The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Maisha Bora Suba Group
Our first group, from the Mara Regio (Roria District) was formed in 2012. They are from the Abhasimbete community. Their style is Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Amahuns…
Muturi wa Wandindi Group
… Muturi wa wandindi (Actual name is Geoffrey Mutwiri, Mbaraka). He is from Kigane Village, Nkevene Sub-location, Nicwene Division. He started performing in 1964 and is from the Ameru Ethnic Community. He plays the Wandindi (thus his performance name), which is a ‘tube fiddle’, or what the Luo call the Orutu. …
Global Influences Project: Artist Submissions Page
…GROUP We love the powerful beats of our next submission to the #GlobalInfuencesProject from part-time producer Kimani. Here’s what he said below: “The Ekhunjwe musical group loop has a catchy vibe to it and relaxation combined with a dancing drum pattern kicks in to mind. Music is life and it needs to set you on a journey to a different world, takes you to dance, and you can also travel to a relaxing space in ur mind in such a way that you forget…
Kigane Traditional Dancers Group
… Kigane Traditional Dancers, from Kigane Kithurini and Ngatia villages, Suri Location, Bogeta Division. They are 11 men, 12 women, led by Cyrus Kirigia. Their style is Kwimbo, and the songs ares sung to celebrate the harvest mostly in August and March. They are from the Ameru ethnic community and use the Kibere (leg shakers) and Vilingi (whistle)….
Kangema Mwomboko Dancers Group
Kangema Mwomboko Dancers: led by Maina Kirhoro. From the Kikuyu ethnic community. They are from Kiangunyi Village, Muguru Sub-location, Kangema District. The group has 45 members and was started in 2000, but the original Mwomboko style was started in 1943. This is a ‘pairing’ dance style, inspired by colonial masters but adapted locally. Mwomboko, Peter Mwangi is the lead singer and plays the accordion. George Kinyua plays the Karing’aring’a (…
Wendo Group
…rm at political forum. The group also uses the Vilingi (whistle). They performed 4 songs: Kiuluni Kui Landeni (going to London) Mbovoi Kisanga…
Kaniini Kaseo Group
…eo is an all women group led by Mumbi Wambua, in Kyolo style. The group is from the Kamba ethnic community (ukambani wa kitui, from the village of Kiongwe. They have 16 members and were formed in 1980. They performed 3 songs, all of which use the Ileve (tin shaker, played by Mumbi Wambua) and Vilingi (whistle): Mutambo wa iiu: This means the trunk of a banana tree; it says that the trunk can’t be climbed by boys. Mutongoi: This is a song sung to a…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Here for the Music? Page
…eautiful photography of our surroundings. Head here to see some images of our time on the field, the people we meet and the stunning scenery. YouTube You can find the full collection of our video recordings on our Youtube channel. With over 500+ videos for you to choose from, delve into the world of East African music and dance with us. “We set out on this mission not to become ‘fossil collectors’… We work with musicians to make sure their music…
Unyago Group
…lled Raha Leo. Folks go to see her there from all over. The other members included: Fatima Juma (dancer and singer), Raya Abdalla (drums), Fatima Hamza (drums) and Tatu Hamisi Amur (please note she was in all three groups). The drums include: the small squat drum (Fumi), a very tall drum (msondo) and medium drum (Kinghaga). They played 8 songs, including: Aiche: Introduction Song Mamae Mwari: Mwari’s Mother Mpanda Waya: Someone who climbs a wire/c…
Kika Boys Cultural Troupe Group
The group comes from Masaka Nyendo and have been performing together since 2007. Group Leader: Dumba Charles, other performers include: Nassonko Passy (lead vocals),Waswa Cosmas, Ssembusi Huzairuh, Kalema Frank, Katongole Hakim, Nalwadda Shadia Style of Music: Nganda from Buganda Song meanings Mbidde (A medley): The Mbidde is the banana plant that makes the local brew and the song talks through each step to make the brew that locals consume: But…
The Luo of Kenya Album
…. The track ‘Mr Manager’ – an ode to the manager of a plantation, was first heard on the session at Dinky’s Resort Club, but the version included is that from the Nairobi Ketebul sessions….
Day 1 – Saturday 1st July 2017 Story
…th Rapasa and Ketebul’s Tabu Osusa brought up several interesting points, including: ‐ Differences between the two most commonly used trees for nyatiti resonator – ngowu (oak tree) and poch ondero (fig tree); ‐ Trees used or arms and head of the instrument – powo, siala (vernacular names, corresponding Latin and/or English names TBC); ‐ Dispute over which part of the region the instrument first originated in – South Nyanza or Central Nyanza; ‐ Dis…
Conclusion: Challenges and Recomendations Story
…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…