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The repatriation of Kenya’s music heritage News

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Published in: News & Views

…gh Tracey. The repatriation of these recordings began in August, during a two-week pilot project in Kenya’s Rift Valley led by Prof Diane Thram, Director of the International Library of African Music (ILAM) in South Africa and the team from Ketebul Music, supported and funded by The Abubilla Music Foundation as part of the Singing Wells project. Read Bill Odidi’s article about the August project here….

Hitching a ride Story

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…icture on our journey from Kisoro to the Birara community while we were in south west Uganda documenting and recording the music of the Batwa. It’s about 35kms by road, most of which is uphill, following the winding road through the stunning, lush countryside. This guy was lucky enough to have a bike and took advantage of the passing lorry. Most people seemed to be on foot and many of the Batwa make the arduous journey to town three times a week,…

Current Leading Figures News

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…cause they do not understand the value of culture in providing employment, promoting patriotism, love, hard work, name it. Music for instance speaks to the heart of the person..goes beyond the ears and brain as you might know, science has proved this already. Now, we have a festival annually that singly gives joy to the people in the villages but nobody around here would see value of entertainment in the villages, to the people. Why would anyone c…

Music Depositories and Archives around the World News

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…expand under the direction of Dr Dorsch. 8. Archives of Traditional Music, Indiana University ‘The Archives of Traditional Music preserves and disseminates the world’s music and oral traditions through the acquisition of cultural and historical materials of enduring value to advance the educational role of Indiana University and to serve international communities of scholars, patrons, and those whose cultural heritage is represented by its holding…

A History of Recording East African Music News

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…an out of funding. He became a broadcaster, utilising every opportunity to promote African music. However, he could not stay away from Africa long, and in 1946 realised someone needed to fully dedicate their time to “appraising the social value” of traditional African music, otherwise it would disappear. Tracey would have to step up and be that someone, especially at a time when African radios wanted to broadcast in their own regional vernaculars…

Tracey Instrument Collection News

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…t it ‘plays the lead in several drum ensembles among Bantu speakers in the southern part of Uganda. Sharp crackling sound contrasts with warmer cowhide sound of the laced ‘Uganda drums’.’ It is made from legavaan, or rock monitor (a large type of lizard found in South Africa), skin which gives it the ‘crackling’ sound. The legavaan is now actually endangered in Uganda, as it is demanded so much for drums, lyres and fiddles. Endara log xylophone Th…

Report from Womex 2013 News

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…d at both the African and Indian markets and how the markets are evolving. India was a particular suprise here – in a population of 1.2 billion, 50 % are under 30 and consuming music. In Africa – 60% have electricity whereas 86% have a mobile phone. This is again another area in which the Singing Wells project may be interested in the future – mobile phones and ring back tones as a method of delivery for music. Mike and I also attended the African…

SWP Uganda 2013 – our proposed itinerary News

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…first recording day will take us to Masaka in Central Uganda about 140 kms south west of Kampala. Here we will record two Baganda music groups: Kika Troupe and Bukala Troupe (from the town of Rakai). These groups were identified by James Isabirye who will be our local liaison contact while we are in Uganda. Steve met James following a chance meeting with an old friend while in Kampala for the ‘recce’ trip. Here’s an extract from Steve’s notes: “I…

73,603 views on YouTube News

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…a tribes.     Is second place is a video from our field visit to Kisoro in south west Uganda where we met and recorded the wonderful Batwa people. The music is performed by Kamuntu ‘Tiny’ Moses accompanied by our Influences artist Winyo.     And in first place with over 21,700 views is ’71 Hours to Monday’- a global track from Abubilla Music featuring musicians from Sao Paulo, Nairobi and London which was produced to support the launch of the Sing…

Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story

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…ng at the most spectacular African sunset to our right. We must be heading south right now and we must be being rewarded for bringing the story of Macedonia to you. You’re most welcome. But we digress. A group of us is in file management mode and this is worth a brief discussion (well, mostly because we are driving on the road in pitch black to Kampala and are using this blog to distract ourselves from the terrors occurring outside!). Behind the s…

How music archives can help communities News

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…dings have helped communities, one of which centres on the Batwa people of south west Uganda – the community we recorded for the Singing Wells project back in November 2011 (click here for field reports). In the mid 1960’s an ethnomusicologist called Peter Cooke recorded oral histories of the Batwa tribe in Uganda, who were, at that time, a community of forest dwelling hunter-gatherers. Cooke’s recordings were subsequently archived at the British…

The Tribal and Musical Structure of East Africa – Worldmap Research News

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…s free and open source which means any researcher can work with the source code to extend and improve its functionality, so it is constantly developing and improving. It’s also web-based so it’s easy to access and share, which is exactly what we want in order to carry on building the Singing Wells community. Rosie has made some ‘how-to’ guides on how to add to a map yourself which you can access easily on our website too, in a few steps, ‘Housekee…

Northern Uganda: Day 1 – Entebbe to Gulu Story

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…he North, but boy, there’s a lot to see! One lovely view, about 90 minutes south of Gulu, Karuma Falls:   And then there’s the road. Our drives to the music are always the most dangerous thing we do. The road to Gulu was a revelation, however. Generally good, paved roads, with a painted lines down the center and plenty of space for bikes, cows and children to wander on the shoulder. The big horrible trucks that have haunted us in trips past were r…

Background on the Music of Northern Uganda News

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…ibe are part of the Luo people of Uganda, and they migrated to Uganda from Southern Sudan with other Luo peoples along the Nile banks. 2. Next we stay in Murchison Lodge in Pakwach and meet up with ‘The Aynu Traditional Music’ group, (a Lugbara group) ‘Wenipac and ‘Ndara Troupe‘ who will spend a day with us at the Lodge. These groups represent all of the Alur, Lugbara, Acholi, Kakwa, Madi and Kebu tribes! This seems to demonstrate how traditional…

Acholi Tribe Profile – Music of Northern Uganda News

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…li in Uganda. History: They came to northern Uganda from Bahr el Ghazal in South Sudan. In the late seventeenth century, they developed a socio-hierarchical system, in which communities, or chiefdoms, were run by Rwodi (rulers). They were traditionally hunting communities, whose economies revolved around hunting and breeding livestock. In the British colonial period, the Acoli comprised the majority of manual laborers and military. This damaged th…

Victoria’s reflections on the music of the Batwa Story

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…struggling to believe that I am in East Africa when 24 hours ago I was in South West London and this makes me want to pinch myself even harder to make me realize it’s actually me here, doing this. We arrive in Kigali and we are all immediately struck by the airport – it’s calm, quiet and clean. There are no delays at immigration. It’s a breeze. It’s hard to believe we are in Rwanda as we are all very aware of the traumatic recent history of this…