Singing Wells Stories Page
…ar her collaboration with the Watmon Cultural Group – Amari – click here: 2011 – 2013 sampler CD Winyo Winyo Shipton is a singer songwriter from Kenya. He joined us on our first trip to coastal Kenya to record the music of the Mijikenda. On the first session we recorded, in Gede, Winyo helped to create the Influences series by recording with Nyerere Wa Konde and his son Mr Bado. You can read more about the first influences session by clicking here…
The Revival of the Entongooli Page
…rs. Some of the instruments that Mr Mukadisi has in his position are over 100 years old. Once the correct tree has been found that is of an appropriate age, around 10 years old so the wood is fully formed, it is chopped down and into smaller pieces to begin the drying process. When the wood has appropriate time to dry, it is prepared for chopping and shaping, and the next process of preserving the wood through the use of animal dung. More on that…
Recording Resources Page
With almost 10 years of experience in the field, we feel incredibly privileged to have worked alongside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trip…
Day 5: Wednesday, February 22nd, 2017 Story
…audience of his supporters. A dance troupe danced in the Segere style for many of the songs. This is a Tanzanian style from the south. Here’s Leo performing:…
Central & Eastern Uganda: Day 4, Part 1 – Reflections Story
…That is why we will be in Nairobi in the studios with musicians from our 2013 visit to Uganda – we are recording them professionally, surrounding them with great new artists and we hope giving them an opportunity to find new listeners that want to take elements of the music forward. With this as background, this is what we discussed on the grounds of the Kampala Museum. I will paraphrase a half a dozen voices and many long and winding conversatio…
The History Of Benga Music: A Report by Ketebul Music Story
…African countries—Kenya, Uganda and Tanzania—covering an area of over 68,000 square kilometers. The Luo who live around its shores in Kenya speak a western Nilotic tongue distinctly different from their Bantu neighbours to the north and south, and their Kalenjin distant cousins to the east. The Luo comprise close to 3 million people. Their forefathers migrated south from the Bahr al Ghazal region in what is today know as Southern Sudan in a stead…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…Osala on guitar and Enos Okola on percussion; they played throughout the ’60’s and ’70’s. Their style was linked to three part harmonies, two finger picked guitars and a ‘fanta bottle percussionist.’ In the 80’s, Shem formed a new band, Les Bunyore , before reforming Abana ba Nasery in the ’90’s. We recorded six songs with him. Muhanna Mulando Obuyanzi Kali Munda Olubo Mary Queen John Nzanze One of the founders of “African Twist”, John enjoyed a m…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…route: Irimbene Cultural Dancers and Self Help Group This group formed in 2000 with 21 young men. They are led by Edward Kiogura. This is Authi style, they are Ameru from the Irimbene Village, upper Kiungone Sublocation, Abogeta West Division. The group uses Mbere (shakers) worn by Bernard Nkonge, Ginfold Mbae, Amos Munthi and Fraras Ikunda. They also use a flute, Coro, is performed by John Mwiti. The group was in beautiful costume and so energeti…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…Peter’s work to record the King’s musicians of the Buganda Kingdom in the 60s and 80s. You can listen to some of those recordings here. Here, too, is a full list of Peter’s work on African music. We asked Peter to tell us a little more about his time working with Musisi in the 60s. “In 1967, as head of Music at Kyambogo and at the suggestion of the wonderful young musician Bulasio Busuulwa, one of the former royal flute players, who was already wo…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…the local mountain) Ngoma (generic term for drums) Troupe and starting in 2009 played all sorts of functions that would bring money in to support the band members, all of which live on the premises. Shortly after, a friend of Julius’s donated some brass instruments and Julius started a brass band, called the Elgon Hero Brass Band. When you combine the two bands, the traditional and the new brass sound, Julius says, they blew audiences’ minds. As t…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…great to see our old friends at the hotel. We had a quick dinner and a few free drinks (we had charmed some flight attendants on the plane to contribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the AMF are J…
The repatriation of Kenya’s music heritage News
…being returned to the communities in which these songs were made in the 1950s by English ethnomusicologist, Hugh Tracey. The repatriation of these recordings began in August, during a two-week pilot project in Kenya’s Rift Valley led by Prof Diane Thram, Director of the International Library of African Music (ILAM) in South Africa and the team from Ketebul Music, supported and funded by The Abubilla Music Foundation as part of the Singing Wells pr…
Hitching a ride Story
…icture on our journey from Kisoro to the Birara community while we were in south west Uganda documenting and recording the music of the Batwa. It’s about 35kms by road, most of which is uphill, following the winding road through the stunning, lush countryside. This guy was lucky enough to have a bike and took advantage of the passing lorry. Most people seemed to be on foot and many of the Batwa make the arduous journey to town three times a week,…
Current Leading Figures News
…ol services, annual university graduation ceremonies to a crowd of over 40,000 people, and perform every Wednesday to each other during a recital hour. However, when asked if they record their own music, James says “We lack good equipment to record the music professionally but it is an idea that requires serious and immediate consideration. ” NACOFU, which he is a member of, is attempting to address this problem – to document folk music – but is c…
Music Depositories and Archives around the World News
…training in performance of African music. Diane Thram became Director in 2005 and, under her leadership, an online listening library has been created, in line with the cutting edge of content access, to allow anyone to listen to Hugh Tracey’s recordings, with work currently being done to also make the Dave Dargie and Andrew Tracey Collections available for online access. There are over 12000 30 second recordings from the 1930s, 40s and 50s. The a…
A History of Recording East African Music News
…Fellowship grant to study South Rhodesian music, with which he made over 600 recordings, and inspiring traditional English musicians, Ralph Vaughn Williams and Gustav Holst, at the Royal Academy of Music, who urged him to “discover every chord” of traditional African music, Tracey ran out of funding. He became a broadcaster, utilising every opportunity to promote African music. However, he could not stay away from Africa long, and in 1946 realise…