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Ayub Ogada Group

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A musician we choose to bump into frequently is that of Ayub Ogada, probably the most internationally acclaimed Kenyan musician, whose use of the nyatiti in different musical genres is both original and pertinent for our Masters of the Nyatiti story. We spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nya…

Baseki Group

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…Simiyu: A song for praise for the region. Bahuni ba ng’wanza: A song referring to local women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they o…

Day Four: January 21 2019 Mwanza Story

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…en performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewane nsanja: girlfriend got pregnant and came to

Support Singing Wells Page

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How you can sponsor the Singing Wells Project Singing Wells is a charitable project, managed and funded by the Abubilla Music Foundation a UK registered charity (reg. no: 1142173). Our work to record, archive and share the music of East Africa is funded by donations. Funds are used to support our field recording trips, provide a permanent music archive and also to help the communities we visit gain an income from their music. You can help us sup…

Recording Resources Page

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…anagement Audio Recording Protocol Field Visit Workflow We hope these are useful for other researchers in the field. Please do get in touch if you find these helpful!…

Bukaala Twesitule Troupe Group

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…d the factors influencing the spread of HIV and how the community can come together to deal with it. Very tragic song telling the story of deaths with man sobbing at one point. “Akabira” (Worship Song): Means a small forest where spirits tend to run, deep in the trees and high in the mountains. But they are not always well cared for and they then tend to cause havoc with the rest of family members. “Omwenge” (a local brew): This is about how the l…

Day Four: 10 March 2022 (Rongo) Story

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…sounds of Western Kenya region. Dave and I go back a long way as we worked together on several musical projects under the Nairobi City Ensemble. Other notable projects with Dave were during the period of Spotlight on Kenyan Music, which was a collaboration between Ketebul Music and the Alliance Française in Nairobi. Mention should also be made of the Smithsonian Folklife Festival in Washington, D.C. in the summer of 2014, a trip that included Onti…

Field Recording Report by Kahithe Kiiru Story

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…is is a set of metal tin drums of different sizes joint on a wooden stand, together with bottle tops and a metal plate. Finally, the ensemble also a metal ring called edongotanditwol– shakers made out of gourds and seeds. The group performed 5 songs accompanied by virtuoso dancers who performed, individually or in pairs, a dance centred on pelvic movements. We also recorded our influences artists – Fadhilee Itulya, performing one of his original c…

FAQ’s Page

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What is the Singing Wells project? Singing Wells is a project jointly operated by Ketebul Music, a non profit music studio in Kenya and the The Abubilla Music Foundation, a UK registered charity. Our goal is to preserve the music traditions of East Africa and make this music relevant to the next generation of musicians and fans. Who works for the Singing Wells project? Our team is made up of audio and video engineers from both Ketebul Music and…

Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story

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…ain indigenous community of Tanzania (always from the land, never migrated into Tanzania. The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style.   Their instruments/costumes include the: Ndulele (Horn), the Nindo (Shakers), the Mbega: (Animal Skins), the Muheme (Drums), the Kabati (Shakers), the Kalimba (Thumb Piano), the Zeze (Orutu), the Izeze (5 string large instrument), and the Muhongwa (Wooden wat…

Page

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…ers and songwriters to show how this “traditional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project,  If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have.  SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Glob…

Global Influences Project: Loop Library Page

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…icularly impressive, with ongeng’o rings used both by themselves, and also together with the Nyangile, a wooden box topped with two of the rings, one of which is held with the feet, and beaten with a stick. You can find out more about the band here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop Nyatiti Group – 158BPM Another wonderful Nyatiti group led by Okumu Korengo who is cons…

The Revival of the Entongooli Page

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…ooli Part 2 Creating the Base Part 1 Creating the Base Part 2 Stringing it Together Check back soon for more episodes of our Revival of the Entongooli journey! A Musical Education What makes this project so different from any of the other revival projects we have documented, is how focused this project is on young people. Mr Mukadisi, who is heading up this project, is very aware that to continue the legacy of this dying instrument, children and y…

A Report by Professor James Isabirye – Indigenous music learning in contemporary contexts: Nurturing learner identity, agency, and passion News

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…Isabirye has recently had a report published, after his in depth research into music learning practices. After extensive work reviving the Bigwala, his report focuses on the indigenous teaching methods used with the young people involved in the project, what this meant for the sustainability for the instruments future, and how this impacted the young people’s identity and associations with the Bigwala-playing community. You can find the full repo…

Fundraiser for Matthew Watmon News

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Published in: News & Views

We are sad to say that a special talent, and a dear friend of Singing Wells, Matthew Watmon is currently in a critical condition in hospital. We are urgently trying to raise funds to support him and his family in this difficult time, and we hope that some of our followers may be able to help us. If you are based in East Africa, please get in touch with Matthew’s brother, Constantine Odida ((MTN) +256-782-236-742 and (Airtel) +256-704-261-037). I…

Ketebul Music presents Shades of Benga Online News

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…ebsite here.   Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English waltz to Afro Cuban Rumba and how they helped mould new music styles across Africa. Rumba was brought to Eastern Africa via the itinerant Congolese musicians Edouard Masengo and Jean Bosco Mwenda who’s intricate guitar-picking styles largely shaped the present Kenyan sound, with the…