Our journey to the Royal Drums: in the words of James Isabirye Story
…, Right: Musisi (one of the last remaining Royal Drummers) Here is James’s story about how we ended up recording the Royal Drums of the Buganda Kingdom: “Let’s first just consider the state of our traditional music. From a government perspective, it is the music you roll out for foreigners, like the Pope, or on some special occasion. But otherwise you ignore it and don’t value it. We don’t support it and we are losing the myths, the dances, and th…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they are out there. And it gets much deeper. Our view of development is hardware – give folks roads, modernise them. But Singing Wells has discovered in fact – the best sustainable development is to keep…
The History Of Benga Music: A Report by Ketebul Music Story
…enre and Ketebul has kindly given us permission to publish in full their history of Benga music. Here it is: Retracing the Benga Rhythm From simple traditional village entertainment to a national and regional music genre, this is the story of the making of benga music. Setting the Background A characteristic of popular music the world over is the element of mystery surrounding the origins of the genre and sometimes also, the real meaning of its na…
Central Uganda: Day 5 – Jinja to Kampala Story
…delighted to find a English football match on the TV (Arsenal vs. Southampton). And we were greeted by Air Conditioning which is most welcome by those of us from the North but feared and mistrusted by those of us from Nairobi. We look forward to recording tomorrow in Kampala. Apparently there is a marathon. We shall provide the soundtrack….
Central Uganda: Day 4 – Jinja Story
…s. The Bigwala Cultural Group One of this group’s primary purposes is to restore the Bigwala, the big Ugandan trumpet, to Ugandan musical culture. According to our local musical expert, James Isabirye, it was close to dead, but a Unesco project has helped to draw attention to the group by pointing out the instruments and its players are threatened with extinction. He also says there is a horn shortage because people don’t grow the right kind of go…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
Report from Womex 2013 News
…ain at the Wales Millennium Centre and in a tent erected outside. In the Weston Studio we saw the magical Ross Ainslie and Jarlath Henderson, who after a 9 hour car journey had almost not made it in time. Jarlath popped via our stall the next day at the trade fair, and so left with a copy of the Singing Wells CD sampler to enjoy in the car journey home again. We then crossed to the tent to catch Scottish band Lau, who gave a stirring performance d…
A recording studio which fits into the back of an SUV Story
…f battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully selected so it can easily fit into a few holdalls and four rugged peli-cases which protect everything while in transit, whether it be on a plan…
73,603 views on YouTube News
…enjoying what we are all about – bringing the more traditional sounds of East Africa to an enthusiastic audience. Thanks for watching! Our top 3 video hits In third place, this is the Nyerere Wa Konde Music Club from Sita Village, Gede in Kenya’s Malindi District. It was the very first video we uploaded to YouTube following our field visit to the Coast Region to record the music of the Mijikenda tribes. Is second place is a video from our fi…
A new type of city Story
…here and make-shift houses, which starkly contrasted to the taller office buildings you could see in the distance. Despite this unconventional type of city,I loved it. There was certainly a lot going on and during the week Akello told us many stories of the vibrant buzz in Kampala. Every night there’s music to listen to somewhere in the packed hub of 180,000 people . The image above of the tin houses and the Uganda House of Commons in the backgrou…
The Boy with the Headphones Story
…n SW Uganda where we recorded the music and dance of the Batwa people. The story of the Batwa can be read in detail by following the featured link below, but for now we will tell you about this little boy with the headphones. It was on our second day in Kisoro when we travelled to the Mperwa Batwa community. Consisting of just a small number of families, the Mperwa have settled on a small area of borrowed land just a few kilometres from the town….
The origins of Singing Wells Story
…imilar concerns. Some of us had travelled through East Africa and we were astounded by the quality of the tribal music, but equally surprised to find how hard it was to access the music back in Britain. As the founder of Abubilla Music, I set out to find partners in East Africa who were committed to preserving the music. Through a series of e-mails that travelled the world, Tabu and I were brought together by Joyce Nyairo, then of the Ford Foundat…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…ng: Drove 8 minutes to Airport. About 600 meters outside airport we had to stop and all get out of van and go through a metal detector. There was a large sign telling us not to bring in pistols and rifles. The van was then searched. At airport, we had to unload bags at departures, take them by trolly to bottom of stairs. Take all bags up the stairs. Find new trolly and proceed to next stage. All this would be fairly straightforward except we had 3…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…of his life at high school, playing rugby and studying ICT, Finance and History. He played percussion and the Likembe (thumb piano) very well during the course of the evening, and has enjoyed playing music his whole life. He accompanies Watmon’s group which plays Acholi style music (as they are from the North). Whilst talking to him I asked him about popular Ugandan music, as we’d heard alot during the week (usually being pumped out of local stor…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…Gulu up in Northern Uganda, and moved down to Kampala during the war. We love the instrument they played, the Nanga (below) so much we asked if they would join us in Entebbe to record more songs with Akello. We asked them to come with us to our next stop: our hotel in Entebbe, purely because we were desperate to have more time with the stunning musicians we met in the city. During the two hour drive to Entebbe we talked with Watmon and his son, Od…
An Evening with Mserego Mwatela Group News
…ela Massai and his grandson, Ali Tungwa : Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young and vibrant. How have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they like. I watch how they dance…