultural and symbolic importance; ‐ The practice of praising peop…
Day 9 – Sunday 9th July 2017 Story
…ists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin str…
Day Four: January 21 2019 Mwanza Story
…ut honouring our culture Raisi Ametamka: politicians must support education https://youtu.be/Hmp4zM3kSaM Sadly, we then got rained out and went back to hotel. We scheduled additional groups for same location the next day….
Days 6 to 8 – Thursday 6th July 2017 to Saturday 8th July 2017 Story
…umé of those days’ activities is included in the form of short notes: Day 7: Recording of the making of obokano, an 8 string instrument from the Kisii ethnic community demonstrated by Dominic Ogari, a music instructor at Kenyatta University in Nairobi. Day 8: Saturday 8th July 2017: Recording of an in‐depth interview with John Otieno ‘Rapasa’, our fixer who had previously travelled to Lake Region with us. In this interview he explained his persona…
The Northern Tribes of Uganda Album
…chin). Waroco Terawo were our fourth group. A long drive out west brought us to Fort Murchison and Pakwach. We went on further to Widianga village and the Alur Kingdom Troupe. Later that day we were treated to Cieng Dwong back at Fort Murchison – darkness descending as we recorded. A travel day to Soroti was followed by another Likembe band – the Macedonia band, before the long drive back to Kampala. One night in Kampala was followed by a recordin…
Day 5 – Wednesday 5th July 2017 Story
…ical genres is both original and pertinent for our Masters of the Nyatiti story. We spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He rem…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…freestyle recording’ – what we mean here is we allow our three camera operators to ‘roam’ and to ‘release the band’ to dance. We are trying to overcome the somewhat artificial nature of ‘archiving’ where the band is constrained into a single shot. Magic Moment: We loved the percussion and wanted to capture this as magic moment. https://youtu.be/u7xcXahAlzI Group 2: Upendo Jazz: The group is from the Murangi Village in the Mara Region and their c…
FAQ’s Page
…ording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download fro…
Day Three: Bungoma Town to Kakamega Story
Tuesday, February 20th, 2018: Today, we returned to record Wilbert Wanyama in Bungoma Town. As mentioned, we met Wilbert on the evening of February 19th, but were unable to record his band due to thunderstorms. So we returned to Santa Maria Resort to record him the next morning. And the weather was sunny and crisp, following the previous evening storms. First, Wilbert told us the history of the band. The band, Bungoma Roots Band, started in 2005…
Our Sponsors Page
…Kalenjin, March 2012 Thank you to Anne for her kind and generous donation to towards our 2012 field recording visit to Kenya. Read all about it here. http://www.annewright.com/index.asp Institute of International Education Type of sponsorship: Field Recording Visit, Music of the Batwa, Uganda 2011 Through our relationship with The Ford Foundation we were able to apply for a grant from the IIE to fund our field recording visit to Kisoro in south…
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Page
…er his leadership, he continues to provide that for people, young and old, today. Who else is leading the way? Amone Watmon Matthew is just one person who is leading the way for future generations to continue learning about their musical heritage. Here are some of the other pioneers we have had the pleasure to meet and work alongside: James Isabirye Since 2013, Singing Wells has proudly supported the work of Professor James Isabirye. He has dedica…
Day Five: January 22, 2019 Mwanza Continued Story
We returned to the same location (Kagera Bukoba) as yesterday to record three groups: Group 1: Karambi Sanaa Group: From Kagera Bukoba and part of the Wahaya Community, this group was formed in 2000 and performs in the Akasimbo style. Their instruments are: Kangote (Drums), Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together, and they wear Ebisheshe (grasses). We recorded four performances: Wachumba Walya: A song abo…