Patrick Ondiek Staff Profile
…’ve lost. Secondly, I love the confidence it gives me to expose my friends to new music. They all love the music I bring home – its’s different from what they listen to and so much like ‘home.’ In Kenya, no matter where you live, your village is always ‘home.’ I was never raised there [Bondo], but it is where I will retire. And the Singing Wells focus is about village music. It is about home. And my friends love that.” Pato is the chief video engi…
Day 9 – Sunday 9th July 2017 Story
…ists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin str…
Otieno Aloka Group
…ka is a musician best known in Kenya for his hit song ‘Kanungo Eteko’. In our session with the Ohangla group he plays the orutu, the second major instrument of Luo music. The orutu consists of a hollow wooden box that has monitor lizard skin stretched over one side. The string used to be made from fibers of the sisal plants but is now made from a variety of repurposed materials, including bicycle brake cables. When played with a bow, orutu creates…
Chibite Group
…he Gogo style of music which relies on the Zeze (stringed instruments made from gourds) and Ilimba (a lamellophone, or modified thumb piano). We will spend a lot of time with Chibite over the next two days and meet many different family members. For this first recording in Boma, the line-up was Ndahani Bwani, the older brother, his sister Ndekwa and two daughters Grace and Leah. They played 4 songs: Dunia Nigahira Samamba: St…
Conclusion: Challenges and Recomendations Story
…anager, and the fixer or any other individual that might act as the translator from vernacular languages into English during field recording. If this function is to be filled by the fixer (which was the case in this first recording mission), I believe he should be informed and prepared in advance accordingly. I mention this because we have noted that a lot has been ‘lost in translation’, hence data collection objectives and ways of achieving them…
Royal Entenga Drummers Group
…recruited a team of passionate drummers to learn how to play the drums, learned to tune the drums and ultimately learned to play new music….
Kika Boys Cultural Troupe Group
…to collect the Mbidde (bananas) Zitandikwe: this means the bananas are now to be buried into a hole dug in the group so they can ripen Siwa Siwa: This talks about grinding the millet on a stone while other people bring gourds in which the local brew will be poured and served Mbereju: This is the name of the drunkard who drinks excessively. He starts to abuse people and pee himself. Sivve Wano: This song is sung by the town drunk and it means, “I w…
The Luo of Kenya Album
…ld. Ketebul Music artist Winyo collaborated during the recording sessions, and included is his work with Ogoya Nengo, Josey Kokeo (as noted above) and The Kochia Traditional Dancers. In March 2012, we invited the Otacho Young Stars to Nairobi to record in the Ketebul Music studios. The track ‘Mr Manager’ – an ode to the manager of a plantation, was first heard on the session at Dinky’s Resort Club, but the version included is that from the Nairobi…
The Batwa of Kisoro Album
…so taken by the music we heard, we then invited some of the musicians back to Nairobi to record more of their music at the Ketebul Studios. The album begins in the village of the Birara Community – with the village leader Francis taking the main role on the performance. The Mperwa dancers are included, whose leader Jovah stunned us with her voice during the recordings in their village – featured on the album cover. Our trip to the UN refugee camp…
Mr Bado Group
Mr Bado is from the coastal town of Watamu in Malindi. He was born Mohamed Said Ngana. He comes from a very musical family, who have been singing and performing Mijikenda dance and music for generations. He is the son of the legendary mwanzele singer and composer, Nyerere wa Konde. He was greatly influenced and inspired as a child by his father’s Mwanzele playing as well as by Maulid Juma’s Taarab, and Bhalo’s Chakacha. He started singing in 1994…
Unyago Group
…t girls becoming women. The singers come from the Wagindo people, who came from Malawi to Zanzibar, probably through the slave trade. When the British stopped the slave trade they then stayed. This band has a strong African influence. The main leader, Amina Abdalla, studied and sang with Madam Bi Kidudi, a legendary singer in Unyago style (a chain-smoking rebel!). She followed Siti Binti Saad as a major Taarab vocalist and was considered queen of…
Twone Mbee Group
…tempting the position because it is already taken by the one they are praising. ‘Nzembanie na ivinda’: (Chasing After Time). This song talks about the President’s call to stop corruption. The call to chase after time comes from the society that won’t condone these malpractices….
Influences songs from Singing Wells Group
…ves of the Singing Wells project is to introduce tribal East African music to a new generation of musicians and fans who might not consider it relevant today. So, we have developed the Influences series – a fusion of traditional and contemporary styles. Each time the Singing Wells team embarks on a field recording visit we are joined by a talented musician who works with us on ‘Influences’ songs. They work with us in the field and also in the Kete…
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Kangema Mwomboko Dancers Group
Kangema Mwomboko Dancers: led by Maina Kirhoro. From the Kikuyu ethnic community. They are from Kiangunyi Village, Muguru Sub-location, Kangema District. The group has 45 members and was started in 2000, but the original Mwomboko style was started in 1943. This is a ‘pairing’ dance style, inspired by colonial masters but adapted locally. Mwomboko, Peter Mwangi is the lead singer and plays the accordion. George Kinyua plays the Karing’aring’a (…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …