Day Five: January 22, 2019 Mwanza Continued Story
…mbe (MP), Minister, Ministry of Information, Culture, Arts and Sports, The United Republic of Tanzania. Dr. Harrison G. Mwakyembe (MP) We also met with Mizengo Kayanza Peter Pinda. He was the Prime Minister of the United Republic of Tanzania, from 2008-2015. He is now a Patron of the Cultural Yamnyausi Foundation. That evening both Ministers hosted a fund raiser for the Foundation and invited Singing Wells members as special guests. We were gr…
Field Recording Report by Kahithe Kiiru Story
…In Nabongo location of Mumias sub-county (Kakamega County), we met Mumias United Group led by Francisca Oduor. Established in 1997, Mumias United is a folk group that presents traditional music and dances of the Wanga. The Wanga (AbaWanga) are a sub-group of the Luhya people famous for their historical Kingdom. The Wanga Kingdom was the most highly developed and centralised kingdom in Kenya’s history before the arrival of the British and the colo…
Page
…important and famous of the musical styles originating from Zanzibar is Taarab, which roughly translates in Arabic as ‘having joy with music.’ Taarab is a fascinating combination of many musical styles: predominantly African beats, with Cuban, Indian and even Egyptian influences. Taarab’s origins are in the late 1800s. Mohamed Ibrahim, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab…
Day Three: Bungoma Town to Kakamega Story
…ias, we travelled about 10 kilometers to another village to record Matungu United. Matungu United was founded by Richard Ometi, who is a Head Teacher of a local school, teaching sciences and also teaches students in traditional African instruments. The band was filled with various students, each learning to dance, sing and/or play a traditional instrument, including on the day: Fimuka: Shakers Lidungu: stringed instrument Isiriri: Single string in…
The Revival of the Entongooli Page
…these youngsters have managed to gain music scholarships so they can get a free education at their local schools. This project is not only providing a future for this instrument, but for the young people involved. Aside from this, Mr Mukadisi has a personal connection to this cross-generational project. His father was a builder of the Entongooli, and didn’t teach all the skills he needed to learn to play. In fact, none of the great players passed…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…in 1963. A month later the Zanzibar Revolution occurred. Several thousand Arabs and Indians were killed. Thousands more were expelled leading to the Republic of Zanzibar and Pemba. Soon the islands joined the Mainland Tanganyika and were subsumed to form Tanzania. Today, the population of the islands is over 98% Muslim. Second, one of our main partners for our trip was the Dhow Countries Music Academy. The “Dhow” is a traditional sailing ves…
Recording Resources Page
…gside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are pa…
Our Sponsors Page
…the Batwa communities we visited through our strong relationship with the United Organisation for Batwa Development in Uganda (UOBDU). http://www.iie.org Soundcloud Type of sponsorship: discounted services Our entire archive is available to listen to on Soundcloud, and their players power the audio playback on our site – click here to visit our archive. Thanks to Soundcloud for their continued support in the Singing Wells project. You can sign…
Ayub Ogada Group
…me in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting…
Day 5 – Wednesday 5th July 2017 Story
…me in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…ed on training potential musicians for the palaces. This patronage was not free, however, and the resources to fund the palaces and their music ultimately came from the same villages, through taxation and food contributions. Moreover, these musicians were not empowered to create, to lead rich musical lives, to become artists, to use the palace as a stepping stone to develop their art further. They were brought into these palaces as young boys, and…
Rediscovering the lost Royal Drums of the Buganda Kingdom: Day 1, Uganda Story
…tudents https://www.youtube.com/watch?v=gpG0HLNxVQA The Singing Wells team united in Nairobi on November 28th and flew together to Kampala on November 29th. We are: Tabu Osusa, Jimmy Allen, Steve Kivutia, Patrick Ondiek, Hunter Allen and Nick Abonyo. After a night at the Fairway Hotel, we met James Isabirye at his university, Kyambogo University, to record the Entenga. Centre: James Isabirye We have been working closely with James since 2013. Duri…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…Video 1’s location. This is a balance. We want to give the groups complete freedom to perform as they would normally do, without our intervention. But we also need a good recording – and too often the groups will stray far off camera and far away from the mics. Or, as often can happen, the leader will plant him or herself directly in front of Video 1, meaning we don’t get a take of the groups. Finally, we use lapel mics on the lead singers so ther…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…great to see our old friends at the hotel. We had a quick dinner and a few free drinks (we had charmed some flight attendants on the plane to contribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the AMF are J…
Music Depositories and Archives around the World News
…uced rate, but is unable to distribute to those tribes and communities for free, due to their levels of funding. There is currently a campus wide initiative at Indiana University to digitise their archive, which includes the ATM though the archive digitises recordings on a daily basis. There are several folk music recordings from Uganda and Kenya that are housed at the Archive. It is located on the Bloomington Campus of Indiana University and is o…
Report from Womex 2013 News
…d at both the African and Indian markets and how the markets are evolving. India was a particular suprise here – in a population of 1.2 billion, 50 % are under 30 and consuming music. In Africa – 60% have electricity whereas 86% have a mobile phone. This is again another area in which the Singing Wells project may be interested in the future – mobile phones and ring back tones as a method of delivery for music. Mike and I also attended the African…