Group 4: Urugangaze Ballet Story
…dance. As with the other Intore we saw, there was a group accompanying the dance on the amakondera (horns). A couple of facts we learned about the Intore today: firstly, the Intore name is derived from the verb “gutora” (to choose/select) as a large number of the trainees originally were recruited from the children of upper middle class families. Secondly, the lion manes that the dancers wear are made of wood that is beaten so fine it becomes hair…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
2. Naizungwe Drums – progress report 1 Story
…enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting the progress of the drums thus far. https://you…
Day 2: Sunday, 2017 February 19th Story
…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…
Day 1: Saturday, 2017 February 18th Story
…ts are quite central to Tanzanian dance as are acrobatic acts. We spoke to Leo about this. “Yes, we love to bring comedy to our music. If you look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns are Tanzanian.” https://youtu.be/C-4PdHne3Jc We’ll leave you here. We checked in to our hotel, the Mediterraneo Hotel, Dar es Salaam. Tomorrow we head off for Bagamoyo….
Our journey to the Royal Drums: in the words of James Isabirye Story
…he lives in Kiboga which was about three hours away. She gave me his son’s number and Musisi’s and we called. I talked to him! My only thought at the time was: GET MUSISI TO KAMPALA. I could not lose another teacher. So I agreed I would send money for Musisi to meet with me. I gave him a job to teach students how to play the drums. I was so relieved to have found a drummer. He arrived in Kampala and we set out to teach. But very quickly it was cle…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they are out there. And it gets much deeper. Our view of development is hardware – give folks roads, modernise them. But Singing Wells has discovered in fact –…
The History Of Benga Music: A Report by Ketebul Music Story
…in active music. The era of 78 rpm discs and His Master’s Voice (HMV) gramophones had been ushered in by European producers when Kenya’s first recording studio was set up in 1947. This is the magical year in which pioneer guitarist, Fundi Konde, who was a member of the Entertainment Unit during the Second World War reportedly played Kenya’s first electric guitar. European recording companies were to hold a monopoly over the East African music indu…
Central Uganda: Day 5 – Jinja to Kampala Story
…azi Ow’omwano Tanoba: Tamenha Ibuga Nalufuka: This was an incredible dance number that ended with all the Singing Wells crew, and many of the hotel staff, jumping up and dancing with the group. Here is their music: James Isabirye says, “It is a challenge for me to talk about Nile Beat because I have so many feelings about it. But what I’m most proud of its contribution to the preservation of Ugandan culture by organizing the only festival since 20…
Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…
Central Uganda: Day 2 – Kampala to Budaka Story
…ut 210 kilometers from Kampala through Jinja toward Iganga and then turned north toward Mbale. We went directly to the Budaka District, Lyama Sub County, to a small village near the Budaka Progressive School. The Recording Site: Given our early departure we arrived before our groups were ready to perform so we had plenty of time to set up, interview the group leaders, the school head master, etc… The site was on two levels. Our ‘stage’ was on the…
Central Uganda: Day 1 – From Entebbe to Kidinda Story
…which were 8 men who collectively played the Amadinda, a 22 key wooden xylophone. There total group size is 15. The musical style is Kadinda. The group lead is Waswa Hood and he started playing when he was 17. There were two other original members: Kiwuwa Buruhan and Sulayiman Sserubiri. The group started in 1939 performing for the Kabaka (the Ugandan King), but then stopped performing in the king’s palace in 1966 when the king was removed. The 22…
Amone Watmon Matthew Story
…o Uganda. Our story with Amone Watmon Matthew We had spent 4 days in the north of Uganda, travelling back through Soroti and into Kampala, where, arranged by Jimmy of the Adungu Cultural Troupe, we arrived in the Naguru area of Kampala. Jimmy led us to another location for the recording, away from the road – a space in front of a house where Matthew Watmon lived. We were introduced and in the time before the group had even managed to begin to un…
Music Depositories and Archives around the World News
…o recordings of the singer Suzanna Owiyo in Nairobi, the rain songs in the north of the country which frequently suffers from terrible drought and the Massai who sing of the dangers of cattle raiding – and two others on Uganda; one featuring the Bugandan Royal Court Music and the second is about the Busoga Kingdom. Unfortunately there are no short clips available of the programme on YouTube from East Africa, but across the continent on the West, h…
A History of Recording East African Music News
…ross the world; beginning in the Middle East in 1966 and spreading through North and East African from 1969 till 1975. He later went on to record across the Pacific Ocean for ten years, from 1978. He is stated to have recorded hundreds of tribes and is commended for forming close relationships with them, which allowed him to gain permission to record their music. Mary K. Oyer, b. 1923 Mary Oyer graduated from Goshen College – a private Christian…