FAQ’s Page
…the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download from our site. We have one album…
2. Naizungwe Drums – progress report 1 Story
…enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting the progress of the drums thus far. https://you…
Day 7: Friday, February 24th, 2017 Story
…more physical – she is working to preserve all the physical recordings of Tanzania musicians, many of which are rotting away on dusty reel to reel recordings. And that is it. We then rushed to the airport to depart to Nairobi for a weekend of recording at Ketebul Studios. And thus ends our first Field Visit to Tanzania. Enjoy the videos as we produce them. …
Day 2: Sunday, 2017 February 19th Story
…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…
Day 1: Saturday, 2017 February 18th Story
…and Nick) spent the evening preparing equipment. After a brief hold up at airport to check documents and buy a chicken burger, we were met by our drivers, Isaac and Abdullah, and drove immediately to our first field visit – to the home of Mzee Morris’s son, Rafael Nyunyusa Morris. “Retracing the lost drums of Mzee Morris Nyunyusa” is the purpose of this trip, so before discussing today’s music, let’s now give you a bit of background. Mzee Morris…
Our journey to the Royal Drums: in the words of James Isabirye Story
…he lives in Kiboga which was about three hours away. She gave me his son’s number and Musisi’s and we called. I talked to him! My only thought at the time was: GET MUSISI TO KAMPALA. I could not lose another teacher. So I agreed I would send money for Musisi to meet with me. I gave him a job to teach students how to play the drums. I was so relieved to have found a drummer. He arrived in Kampala and we set out to teach. But very quickly it was cle…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they are out there. And it gets much deeper. Our view of development is hardware – give folks roads, modernise them. But Singing Wells has discovered in fact –…
The History Of Benga Music: A Report by Ketebul Music Story
…in active music. The era of 78 rpm discs and His Master’s Voice (HMV) gramophones had been ushered in by European producers when Kenya’s first recording studio was set up in 1947. This is the magical year in which pioneer guitarist, Fundi Konde, who was a member of the Entertainment Unit during the Second World War reportedly played Kenya’s first electric guitar. European recording companies were to hold a monopoly over the East African music indu…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…setting is generally quiet, but it is in the name really – we are near the airport. Every day for an hour or two, the local military facility likes to start up all their helicopters. This is noisy. We had to shift recording at that point to inside one of the rooms. Hot but quiet. We are also joined by bird noises (loud, but surprisingly they often keep the beat) and an occasional hotel guests that finds it surprising that there is musical recordin…
Central Uganda: Day 6: Kampala to Entebbe Story
…a great teacher, teaching many people how to play the tube fiddle and xylophone. He would showcase Ugandan music at the Ugandan museum, together with lots of other musicians of his time. He gave dozens of workshops in Europe. But he was illiterate. Peter Cook was taught by him. And his son Andy Cook who lives in Edinburough. “ Here’s their music And that was it for Kampala. We packed and divided up. Jimmy, Tabu and James drove together to continu…
Central Uganda: Day 5 – Jinja to Kampala Story
…dle players and 2 thumb pianos. They also have the traditional Ugandan Xylophone. All instrumentalists also sing and are supported by three ladies who sing and dance. The three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Artists. Walusimbi was once the Global Youth Earth Day Ambassador for Africa after winning the Global Youth Earth Day Ambassadors Competition in Marikina-Philipines. Nabayaza Sumaya Baiga: Sh…
Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…n’t have the same delays at customs as the Ketebul team and we were at the airport guesthouse with a Nile Special (and their daily supply of one Pringles can) in hand before midnight. It felt good to be back on Ugandan soil in the familiar environment of the Airport Guesthouse. An early start the next day meant not staying up long on arrival – little did we know that a thunderstorm of biblical proportions was on its way….. A Note About Our Sponsor…
Amone Watmon Matthew Story
…cians back to our hotel to record further. We made the journey back to the Airport Guesthouse in Entebbe, with the musicians continuing their performance in the vehicles. In the garden of the Airport Guesthouse, we recorded a further 6 performances, the group collaborating with Akello, our artist in residence for the trip. We also recorded an interview with Matthew, which we include here: Matthew was born on the 25th November 1951 in Kipgum distri…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
Report from Womex 2013 News
…onsuming music. In Africa – 60% have electricity whereas 86% have a mobile phone. This is again another area in which the Singing Wells project may be interested in the future – mobile phones and ring back tones as a method of delivery for music. Mike and I also attended the African music networking session which became the launch for a new initiative by the Cape Verde government. It has been calculated that music is their biggest export and so ha…