The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Upendo Jazz Group
…worth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate wooden kick pedal, so he could play all the drums with his hands and kick with his feet. We had not seen this before and it meant the group has a very traditional sound but a very modern feel, with contemporary beats….
Global Influences Project: Artist Submissions Page
…obi in Kenya, who partnered up with dancer Collo Skyzan to showcase their talents alongside the amazing Joginda Boys. You can follow Mkostii Beats at @mkostiibeats and Collo Skyzan at @colloskyzan410 STEFANO SITE NNE X ALOKA OHANGLA We really enjoyed this submission from Kenyan artist, Stefano Sita Nne. This track is entitled Bunde. and uses a sample by Aloka Ohangla. “This features the drum solo by Aloka Ohangla Group. My initial thought when I h…
Irimbene Cultural Dancers and Self-Help Group Group
… Irimbene Cultural Dancers and Self-help Group, formed in 2000 with 21 young men, and is led by Edward Kiogura. They play in the Authi style and are from the Ameru ethnic community, from the Irimbene Village, upper Kiungone Sublocation, Abogeta West Division. The group uses Mbere (shakers) worn by Bernard Nkonge, Ginfold Mbae, Amos Munthi and Fraras Ikunda. They also use a flute, Coro, which is performed by John Mwiti….
Muturi wa Wandindi Group
… Muturi wa wandindi (Actual name is Geoffrey Mutwiri, Mbaraka). He is from Kigane Village, Nkevene Sub-location, Nicwene Division. He started performing in 1964 and is from the Ameru Ethnic Community. He plays the Wandindi (thus his performance name), which is a ‘tube fiddle’, or what the Luo call the Orutu. …
Kangema Mwomboko Dancers Group
…Kirhoro. From the Kikuyu ethnic community. They are from Kiangunyi Village, Muguru Sub-location, Kangema District. The group has 45 members and was started in 2000, but the original Mwomboko style was started in 1943. This is a ‘pairing’ dance style, inspired by colonial masters but adapted locally. Mwomboko, Peter Mwangi is the lead singer and plays the accordion. George Kinyua plays the Karing’aring’a (the metal ring). The group played 5 songs p…
Wendo Group
…group is from the Kiongwe Village, Ngungi Location, Thua Division, Inuu Sub Location, Nzambani District. 12 women and 2 men, formed in the 80’s and inspired to perform at political forum. The group also uses the Vilingi (whistle). They performed 4 songs: Kiuluni Kui Landeni (going to London) Mbovoi Kisanga…
Kaniini Kaseo Group
…eo is an all women group led by Mumbi Wambua, in Kyolo style. The group is from the Kamba ethnic community (ukambani wa kitui, from the village of Kiongwe. They have 16 members and were formed in 1980. They performed 3 songs, all of which use the Ileve (tin shaker, played by Mumbi Wambua) and Vilingi (whistle): Mutambo wa iiu: This means the trunk of a banana tree; it says that the trunk can’t be climbed by boys. Mutongoi: This is a song sung to a…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
The Kalenjin of Kenya Album
…(their image is on the cover) and the Embolet are both represented on the album. The final field day of the trip was spent recording the Tugen. The vocal harmonies of the performances have been captured well, with The Elimu Cultural Promoters and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a…
Here for the Music? Page
…ownload through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back to the musicians involved in the recordings, wherever possible. Galleries As well as filming and recording, our incredible team also find moments to take some beautiful photography of our surroundings. Head here to see some images of our time on the field, the people we meet and the stunning scenery. YouTube You can find the full…
Unyago Group
…performs in her house, which is called Raha Leo. Folks go to see her there from all over. The other members included: Fatima Juma (dancer and singer), Raya Abdalla (drums), Fatima Hamza (drums) and Tatu Hamisi Amur (please note she was in all three groups). The drums include: the small squat drum (Fumi), a very tall drum (msondo) and medium drum (Kinghaga). They played 8 songs, including: Aiche: Introduction Song Mamae Mwari: Mwari’s Mother Mpanda…
Kika Boys Cultural Troupe Group
…anings Mbidde (A medley): The Mbidde is the banana plant that makes the local brew and the song talks through each step to make the brew that locals consume: Butuuse: The time has come for cutting down the bananas to make local brew Zisobebwe: It means it is time to collect the Mbidde (bananas) Zitandikwe: this means the bananas are now to be buried into a hole dug in the group so they can ripen Siwa Siwa: This talks about grinding the millet on a…
The Luo of Kenya Album
…nd and Josey Kokeo, performing a special collaboration. As an added extra, also on the album are ‘influences tracks’, recorded in the field. Ketebul Music artist Winyo collaborated during the recording sessions, and included is his work with Ogoya Nengo, Josey Kokeo (as noted above) and The Kochia Traditional Dancers. In March 2012, we invited the Otacho Young Stars to Nairobi to record in the Ketebul Music studios. The track ‘Mr Manager’ – an ode…
Day 1 – Saturday 1st July 2017 Story
…ew with John Otieno ‘Rapasa’, a young nyatiti player based in Nairobi, yet from Alego area (Siaya County), who was a part of our team as a fixer and translator. The main objective of this semi‐interview was to define, at least, approximatively, the different stages of nyatiti making before arrival to the field in order to plan on filming economically. According to what was explained by Rapasa, who also makes the instruments, we identified 9 stages…
Conclusion: Challenges and Recomendations Story
…ry to involve more than 3 additional instruments in comparison to the central one. Finally, yet perhaps mostly importantly, I believe the Masters series should put more focus on nurturing traditional instrument playing skills. Aside from showing the differences in how the elders play as opposed to the younger generation, we should encourage closer collaborations and the creation of a network that could surpass the SW project itself. In order to do…