Group 1: Inganzo Ngari Group Story
…da, Uganda, Burundi and parts of Congo). Then the same dancers performed a number about a community, Intwatwa, formerly known as the Batwa, the group we recorded in November 2012. It was a celebration dance with many steps to honour their rich and historic culture. Next we had the Intore – which means a traditional warrior dance. This was a manifestation of each warrior showing the king what he’s made of – his talent, his weaponry, and judging by…
Day Three: Bungoma Town to Kakamega Story
…m Crying” and is about a young women who loses who mother and is left with little children that she doesn’t know how to take care of her young ones. Atako: This is a many with many wives but he did not treat them well. He was a bad man and all the wives left him. Minayo: This is about an educated woman that was only interested in finding a rich man for a husband and ignored all her own age. Khamete: This is a story about a woman who left her husba…
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…) the better! Muwewesi Xylophone Group Unsurprisingly for the Muwewesi Xylophone Group, the Xylophone is the star of the show. A giant xylophone lays across the floor, played by 8 musicians, alongside vocalists, pipe flute players and tube fiddle players. Based in Nakisenye, East Uganda, we visited the group in 2013, and when we arrived we found that the band had been there since morning preparing – they had dug the pit for the xylophone, with the…
FAQ’s Page
…the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download from our site. We have one album…
Day Two: 8 March 2022 (Ilesi) Story
…on different keys. Guest musicians Fiston, Ben and Gido also had to take a little time to play in sync with the polyrhythmic beats of the Iteso of Western Kenya. When the tuning session was finally figured out the actual recording started at about 17:00 hours. The three sisters and their two brothers have pleasantly matured musically and it was really encouraging to see them helping to keep their father’s legacy alive. All was done a few minutes t…
Day Zero: 6 March 2022 – Travel To Stream Story
…ians via M-pesa and Pay-Pal contributions. Another possibility was to sell tickets with the use of online access codes that admit ticket holders into the virtual performance. The result was that a number of live streaming studios where performers book sessions to perform and stream their concerts sprung up in Nairobi. Some venues also adapted to hosting online performances, directly streaming shows to mobile devices and computers of audiences wher…
Day Four: Ikolomani to Amalemba Story
…We finished this session and drove on to Amalemba, which is next to Crying Rock. We recorded the group Matende Culture Isukuti Youth Group, which is led by John Stone Khakabo Asutsi in 2006. There are 35 members of the group. The soloist is Stanley Liai. Their instruments include: The Isukuti Isatsa: The Big Bass Drum Mutibo: The bigger, ‘mother’, of the smaller drums Mutiti: The smaller, ‘son’, of the smaller drums Imbati: The horn Shirili: Singl…
2. Naizungwe Drums – progress report 1 Story
…enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting the progress of the drums thus far. https://you…
Day 2: Sunday, 2017 February 19th Story
…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…
Day 1: Saturday, 2017 February 18th Story
…recording a style or genre that is dying and we are probably recording the last breaths. In Mission 1, we are purists – recording the village performances as they have been traditionally performed. This includes the background noises of ‘chicken and children.’ Generally we become surrounded by village children by the end of each field session and we celebrate that their voices create a lovely background in our recordings. We are also here to try t…
Our journey to the Royal Drums: in the words of James Isabirye Story
…e drummers. I thought I was in great shape, because I knew Sebuwufu, a xylophone player who knew all about the drums and agreed to help me. Together, we found out that Peter Cooke had recorded the drums and we listened to some of these recordings. But then, Sebuwufu passed away in August 2015 and I realised I had a big problem now. He might have been the last person who knew the drums. But I remembered that Sebuwufu had heard of someone named Musi…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…B Kizimula to meet with Richard Ssewannyana. As we believe Musisi is the ‘last surviving’ royal drummer, we believe Richard is the last surviving royal flutist. Please, let’s be wrong here. We first interviewed Richard: “I am Richard Ssewannyana, son of Paulino Kajubi, whos father was Buko Ssempiira. My village is Ndese, in sub-county Kasawo, of County Kyaggwe. My grandfather used to play the flute in the palace but he was aging and wanted a fami…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…that say ‘see our animals not our people.’ And business is looking for big numbers which means popular things, which sadly means easy to digest, disposable pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they…
The History Of Benga Music: A Report by Ketebul Music Story
…eferred rumba, jazz and Western styles. They include Sila Gwada, father to Rocky and Paddy Gwada of the famous Ashanti Band, Ben Blastas Bulawayo, who worked as a senior manager at Kenya Meat Commission, and the Russia-educated Jose Kokeyo, who was a District Officer. The seventies were the era in which Oluoch Kanindo, a former technician with the Kenya News Agency and the Voice of Kenya (KBC) grew into a massive music production guru whose domina…
Central Uganda: Day 6: Kampala to Entebbe Story
…on social awareness and theatre. Their instruments include: Amadinda: Xylophone Endingidi: Tube Fiddle Emlwanzi: Pan Flute Adungu: Harp Entongoli: Bow Lyre Drums: Engalabi (Long drum, longest) Empuny (Main Drum) Entujza, 2 medium drums Namunjoloba, 2 small drums, one pitched very high and one lower Their members include: Ronald Muwonge (drums and dances) Denis Kasasira (long drums) Samson Basoga (Tube Fiddle) Isabirye Basoga (15 slab xylophone) J…
Central Uganda: Day 5 – Jinja to Kampala Story
…dle players and 2 thumb pianos. They also have the traditional Ugandan Xylophone. All instrumentalists also sing and are supported by three ladies who sing and dance. The three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Artists. Walusimbi was once the Global Youth Earth Day Ambassador for Africa after winning the Global Youth Earth Day Ambassadors Competition in Marikina-Philipines. Nabayaza Sumaya Baiga: Sh…