Day Two: February 17, 2020 (Stonetown) Story
…oup include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija Abdala Ame -dancer, Mirianaharus Juma Hamis – dancer. All sang but Mohamed Othman Faki was lead singer. Sanduku , the bass, was a homemade bass made of a large box with a small hole cut out in the front. It had a large stick which t…
Our Sponsors Page
…a Group for sponsoring one of the field recording days during our visit to Central Uganda in November 2013. The donation was dedicated to our recording day in Mbale. Click here to read our field report from that day. We were also delighted to welcome Brad Gibbs from Mara to our recording session in Entebbe on our last day in Uganda – click here. Click here to find out more about Mara and the projects supported by The Mara Foundation in East Africa…
Arrival to Rwanda, Background and Objectives Story
…y are in action: In first picture below, you see: Further away, Patrick on Central Video, Steve on Audio, Drix on Close Up video, Producer Shunkyz on audio and closest to camera, Jado our local musical expert. Hunter, our Roving Video, is, well… roving. You see him below this first picture in the yellow cap. Below him is Patrick and Steve, the core of Ketebul who have been with us since Day One. In addition to the core tech team, we are delighted…
Guy Morley Staff Profile
…nd worked with a host of artists in the UK, Nigeria, Tanzania and Kenya. …
Tarajazz Group
…ied classical piano and music. He became interested in Jazz and created an African fusion of Taarab and Jazz about two years ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spok…
Sangwamahoro and Royal Burundi Drums News
…rs, who perform at various events, festivals, and concerts across the east African region. The name “Sangwamahoro,” which translates to “May peace be upon you,” serves both as a greeting and a reminder of the possibility of unity, bridging the divides between the Hutu and Tutsi ethnicities. This message of peace and reconciliation remains central to the organization’s mission, fostering solidarity and cultural pride among Burundians, regardless of…
Winyo Staff Profile
…stening to Winyo an almost heavenly experience. Winyo is also a professional photographer, actor and a TV producer. He is currently the executive video producer for a Kenyan media company called Big Foot productions, which has produced several local TV shows. His goal is to take African music all over the world and enliven people to dance and sing to the sweet and melodic sounds of African songs and music. Winyo is a valued member of the Singing W…
Ekhunjwe Musical Group Group
…the group’s secretary Wilhemina Oduor, this is a very organized group of twenty eight (28) members coming from the different administrative areas of Samia district. Ekhunjwe ya Abasamiawas formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery ma…
Bigwala Instrument
We encountered the Bigwala during our field visit to Central and Eastern Uganda in December 2013. While staying in Jinja we invited a local Bigwala group, the Bigwala Cultural Group, to perform for Singing Wells. Click here to read our report from the field. Here is an extract from the UNESCO website, explaining about the Bigwala which was inscribed in 2012 on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding: Bigwala music…
Day One: February 16, 2020 (Ngawala Hotel) Story
…bu Uone Aibu: Means ‘witness the shame.’ Wanawaki Afrika: A Celebration of African Women Unyago: the group is named after the drums they play and the style. This style is all about ‘Rebels’ and things that women talk about to themselves – very suggestive songs but using innuendo, so all deniable if called out. Traditionally, these were all songs that were part of wedding rituals and used to prepare the bride. Songs about girls becoming women. The…
Day Five: January 22, 2019 Mwanza Continued Story
…), Minister, Ministry of Information, Culture, Arts and Sports, The United Republic of Tanzania. Dr. Harrison G. Mwakyembe (MP) We also met with Mizengo Kayanza Peter Pinda. He was the Prime Minister of the United Republic of Tanzania, from 2008-2015. He is now a Patron of the Cultural Yamnyausi Foundation. That evening both Ministers hosted a fund raiser for the Foundation and invited Singing Wells members as special guests. We were greatly h…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rs ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the sa…
Day Four: February 19, 2020 (Maruhabi Palace) Story
…kidumbak music. Kirundo – this group performs in a fusion of traditional African rhythms from mainland Tanzania and Pemba, and contemporary African sounds. The three young men are all students at the DMCA performing with a well known drummer and teacher of music. This band has been together for 2 years. Performers: Lukoa Nenes (sticks), Joshua Muyumovela ( shakers), Nyemo Mopana (guitar, kalimba (hand held thumb piano), lead singer), Heri Kombo…
Day Five: February 20, 2020 (DCMA) Story
…wo songs. They produced a wonderful, dynamic fusion of Taarab, Traditional African rhythms and contemporary Western and African sounds. Performers: Tarajazz: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxophone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Kirundo: Lukoa Nenes (sticks),…
Kirundo Group
Kirundo performs in a fusion of traditional African rhythms from mainland Tanzania and Pemba, and contemporary African sounds. The three young men are all students at the DMCA performing with a well known drummer and teacher of music. This band has been together for 2 years. Songs: Mwaludeje – Tradition after the harvest. New composition. Mjomba – Uncle, celebrating the good hunt. New composition Uye – Come Back Please, used at a wake after someo…
Global Influences Project: Loop Library Page
…common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. You can learn more about the group here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop singingwells · SW Samples – Ekh…