Tabu Osusa Staff Profile
…tee of the “Spotlight on Kenyan Music“ project which seeks to discover and promote young talent, performing a blend of African music. The Kenyan government through its Ministry of National Heritage and Culture also supports this project. Tabu is also the Project Coordinator of Ketebul Music’s Retracing Series. Supported by the Ford Foundation Office of Eastern Africa, the Retracing Series is a research based documentary project whose main objectiv…
Influences songs from Singing Wells Group
…a new generation of musicians and fans who might not consider it relevant today. So, we have developed the Influences series – a fusion of traditional and contemporary styles. Each time the Singing Wells team embarks on a field recording visit we are joined by a talented musician who works with us on ‘Influences’ songs. They work with us in the field and also in the Ketebul Music studios in Nairobi to produce this new material. We believe our Inf…
Day Five: February 20, 2020 (DCMA) Story
…wo songs. They produced a wonderful, dynamic fusion of Taarab, Traditional African rhythms and contemporary Western and African sounds. Performers: Tarajazz: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxophone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Kirundo: Lukoa Nenes (sticks),…
Day Two: February 17, 2020 (Stonetown) Story
…, in Rahaleo. All male group ranging from age 7 up to 40, ten all together today. They sing Islamic and secular songs for weddings and celebrations. Today was mainly an acapello performance with one flute made out of a bamboo stick. The singers included: Ibrahim Ali Hassan (lead singer, flute ), Issa Ali Hassan (lead singer), Mlenge Ali Hassan, Othman Mlenge Ali, Afann Mlenge Ali, Iddi Abdallah Mohd, Abdillah Salum Juma (lead singer), Fesal Sleima…
Day Three: Bungoma Town to Kakamega Story
…id videos to their songs. Then they met John Charles Kapanga (who attended today’s Singing Wells recording session). He was a local business man with a house in Malinda. He invited the band to the house to rehearse, write and perform. Wilbert says that they were driven to the house on the back of a pick up van. During the drive when they came close to the Village, they played music and all the villagers followed them into John’s house. John took t…
Conclusion: Challenges and Recomendations Story
…ers to questions, give more space to each individual, as well as allow the central instrument to maintain its centrality, a fact crucial for the story. In editing, we can then draw lines of comparison between instrument 2 and 3 as well. In this exercise, I believe, it is not necessary to involve more than 3 additional instruments in comparison to the central one. Finally, yet perhaps mostly importantly, I believe the Masters series should put more…
Our Sponsors Page
…a Group for sponsoring one of the field recording days during our visit to Central Uganda in November 2013. The donation was dedicated to our recording day in Mbale. Click here to read our field report from that day. We were also delighted to welcome Brad Gibbs from Mara to our recording session in Entebbe on our last day in Uganda – click here. Click here to find out more about Mara and the projects supported by The Mara Foundation in East Africa…
Day One: February 16, 2020 (Ngawala Hotel) Story
…bu Uone Aibu: Means ‘witness the shame.’ Wanawaki Afrika: A Celebration of African Women Unyago: the group is named after the drums they play and the style. This style is all about ‘Rebels’ and things that women talk about to themselves – very suggestive songs but using innuendo, so all deniable if called out. Traditionally, these were all songs that were part of wedding rituals and used to prepare the bride. Songs about girls becoming women. The…
Otieno Aloka Group
…e from a variety of repurposed materials, including bicycle brake cables. When played with a bow, orutu creates different notes determined by finger pressure against the central stick. It provides a fast-moving, melodic accompaniment, similar to the fiddle in folk and country music….
Global Influences Project: Artist Submissions Page
…is submission from Beats by Maggy, a producer based in Nakuru, Kenya. “The African sounds were so inspiring, I created the beats using fruity loop Fl studio. The African loop was so energetic so I had to feature some more energy to make it more lively.” We love this energy too – a perfect tune to get the party going! You can follow more Beats by Maggy by following Amina Muta on Facebook. ATIENO OLUOCH X ADUNGU CULTURAL TROUPE This newest submissio…
Unyago Group
…e British stopped the slave trade they then stayed. This band has a strong African influence. The main leader, Amina Abdalla, studied and sang with Madam Bi Kidudi, a legendary singer in Unyago style (a chain-smoking rebel!). She followed Siti Binti Saad as a major Taarab vocalist and was considered queen of Taarab and Unyago music and died at 103 in 2013. Amina Abdalla still performs in her house, which is called Raha Leo. Folks go to see her the…
Kiplagat Edwin Kwambai aka Fifty Cows Staff Profile
…enjin, which was the focus area for the Singing Wells project at the time. Fifty Cows went on to be the main contact person and “fixer” for the project. In 2014, the Singing Wells again called on Fifty Cows for the first Repatriation Project by the International Library of African Music, which was supported by the Singing Wells. This repatriation project involved retracing and locating surviving musicians who had been recorded and their music arch…
Upendo Jazz Group
…is from the Murangi Village in the Mara Region and their community is Wajita and their style is Vidogori. They were founded in 1999. Their instruments included: Ngoma za Budogori (drums, with a kick) and Njiga (shakers from gourds). It is worth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate wooden kick p…
Introduction: Project overview and objectives Story
…ing and documenting master players and instrument makers of various Kenyan/African instruments as they: a) Make their respective instruments;b) Tune the said instruments;c) Give master classes to other musicians of those particular instruments;d) Give short brief direction/instructions on how they approach basic training for beginners interested in learning their particular instruments. Thus, the focal areas for research and filming are instrum…
Ketebul Music Group
…ablished in early 2007 with the ambitious vision to carry out research and promote the diverse fusion of traditional sounds of Kenya and East Africa through the documentation and archiving of the work of musicians who have shaped the various genres of music from the region over the past six decades. In broader terms, intensive research carried out by Ketebul Music involves the musicians themselves, their families, industry players such as producer…
Guy Morley Staff Profile
…d worked with a host of artists in the UK, Nigeria, Tanzania and Kenya. …