Introduction: Project overview and objectives Story
…ing and documenting master players and instrument makers of various Kenyan/African instruments as they: a) Make their respective instruments;b) Tune the said instruments;c) Give master classes to other musicians of those particular instruments;d) Give short brief direction/instructions on how they approach basic training for beginners interested in learning their particular instruments. Thus, the focal areas for research and filming are instrum…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…Arabs and Indians were killed. Thousands more were expelled leading to the Republic of Zanzibar and Pemba. Soon the islands joined the Mainland Tanganyika and were subsumed to form Tanzania. Today, the population of the islands is over 98% Muslim. Second, one of our main partners for our trip was the Dhow Countries Music Academy. The “Dhow” is a traditional sailing vessel. We saw many on the waters around Zanzibar. The “Dhow Countries” are…
Our Sponsors Page
…a Group for sponsoring one of the field recording days during our visit to Central Uganda in November 2013. The donation was dedicated to our recording day in Mbale. Click here to read our field report from that day. We were also delighted to welcome Brad Gibbs from Mara to our recording session in Entebbe on our last day in Uganda – click here. Click here to find out more about Mara and the projects supported by The Mara Foundation in East Africa…
Conclusion: Challenges and Recomendations Story
…ers to questions, give more space to each individual, as well as allow the central instrument to maintain its centrality, a fact crucial for the story. In editing, we can then draw lines of comparison between instrument 2 and 3 as well. In this exercise, I believe, it is not necessary to involve more than 3 additional instruments in comparison to the central one. Finally, yet perhaps mostly importantly, I believe the Masters series should put more…
Day Two: February 17, 2020 (Stonetown) Story
…oup include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija Abdala Ame -dancer, Mirianaharus Juma Hamis – dancer. All sang but Mohamed Othman Faki was lead singer. Sanduku , the bass, was a homemade bass made of a large box with a small hole cut out in the front. It had a large stick which t…
What We Do Page
…i, Alur, Langi, Iteso) Music of Central & East Uganda Music of Eastern and Central Kenya During each field visit we are invariably struck by a particularly talented or exciting musician or music group. When this happens we arrange for them to travel to Ketebul Music in Nairobi to record their music in the studio. Many of these studio sessions have contributed to the Singing Wells ‘Influences’ series (see below). A permanent archive of East African…
Unyago Group
…e British stopped the slave trade they then stayed. This band has a strong African influence. The main leader, Amina Abdalla, studied and sang with Madam Bi Kidudi, a legendary singer in Unyago style (a chain-smoking rebel!). She followed Siti Binti Saad as a major Taarab vocalist and was considered queen of Taarab and Unyago music and died at 103 in 2013. Amina Abdalla still performs in her house, which is called Raha Leo. Folks go to see her the…
Mohamed Uthman Kidumbak Group Group
…oup include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija Abdala Ame -dancer, Mirianaharus Juma Hamis – dancer. All sang but Mohamed Othman Faki was lead singer. Sanduku , the bass, was a homemade bass made of a large box with a small hole cut out in the front. It had a large stick which th…
Day Three: 9 March 2022 (Kisumu) Story
…alse starts we finished the recordings of Peter Akwabi at 4:00 PM with his latest song which is a tribute to D.O. Misiani, the maestro of benga music who died in the lakeside city in May 2006. Next on stage was Olith Ratego, a musician whose unique dodo style is one of the oldest forms of music performed by the Luo people of Western Kenya. Olith Ratego is a self-taught musician who plays a musical instrument fashioned by himself. It is a replica o…
Day One: February 16, 2020 (Ngawala Hotel) Story
…bu Uone Aibu: Means ‘witness the shame.’ Wanawaki Afrika: A Celebration of African Women Unyago: the group is named after the drums they play and the style. This style is all about ‘Rebels’ and things that women talk about to themselves – very suggestive songs but using innuendo, so all deniable if called out. Traditionally, these were all songs that were part of wedding rituals and used to prepare the bride. Songs about girls becoming women. The…
Singing Wells Stories Page
…or the Sagat Traditional Dancers, visit their page here. If you haven’t signed up to the Singing Wells mailing list – please do. It is the best way to keep up to date with the project, our plans for recording and our latest content releases. You can do that below in the footer of the page. If you would like to hear more about the history of the Singing Wells project, then please check out our Podcasts on our Podcast Page…
Otieno Aloka Group
…e from a variety of repurposed materials, including bicycle brake cables. When played with a bow, orutu creates different notes determined by finger pressure against the central stick. It provides a fast-moving, melodic accompaniment, similar to the fiddle in folk and country music….
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rs ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the sa…
Bigwala Instrument
We encountered the Bigwala during our field visit to Central and Eastern Uganda in December 2013. While staying in Jinja we invited a local Bigwala group, the Bigwala Cultural Group, to perform for Singing Wells. Click here to read our report from the field. Here is an extract from the UNESCO website, explaining about the Bigwala which was inscribed in 2012 on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding: Bigwala music…
Day Four: February 19, 2020 (Maruhabi Palace) Story
…kidumbak music. Kirundo – this group performs in a fusion of traditional African rhythms from mainland Tanzania and Pemba, and contemporary African sounds. The three young men are all students at the DMCA performing with a well known drummer and teacher of music. This band has been together for 2 years. Performers: Lukoa Nenes (sticks), Joshua Muyumovela ( shakers), Nyemo Mopana (guitar, kalimba (hand held thumb piano), lead singer), Heri Kombo…
Tarajazz Group
…ied classical piano and music. He became interested in Jazz and created an African fusion of Taarab and Jazz about two years ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spok…