Our journey to the Royal Drums: in the words of James Isabirye Story
…he lives in Kiboga which was about three hours away. She gave me his son’s number and Musisi’s and we called. I talked to him! My only thought at the time was: GET MUSISI TO KAMPALA. I could not lose another teacher. So I agreed I would send money for Musisi to meet with me. I gave him a job to teach students how to play the drums. I was so relieved to have found a drummer. He arrived in Kampala and we set out to teach. But very quickly it was cle…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…that say ‘see our animals not our people.’ And business is looking for big numbers which means popular things, which sadly means easy to digest, disposable pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they…
The History Of Benga Music: A Report by Ketebul Music Story
…963, the Ogara trio recorded the song “Selestina Juma” at the African Gramophone Stores, famously known as AGS, in Nairobi. Curiously, the song bears a distinct beat of ska, the precursor of today’s reggae. The trio’s guitar work was evidently inspired by influences from way beyond Luoland and was pretty much ahead of its time. It is possible that its ingenuity came from itinerant guitarists from the Congo, Uganda and Zambia who were already visit…
Central Uganda: Day 5 – Jinja to Kampala Story
…dle players and 2 thumb pianos. They also have the traditional Ugandan Xylophone. All instrumentalists also sing and are supported by three ladies who sing and dance. The three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Artists. Walusimbi was once the Global Youth Earth Day Ambassador for Africa after winning the Global Youth Earth Day Ambassadors Competition in Marikina-Philipines. Nabayaza Sumaya Baiga: Sh…
Central Uganda: Day 4 – Jinja Story
…he small thumb piano. Kirunda Awali sings and plays the Endere, which is a flute. Fred Tavakumuwa is the main second vocalist and plays the Endingidi, which is a tube fiddle. Finally, Kisame Ndaba also plays the Endongo (the thumb piano) and sings. They played a number of songs and then we kept doing magic moments – but frankly, everything they did was a magic moment. Even at the end, when we played back their music over the speakers they all stoo…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
Report from Womex 2013 News
…n which the Singing Wells project may be interested in the future – mobile phones and ring back tones as a method of delivery for music. Mike and I also attended the African music networking session which became the launch for a new initiative by the Cape Verde government. It has been calculated that music is their biggest export and so has set up the African Music Forum to make it easier for musicians to make a living – from visas and flights to…
A recording studio which fits into the back of an SUV Story
…ing with us: 2 Apple MacBook Pro 2 MOTU Traveler MK3 Audio Interface 4 Headphone amps 8 Sony MDR-V600 headphones 2 Shure mics & stands 2 Rode Lavalier omni-directional mics 2 Rode NTG-1 condenser Shotgun mics 1 Matched Pair of AKG C414 XL Microphones 1 Matched Pair of Rode NT5 Microphones 2 Rode professional boom pole 1 K&M telescopic mic stand/boom 1 Canon EOS 7D 1 Canon EOS 60D 1 Canon EOS 5D 1 LED video camera lights 1 Flip HD video camera Thin…
73,603 views on YouTube News
…ls YouTube channel……73,603 views and still counting! It’s not a meaningful number in itself (like a nice round 100,000 – our next target) but it does mean more and more people are finding us and enjoying what we are all about – bringing the more traditional sounds of East Africa to an enthusiastic audience. Thanks for watching! Our top 3 video hits In third place, this is the Nyerere Wa Konde Music Club from Sita Village, Gede in Kenya’s Malindi…
A new type of city Story
…hat the capital would be like; this image speaks a lot about the city. The number of ‘proper’ buildings were few and in only the small centre. It was hilly and most of the roads were not built for vehicles. The shops were small shacks mostly and at night stayed open, lit by candle light. There were animals everywhere and make-shift houses, which starkly contrasted to the taller office buildings you could see in the distance. Despite this unconvent…
The Boy with the Headphones Story
…hen we travelled to the Mperwa Batwa community. Consisting of just a small number of families, the Mperwa have settled on a small area of borrowed land just a few kilometres from the town. At first glance the setting appeared to be spectacular, with the lush valley and terraced hills of local farms as a backdrop and the magnificent Virunga volcanos in the distance. But we were quickly struck by the impoverishment of this small community. As we a…
The origins of Singing Wells Story
…sicians with us to perform with the tribal groups and to write new music influenced by these sessions. Winyo, a wonderful singer/songwriter with Ketebul Music, is one of our Influences artists and has been with us on three Singing Wells field visits. His first album ‘Benga Blues’ (released by Ketebul Music and Abubilla Music in September 2012) is rooted in traditional music. Of Singing Wells, he says, ‘What we find in these villages are important…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…own stares on to tarmac and up to our very nice and pleasant Kenya Airways flight. We left and landed on time and all bags were waiting. We felt pretty sure that no baddies could have gotten through those 8 steps and were quite relaxed flying. After some chores we all then gather at the Go Down Arts Centre for recording. In the early afternoon, we had a chance to interview Tabu about the Uganda trip: Q: What did you want to get out of the trip?. A…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…ee… …Odong’o Kilau… …Lawie Akada (with the group leader playing the Olwet (flute)… …and they closed (and we closed our Ugandan trip) with Anyaka Lim Pee. The last song is essentially a lament that a male suitor doesn’t have enough money for the woman’s bridal dowry. Watmon is pictured above with a plastic flute (traditionally it’s made of bamboo – but he said these are hard to come by) which he played during the last song. We then shut down and sa…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…p above us. There were cars, motorbikes and taxi’s driving past and planes flying overhead. Everything was for sale by everyone who walked by. No sleeping cattle. No flower beds. But, as always, there was wonderful music. The first group was the Adungu Cultural Troupe, masters of the Adungu. We had interviewed their leader on our ‘recce’ trip earlier. Here’s the band: We’ve had the odd adungu here and there in the north, but never the full ensembl…
An Evening with Mserego Mwatela Group News
…with his father’s group and then he founded this group in 2007. They use a number of styles, most notably Sengenya, which we covered fully in our March 2011 field recordings in Malindi. We interviewed Swalhe Mwatela Massai and his grandson, Ali Tungwa : Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young and vibrant. Ho…