Day 3 – Monday 3rd July 2017 Story
…interview was Sewa’s description of the small pointy decoration on the bottom of the resonator we had previously referred to as ‘the nipple’. According to him, this is in fact the umbilical cord of the instrument (in vernacular pende thum), which makes the resonator stronger and more difficult to break. Finally, Sewa told us he got the knowledge of nyatiti making from his step‐father and commented on the custom of making a sacrifice upon completi…
Otieno Aloka Group
…ka is a musician best known in Kenya for his hit song ‘Kanungo Eteko’. In our session with the Ohangla group he plays the orutu, the second major instrument of Luo music. The orutu consists of a hollow wooden box that has monitor lizard skin stretched over one side. The string used to be made from fibers of the sisal plants but is now made from a variety of repurposed materials, including bicycle brake cables. When played with a bow, orutu creates…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…freestyle recording’ – what we mean here is we allow our three camera operators to ‘roam’ and to ‘release the band’ to dance. We are trying to overcome the somewhat artificial nature of ‘archiving’ where the band is constrained into a single shot. Magic Moment: We loved the percussion and wanted to capture this as magic moment. https://youtu.be/u7xcXahAlzI Group 2: Upendo Jazz: The group is from the Murangi Village in the Mara Region and their c…
Day One: The Iteso People and their Music Story
…so. The Iteso are Nilotics, one of the people of the Nile. We drove to the town of Adungosi to record the Omong’oluk Traditional Dancers. The current leader is Ibriam Aduomg Omong’oluk, the grandson of the founder of the dance group, Longinos Omong’oluk who started the group in the early 1990s. He died in 1998 at 87 years old. We first talked to Ibriam about the instruments and costumes used by the group; these included: Atenus: The bass drum Igel…
Day Four: Ikolomani to Amalemba Story
…out a neighbour that gave his cow to someone else. But the receipient then took care of the care and it had calves. The original owner than seized by the cow and all its calves with no warning. Alusiola is the name of the original owner. Modesta: A long song about a girl that left her husband because he was too poor. She went away and earned lots of money and returned to him. He realized that she did love him but needed them to have more money so…
Day Five: Ilesi, Khayega to Kisumu Story
…here!) Iminyi: This is a type of bird that hides in roofs and is difficult to find, but is a strong bird. The song tells the story that the best fighting bulls are not the ones preening around the village, but rather they keep to themselves until the fight. And then they win. The Shiselelo procession – this is for weddings. The songs include: Hoya: This is encouraging the groom to forward and be welcome. Mbabo: This is about everyone coming togeth…
Day 9 – Sunday 9th July 2017 Story
…cusing on the orutu ‐ a one‐string fiddle from the same community. Because of time limitations, this could not be done fully; yet the idea of instrument comparison remained and was reintroduced through an instrument comparison forum held on day 8 at the GoDown Arts Centre in Nairobi. We compared five instruments as follows, each represented by a master musician: Nyatiti – represented by Samson Otieno of Bomas of Kenya; Obokano – represented by Dom…
Shitakha & Balozi Band Group
…d by Eric and his partner Moses Alusa. Their style is Milbo. They use drums and shiriri, but also a Shikhorli which we haven’t seen before. This is a shaker/bell, where two ball bearings of different sizes/tones are welded into metal pouches and then he plays. Moses is considered the best Shikhorli maker in the area. Here’s the band….
Day 1 – Saturday 1st July 2017 Story
…titi, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be our fixer in the area. Son of late Okumu Orengo, a well‐known nyatiti master previously recorded for SW, Me…
Namaddu Troupe Group
…o suffer? A woman can’t have a baby so her husband beats her and sends her to the witch doctor who ensures she gets pregnant. She then returns to husband, who has been off drinking, and they reunite. “Kwakira Wiita”: A song about eating new food, particularly millet, after the harvest. But the children don’t stay home and are out all the time, so they suffer from bad spiritis. They need to be home in the house for the good spirits. Gradually they…
Day Three: Bungoma Town to Kakamega Story
Tuesday, February 20th, 2018: Today, we returned to record Wilbert Wanyama in Bungoma Town. As mentioned, we met Wilbert on the evening of February 19th, but were unable to record his band due to thunderstorms. So we returned to Santa Maria Resort to record him the next morning. And the weather was sunny and crisp, following the previous evening storms. First, Wilbert told us the history of the band. The band, Bungoma Roots Band, started in 2005…
Culture Musical Club Taarab Orchestra Group
…a had played together for a long time and were well rehearsed. They have a total of 45 people in their orchestra. They usually play with about 25 and we saw 15. Instruments in this orchestra we saw: 4 violins, 1 oud, 1 base, 1 qanun, 1 accordion, 2 drums and 1 tramboline. They produced a wonderful rich sound. Performers: Taimour Rukuni Taha (secretary general, accordian), Maulid Haji Mkadam (musical director) We didn’t get the rest of the names as…
Day One: February 16, 2020 (Ngawala Hotel) Story
…ty in something. Mbiyo Za Sakafuni: This is about too much haste and costs of being too fast (literally it translates as ‘speed on the floor.’) Hebu Uone Aibu: Means ‘witness the shame.’ Wanawaki Afrika: A Celebration of African Women Unyago: the group is named after the drums they play and the style. This style is all about ‘Rebels’ and things that women talk about to themselves – very suggestive songs but using innuendo, so all deniable if calle…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…ar in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the group: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxaphone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma…
Bigwala Instrument
…g to unity among the Basoga people. The lyrics of the songs narrate the history of the Basoga, focusing in particular on their king, thus symbolically reconfirming their identity and links with their past. Bigwala also addresses issues such as leadership, marriage problems and acceptable social norms and practices. At present, however, there are only four remaining older master bearers with skills in Bigwala making, playing and dancing, and their…
Here for Research? Page
…n and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s audiences.”…