Liwambwe Group
…ars. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played five songs: Malala Kujunga: Essentially means ‘be calm and quite, we are about to perform and need…
Global Influences Project: Loop Library Page
…brief here or head back to the main page for more information. If you want to independently release your music for sale or streaming using these samples, please get in touch with us so that we can grant you a license. Loops By Tempo/BPM Adungu Cultural Troupe – 111bpm Joginda Boys -116bpm Hiari Ya Moyo – 121bPM Rubanga Kingdom Awach Boys – 127BPM Otacho Young Stars Shoe Shine Box – 143BPM Aloka Ohangla Drum Solo – 146bpm Ekhunjwe Musical Group – 1…
Day 3 – Monday 3rd July 2017 Story
…fully demonstrated the making of a nyatiti resonator. We started off by going to a nearby wood and picking a log, which was then transported back to the compound on a bicycle. Upon arrival, Sewe, an elderly man of impressive strength and skill, started working on the resonator (in vernacular referred to as ohodha). He first did some measurements and drew the resonator’s shape on the log with charcoal. Then he went on to cut out the shape using se…
Kumbaka Asee Group
… Kumbuka Asee: The group is led by Margaret Mbia and plays in the musical style of Kilumi, wathi wa kikamba. They are also from the Kamba ethnic community (ukamba wa kitui). They have 15 members and are inspired by kithio kya mukambu (Kamba tradition). They were formed in 1974. They use two drums called Kilumi, played by Makai King’ei and Koka Mbindyo. They played two songs: Itinga Levu…
Namaddu Troupe Group
…i (long drum) and Entongoli (6 string adunga). Song meanings “Lwaki Ndamba”: Why do I have to suffer? A woman can’t have a baby so her husband beats her and sends her to the witch doctor who ensures she gets pregnant. She then returns to husband, who has been off drinking, and they reunite. “Kwakira Wiita”: A song about eating new food, particularly millet, after the harvest. But the children don’t stay home and are out all the time, so they suffe…
Biluli Dutwa Group
…Simiyu: A song for praise for the region. Bahuni ba ng’wanza: A song referring to local women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they o…
Patrick Ondiek Staff Profile
…d he grew up listening to Joseph Kamuru and Ochieng’ Nelly but it was on joining Ketebul Music and following the ‘Spotlight Series’ when he began to really love tribal music. So when the Singing Wells project offered him a new opportunity to discover the music roots of East Africa, Pato jumped at the chance. Why? “First, I love the exposure to different cultures – even my own. I have never heard a lot of the tribal music, even around my own villag…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…nced and sung throughout. The village joined in the dancing as they continued to play. By the end it felt like a joyous party with many joining in, reminiscent of New Orleans Mardi Gras. …
What We Do Page
…fossil collectors. We also have to make sure we can bring these traditions into modern music. We are doing this with Winyo – he really does bridge the traditional with the modern and you saw the reaction of the villagers to working with him. They felt he completely respected their music”. Steve Kivutia, Ketebul Music, while in Uganda recording the music of the Mperwa Batwa community. To read more about the Influences series click here. Supporting…
Mission Page
About Singing Wells The Singing Wells project (SWP) is a collaboration between Abubilla Music, a record label in London and Ketebul Music in Kenya, a non-profit organisation committed to identifying, preserving and promoting the diverse music traditions of East Africa. The project is supported by our UK charity, The Abubilla Music Foundation. Our goal is to record, archive and share the traditional music of East Africa for two important reasons –…
Aynu Traditional Group Group
…a soldier though this was not a permanent duty. Language: They are divided into many mutually intelligible dialects, but mainly they speak their own Lugbara language. Origins: The came into Uganda at the end of the 16th century. They were originally known as the Madi, their current name perhaps came to be used after the intrusion of the Khartoum Arab slaves in the second half of the 19th century. Their origins are described in relation to their be…
Day Four: January 21 2019 Mwanza Story
…en performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewane nsanja: girlfriend got pregnant and came to…
Day Five: Ilesi, Khayega to Kisumu Story
…a shaker/bell, where two ball bearings of different sizes/tones are welded into metal pouches and then he plays. Moses is considered the best Shikhorli maker in the area. Here’s the band. Their songs included: Mukhana Mulabu: This is about a brown girl, that is whiter than most the girls in the village. Isimbiilalila: This is a bullfighting song. Balina Wanje Ndiranga: This is a song about being tired and in a bad state. Mama Mulai: Rosie: This is…
Baseki Group
…Simiyu: A song for praise for the region. Bahuni ba ng’wanza: A song referring to local women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they o…
Ayub Ogada Group
A musician we choose to bump into frequently is that of Ayub Ogada, probably the most internationally acclaimed Kenyan musician, whose use of the nyatiti in different musical genres is both original and pertinent for our Masters of the Nyatiti story. We spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nya…
Makunga Group
…ain indigenous community of Tanzania (always from the land, never migrated into Tanzania. The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style. Their instruments/costumes include the: Ndulele (Horn), the Nindo (Shakers), the Mbega: (Animal Skins), the Muheme (Drums), the Kabati (Shakers), the Kalimba (Thumb Piano), the Zeze (Orutu), the Izeze (5 string large instrument), and the Muhongwa (Wooden water…