Day 5 – Wednesday 5th July 2017 Story
…Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti, which he translated from the Luo word nyar as queen and titi, making it “the queen of the clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and p…
Ayub Ogada Group
…Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti, which he translated from the Luo word nyar as queen and titi, making it “the queen of the clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and p…
We assemble in Kisumu Story
…he same university. She was recently appointed Head Choreographer for Bomas of Kenya, a national dance troupe tasked with the mission to preserve, promote and showcase Kenyan traditional music and dance worldwide. She has been a scientific advisor with Ketebul Music since 2015 and worked on Ngoma Zetu (2016). This is her second Singing Wells field visit – previously she joined us on Singing Wells Masters of the Nyatiti in 2017. With Tuskers and Dr…
Patrick Ondiek Staff Profile
Patrick aka ‘Pato’ joined Ketebul Music in 2006 where he started to build up the studio’s video capabilities. His passion for photography and video began when he was at Pumwani High School – he was always the ‘camera guy’ there, volunteering for any school project which involved photography. On graduating, he worked in computer software before founding Foxhole Entertainment with some school friends which focused on making videos, studio recording…
Field Recording Report by Kahithe Kiiru Story
…trative areas of Samia district. Ekhunjwe ya Abasamia was formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. Their chairman, Mr. Bwire, also chairs the County Culture Committee and says he is “biased towards eth…
Kahithe Kiiru Staff Profile
…dance troupe tasked with the mission to preserve, promote and showcase Kenyan traditional music and dance worldwide. She has been a scientific advisor with Ketebul Music since 2015 and worked on Ngoma Zetu(2016) and Singing Wells Masters of the Nyatiti(2017) and Signing Wells Western Kenya(2018) projects….
Here for the Music? Page
…dible team also find moments to take some beautiful photography of our surroundings. Head here to see some images of our time on the field, the people we meet and the stunning scenery. YouTube You can find the full collection of our video recordings on our Youtube channel. With over 500+ videos for you to choose from, delve into the world of East African music and dance with us. “We set out on this mission not to become ‘fossil collectors’… We w…
Singing Wells Stories Page
…ar her collaboration with the Watmon Cultural Group – Amari – click here: 2011 – 2013 sampler CD Winyo Winyo Shipton is a singer songwriter from Kenya. He joined us on our first trip to coastal Kenya to record the music of the Mijikenda. On the first session we recorded, in Gede, Winyo helped to create the Influences series by recording with Nyerere Wa Konde and his son Mr Bado. You can read more about the first influences session by clicking here…
Ketebul Music Group
…’s lives. History of Ketebul Music Ketebul Music was established in early 2007 with the ambitious vision to carry out research and promote the diverse fusion of traditional sounds of Kenya and East Africa through the documentation and archiving of the work of musicians who have shaped the various genres of music from the region over the past six decades. In broader terms, intensive research carried out by Ketebul Music involves the musicians thems…
Stories Page
…met. Music Read some of our articles and stories behind the Music of East Africa. Dive into musical genres, different instruments and the musicians keeping these traditions alive. Picture We manage to take some beautiful photos on our trip. Find out the stories behind some of our favourite pictures we have taken on the field. Community Get to know some of the inspiring communities we have met on our trips, as well as some of the Singing Wells com…
Day Three: 9 March 2022 (Kisumu) Story
…n: Dunga Hill Camp – Kisumu. Field Notes: We left Khayega for Kisumu at 10:00am and made a quick stop at Kiboswa ‘city’ on our way to the Lakeside city. This historic center, inhabited by the Luo, Luhya and the Kalenjin tribes of Kenya, is home to Paul Kelemba (or Maddo, as the cartoonist is popularly known). After taking a few photos to prove to the award-winning cartoonist that we actually visited his ancestral home, we continued with our journe…
Get on the Map Page
If you are making music in East Africa, then we’d love to feature you on our map. Please fill in the options below to get in touch: To Upload music to the Dropbox – go to: http://soundcloud.com/singingwells/dropbox Note: submission of the form grants The Singing Wells project permission to embed any links contained within the form on the map of East Africa. Submission of the form does not guarantee that your group or music will be featured on t…
James Allen Staff Profile
…in Africa extensively during that time. Jimmy launched Abubilla Music in 2008, a small label dedicated to developing young recording artists. The following year he began developing the idea for the Singing Wells project with Ketebul Music, sharing their passion for preserving and promoting the traditional music of East Africa. Jimmy has an MBA from Harvard University and an MA in International Economics from Johns Hopkins. He is a dual US-British…
Instruments Introduction Page
…have found so far on our travels. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down into Stringed, percussion or wind at present). This also makes it easy to find links between instruments – the Rigi Rigi and the Orutu being very similar is one good example. We hope to find more instruments as we record more throughout East Africa, and as we do, we will bring them to you through this page….
Global Influences Project: Loop Library Page
…Ekhunjwe Musical Group – 153BPM Ekhunjwe ya Abasamia was formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. You can learn more about the group here. You can watch the full visual performance of this song on our…
Recording Resources Page
With almost 10 years of experience in the field, we feel incredibly privileged to have worked alongside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trip…