Our journey to the Royal Drums: in the words of James Isabirye Story
…e drummers. I thought I was in great shape, because I knew Sebuwufu, a xylophone player who knew all about the drums and agreed to help me. Together, we found out that Peter Cooke had recorded the drums and we listened to some of these recordings. But then, Sebuwufu passed away in August 2015 and I realised I had a big problem now. He might have been the last person who knew the drums. But I remembered that Sebuwufu had heard of someone named Musi…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…sm and business is focused on marketing which demands immediate return. So on one hand, our government investing in messages that say ‘see our animals not our people.’ And business is looking for big numbers which means popular things, which sadly means easy to digest, disposable pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. Y…
The History Of Benga Music: A Report by Ketebul Music Story
…963, the Ogara trio recorded the song “Selestina Juma” at the African Gramophone Stores, famously known as AGS, in Nairobi. Curiously, the song bears a distinct beat of ska, the precursor of today’s reggae. The trio’s guitar work was evidently inspired by influences from way beyond Luoland and was pretty much ahead of its time. It is possible that its ingenuity came from itinerant guitarists from the Congo, Uganda and Zambia who were already visit…
Central Uganda: Day 5 – Jinja to Kampala Story
…dle players and 2 thumb pianos. They also have the traditional Ugandan Xylophone. All instrumentalists also sing and are supported by three ladies who sing and dance. The three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Artists. Walusimbi was once the Global Youth Earth Day Ambassador for Africa after winning the Global Youth Earth Day Ambassadors Competition in Marikina-Philipines. Nabayaza Sumaya Baiga: Sh…
Central Uganda: Day 4 – Jinja Story
…His influence is local but amazing. He is a composer and he can compose a song on the spot – if you tell him the names and topic he will come back with a beautiful song, on the spot. The challenge we have for him and for all like him is a) illiteracy, b) that the instruments are acoustic – if we could amplify our instruments we can then give him a bigger stage. We are trying at the university to help amplify instruments. Every time we try, we stru…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
Report from Womex 2013 News
…onsuming music. In Africa – 60% have electricity whereas 86% have a mobile phone. This is again another area in which the Singing Wells project may be interested in the future – mobile phones and ring back tones as a method of delivery for music. Mike and I also attended the African music networking session which became the launch for a new initiative by the Cape Verde government. It has been calculated that music is their biggest export and so ha…
A recording studio which fits into the back of an SUV Story
…have two mobile recording units, each capable of recording from four microphones plus other sources at a high resolution to Apple MacBook Pro laptops. The benefit of the systems we have chosen is that they can run off the battery power of the laptops if we are in the situation where we do not have a generator (or there is a power cut mid-session which happened to us when we recorded to the Batwa at the Traveller’s Rest Hotel in Kisoro, Uganda!) W…
73,603 views on YouTube News
…tist Winyo. And in first place with over 21,700 views is ’71 Hours to Monday’- a global track from Abubilla Music featuring musicians from Sao Paulo, Nairobi and London which was produced to support the launch of the Singing Wells project in 2011. Keep watching! …
A new type of city Story
…was hilly and most of the roads were not built for vehicles. The shops were small shacks mostly and at night stayed open, lit by candle light. There were animals everywhere and make-shift houses, which starkly contrasted to the taller office buildings you could see in the distance. Despite this unconventional type of city,I loved it. There was certainly a lot going on and during the week Akello told us many stories of the vibrant buzz in Kampala….
The Boy with the Headphones Story
…y invited them to listen to a playback of one of the songs through his headphones and this particular boy overcame his shyness to have give it a try. We could see how hard life is for the Batwa, living on small pieces of borrowed land on the fringes of society but the performance of the Mperwa Dancers did not portray this – it was full of pride and happiness. Once again, we witnessed how important the songs and dances are to the whole Batwa comm…
The origins of Singing Wells Story
…s for the whole group to perform, singing and dancing in front of ten microphones and three digital cameras.’ Video engineer, Patrick Ondiek, adds, ‘I love producing the final videos and getting phone calls from my friends asking me ‘how did you find these musicians?’ I feel like I’m on the cutting edge of music, bringing these talented musicians to my Nairobi friends.’ In addition to our field visits, we have developed an online Music Map of East…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…anted to make sure we recorded their shakers, the Kayamba (hand shaken idiophones with dried seeds inside), the Lungo (broken glass moved in a big bowl) and Ndema (2 brass rings played in ringing and muted tones). In the Rift Valley, where the people are more pastoral, we really focused on their voices and I wanted some one to play the burkandit (a handmade guitar). In Nyanza, we focused on the Orutu, the Nyatiti and the Ohangla (drums). In Kisoro…
Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story
…ocal stores on big speakers). We listened to a few different tracks on his phone, and I narrowed my favourite Ugandan pop tracks down to ‘Apple’ by Bigtym and ‘Guns & Bomb’ by Bebecool.. Odika Constantine, son of Watmon, is in his 30s. He was abducted by the LRA from his home in Kitgum District when he was just 17. He was held as a soldier in the bush for 6 months until he managed to escape. He described the day it happened: the rebels arrived to…
Day 7 (am) – back to Kampala: Naguru to Entebbe Story
…we were desperate to have more time with the stunning musicians we met in the city. During the two hour drive to Entebbe we talked with Watmon and his son, Odika Constantine about their family’s interesting past. To be continued………
An Evening with Mserego Mwatela Group News
…heche Style ): This song warns the audience that the singer is taking his songs on the road. They shouldn’t be jealous or worried – he remains part of the village, but others need to hear his music. It is now almost midnight and we’ve recorded some fantastic music. The hotel restaurants are closed again, so we will be taking this group out for some food and then open up the studio tomorrow for the last day of this trip. We have asked the leader an…