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…nd songwriters to show how this “traditional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project, If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have. SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global In…
Day 1: Saturday, 2017 February 18th Story
…of Mzee Morris Nyunyusa” is the purpose of this trip, so before discussing today’s music, let’s now give you a bit of background. Mzee Morris is Tanzania’s most famous drummer. The ‘Mzee’ in front of his name is a sign of respect – think, ‘Old Man Morris’. He was born in 1920. At two years old, he lost his sight as a result of a bout of small pox. He died in 1999. Throughout his long life he drummed. Here’s Leo Mkanyia , our 2017 Influences Arti…
Our journey to the Royal Drums: in the words of James Isabirye Story
…old Musisi, ‘please teach our boys 100 songs.’ I told Shaban, ‘you must learn every part and every song.’ And that is how we ended up on this road. We filmed the drums yesterday and today we are going to see the Bigwala and discuss more lessons learned. Tomorrow, we are going to find out how much more there is to do.”…
Central & Eastern Uganda: Day 4, Part 2 – Flutes Story
…13 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instruments of the Kingdoms of Uganda. 2) Recording again Albert Ssempeke’s Buganda Music Ensemble. Given that we first decided to rediscover the Royal Drums after recording Albert’s group in 2013, we wanted to end this field visit with his recordings. Part tw…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…13 visit to Uganda and have invited them back to do studio recordings. But today, we focused on two things: 1) Discussing in detail some of our observations from our time exploring the royal instruments of the kingdoms of Uganda 2) Recording again Albert Ssempeke’s Buganda Music Ensemble. Given that we first decided to rediscover the Royal Drums after recording Albert’s group in 2013, we wanted to end this field visit with his recordings Part one:…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…roven wrong. Musisi is looking for more drummers and the ones we talked to today are desperate to find others that played with them. Richard Ssewannyana We first travelled about an hour from Mukono to the village of Bamusuta B Kizimula to meet with Richard Ssewannyana. As we believe Musisi is the ‘last surviving’ royal drummer, we believe Richard is the last surviving royal flutist. Please, let’s be wrong here. We first interviewed Richard: “I am…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
…Part One: Drum Making The Singing Wells team was joined by James Isabirye today as we travelled to Mukono, to visit Ssebengwa Drum Makers (P.O. Box Mukono near Colline Hotel, Jinja Highway, opposite the Pork Joint). The shop is run by Abass Mirimu, a gentleman from the famous village of Mpambire which is known for its drum makers. Abass was the maker of some of the Entenga drums (the royal drums of the Buganda King). Above: Abass Mirimu To be spe…
Central and Eastern Uganda: Day 2 – Kampala to Jinja Story
December 1, 2015: Checking the progress of the Bigwala trumpets Today, we travelled 3 hours from Kampala to Jinja, to the village of Bukakaire, to listen to the Bukakaire Bigwala Players, led by the last surviving trumpeter from the Busoga Kingdom, James Lugolole. A woman playing the Bigwala First, why are we here? Well, there’s the obvious: at Singing Wells, we record and share the great music of East African villages. But, there’s another, equa…
Rediscovering the lost Royal Drums of the Buganda Kingdom: Day 1, Uganda Story
…time at the palace. In terms of the music, we recorded the following songs today: Ganga Alula Omusango gw’abalere Mubandusa Ekyuuma kya Bboola Veneneka Olugambo olubuulire Sekanyolya The Drummers In terms of the moment, let’s stress a few things: These drums are magnificent. They are actually 15 drums, 12 of which are tuned to the notes of a xylophone and thus we are hearing a full song – percussion, bass, rhythms and melodies across the six playe…
The History Of Benga Music: A Report by Ketebul Music Story
…late 60s, substantial stakes in the local music industry were also held by Indian-owned record retail shops and recording studios such as Assanands & Son, which moved from Mombasa to what was then Government Road (present-day Moi Avenue) in Nairobi and Melodica on the busy Tom Mboya Street. Although depressed today by technological advances that have significantly stunted music sales by making reproduction quick and cheap for music pirates, Melodi…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…what worked with audiences and he evolved the song to something he loved. Today, artists go to the studio first – giving birth too early to a work of art. We recorded eight songs with him: Oyango Bwana Ogilo Osare Charles Komora Jaka Beka Okech Maskini Yuni Nyaimbo Jo Seme Wanganangu And Mukonya His full name is Walioshamiri-Mzee Wanganangu and he is a famous Kikuyu accordion player, who played in clubs like the Roasters in Nairobi in the 70’s. T…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…ls and that we hope will be useful to others setting up a similar project. Today we focus on roles/responsibilities of the core team. On arrival at the site, we divide into three teams: Interview Team This team is typically Tabu Osusa, who acts as the on-site Singing Wells representative, formally meeting the band and handling all their questions about the project and their role in it. Tabu is typically joined by our local music expert, in this ca…
Central Uganda: Day 7 – A Magic Day in Entebbe Story
…hank them now for their patience with us. It is also important to say that today will be more unstructured. We have one formal new group, which we’ll describe below, but we have also invited artists from two of our trips to join us and create new music. For part of the session we were joined by Brad Gibbs from The Mara Group, who had sponsored part of this trip and wanted to see how things were going. Brad was joined by a colleague, Nicolas Farah,…
A Tanzanian Effort to Salvage the Music of the Past News
…to Rebecca Corey, who started the project in 2010 and still coordinates it today. “They started phasing out all foreign music from the local stations” in the 1960s, she told us. “So to fill up that airtime they would send out recording safaris to various rural villages to record these ngoma dances and drumming sessions.” This traditional village music was combined by state-funded bands with the Cuban-flavored rhumba coming in from the Congo. The r…
Central Uganda: Day 6: Kampala to Entebbe Story
…teresting near collisions. Throughout our recording and driving in Kampala today we were surrounded by limping groups of marathoners in bright yellow shirts. The Recording Site We packed and drove east, just outside Kampala to the Kyambogo University, where James teaches. It was a beautiful gated campus, very quiet, big trees, lovely red dirt paths – it seemed to be a preserve for the lovely Ugandan greens and reds we’ve grown to love. Students wa…
Central Uganda: Day 5 – Jinja to Kampala Story
…he only festival since 2005. Many people are performing around the country today due to those festivals. The group is very literate in music and we had a clear vision from 1990 of what we wanted to do. We are not doing badly and have a comfortable life from the performances. Some musicians who didn’t even have a bicycle not have houses. We are showing you can have a musical career. We are growing our knowledge and getting better at representing th…