Buganda Music Ensemble Group
…ything had happened. Albert leads the song with the bow harp or Ennanga, a new instrument for us. Albert is only one of 3 master players. It was played in solo performances and the Ennanga player was the advisor to the king, as people would bring him messages for the king that he would turn to song. “Mulirwana”: it means neighbour and the song is about people who don’t trust their neighbours and they believe that anyone that doesn’t trust their ne…
Here for the Music? Page
…c traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musicians.”…
Global Influences Project: Artist Submissions Page
…lowing Amina Muta on Facebook. ATIENO OLUOCH X ADUNGU CULTURAL TROUPE This newest submission is called Wena and is by Atieno Oluoch. We loved the vocals and the way they complimented the rhythmic musical workings of the Adungu Cultural Troupe. This new version gave us summer vibes and felt incredibly uplifting! “I’m humbled by this opportunity and glad to have participated in the Singing Wells global project. When I picked the loop, I thought of c…
Day Five: January 22, 2019 Mwanza Continued Story
…. This was a group of wonderful dancing and costume changes. Every song a new and wonderful outfit. We recorded six performances: Omusingero: A song about playing the drums and dancing Nchuma: A song about traditional music that the elders love to play Mrondogomo: A wedding song Kidedeya: A send off song, a marriage song Kidedeya: Freestyle Magic Moment: Omusingero again https://youtu.be/AtwkoD3sDFo From recording we then drove eight hours to…
Mohamed Uthman Kidumbak Group Group
…umbak style music at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the DCMA to study violin and the oud starting in 2000. He’s been teaching at the academy for 18 years. Members of this group include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on sh…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…ough her recordings …that Taarab became widely accessible. Later, further Egyptian influence was incorporated into the genre by including full string sections as well as accordion and qanun, keyboard and flute.” But, throughout our journey, we hear artists talk about Siti Binti Saad, noting that she was a rebel, noting that her lyrics were part of the Unyago style (see below) about real life, about real women, about love and sex… She always san…
Day Two: February 17, 2020 (Stonetown) Story
…umbak style music at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the DCMA to study violin and the oud starting in 2000. He’s been teaching at the academy for 18 years. Members of this group include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on s…
The Revival of the Entongooli Page
…ed in this part of the process. Though they said it wasn’t pleasant, they knew the importance of this part of the process and wanted to be a part of it so that they could continue their education about this instrument. It is amazing to see young people getting actively involved in the traditions and methods of creating this instrument, so that they will be able to continue these traditions for generations to come. Meet the Students In this weeks v…
FAQ’s Page
…n and wherever possible royalties will be paid to the original performers. New Influences material is jointly owned by Ketebul Music and Abubilla Music. Profits arising from the sale of Influences material will be used to support the artists and music projects and aspiring musicians in East Africa. Can I help in some way? We’d love it if you could help – be in in drumming up publicity for our cause or offering to perform some post production of ou…
Privacy Policy Page
…. Why are we telling you this? Well the European Union have introduced a new directive that makes it a requirement for websites to get consent for using cookies. Nothing has changed at singingwells.dev – except for the little cookie triangle in the bottom corner of the screen. The Cookies that we use are very much standard and in the true spirit of Abubilla Music and the foundation, we like to be open with you about our methods and how and why w…
Introduction: Project overview and objectives Story
…outu.be/NqomPAxomxI “Masters of the Nyatiti” being a pilot programme for a new project series under Singing Wells, one of the objectives of this report is to reassess the original concept based on experiences from the field and to point out encountered challenges and difficulties in meeting concept objectives. Thus, I hope that this document will raise questions for discussion and generally assist in formulating a framework for future recording mi…
Mission Page
…shared amongst the widest audiences and become a source of inspiration for new musicians. Aims of the Singing Wells Project East Africa is a region with a diverse cultural heritage. Its borders encompass a multitude of different ethnic groups, each with their own unique traditions and histories, languages and dialects, religions and beliefs, ways of dressing, music and dance. We believe the importance of preserving music traditions cannot be under…
Day Zero: 6 March 2022 – Travel To Stream Story
…n. Travel to Stream After one week’s training and familiarization with the new software and equipment, we took the road to Western Kenya on the morning of Sunday, 6 March 2022. The Ketebul Music team met at our new offices at the GoDown Arts Centre on Kayahwe Road off Dennis Pritt by 9:00am. It took us an hour to load the van with the equipment and our personal effects. On our team was Tobias Odhiambo (or Shunkyz as he is known in the music circle…
Kirundo Group
…r the harvest. New composition. Mjomba – Uncle, celebrating the good hunt. New composition Uye – Come Back Please, used at a wake after someone is buried. New composition. Uringe – Be Proud. Old Traditional song Kyaso – old traditional Zanzibarian song of celebration Mnyamwana – Respect for women. New Composition. They sang in a combination of Hehe and Kigogo, both languages from mainland Tanzania, as well as Swahili. They had incredible energy an…
Day Four: February 19, 2020 (Maruhabi Palace) Story
…the harvest. New composition. Mjomba – Uncle, celebrating the good hunt. New composition Uye – Come Back Please, used at a wake after someone is buried. New composition. Uringe – Be Proud. Old Traditional song Kyaso – old traditional Zanzibarian song of celebration Mnyamwana – Respect for women. New Composition. They sang in a combination of Hehe and Kigogo, both languages from mainland Tanzania, as well as Swahili. They had incredible energ…
Tarajazz Group
…rican rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab…