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Recording, archiving and sharing the traditional music of East Africa Page

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…to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just enjoy some beautiful East African music and revel in some jaw-dropping performances? Head this way to see more videos of the inspiring performances we have captured on our field trips, incredible photography and pur…

Nick Abonyo Staff Profile

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…Nick has been working as an intern at Ketebul Music since May 2011. He is from the Luo tribe and was born in Mirogi and raised in Kanyamwa. He graduated from High School in 2006 and then studied Information Technology at University. To read our more detailed interview with Nick click here….

Introduction: Project overview and objectives Story

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…roject difficult to manage in terms of both timelines and accessibility to information and requires a shift in the field team’s customary practices. Suggestions on how to manage this particularity shall therefore constitute the main argument of this report. Hence, the day‐to‐day field report contained herein is of a narrative nature and does not focus on the details of collected data, which will be presented in a finer ethnographic report to follo…

Day 1 – Saturday 1st July 2017 Story

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…the instrument makers narratives and allow for comparison. Other pertinent information provided by Rapasa during our drive to Kisumu included the types of trees used for nyatiti (with vernacular terms), the symbolism behind nyatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instr…

The Revival of the Entongooli Page

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…nt in the hopes of continuing it’s legacy. Below you will find footage and information about the Entongooli and how the project is working to restore this instrument back to it’s former glory. Skip ahead to your preferred section… A Musical Education Finding the Materials Simple but Effective Tools Getting things Dung! Meet the Students From Embaire to Entongooli Part 1 From Embaire to Entongooli Part 2 Creating the Base Part 1 Creating the Base…

Day One: The Iteso People and their Music Story

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…rces are trying to divide the people, the song encourages everyone to stay united. Akidai Imojong: This song asked everyone to take care of old people and respect them. Asorit: This is a song about poison and refers specifically to Aids, which is the killing disease. The song tries to educate people to be cautious. Magic Moment: While playing, a young child Otwoma was dancing on the edge of the performance. He loved the music, so we brought him fo…

Conclusion: Challenges and Recomendations Story

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…pace for interviews within the final programme’s structure is limited, the information, especially on endangered practices and skills, should be gathered); additional time to research archive materials (texts, photographs, audio and video materials that could complement individual stories and demonstrate the evolution of the instrument and/or of its playing techniques). On that same note, I believe a preparative work session should be organised be…

Page

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…. Below is just a couple of the partnerships we are proud to be a part of: United Organisation for Batwa Development in Uganda (UOBDU) The United Organisation for Batwa Development in Uganda is a “Batwa-directed, community-based organisation headquartered in Kisoro, Uganda. UOBDU was created in the year 2000 with the help of the UK-based Forest Peoples Programme. Their sole purpose is to assist the Batwa in improving their lives so they may live o…

Global Influences Project: Loop Library Page

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…can download the project brief here or head back to the main page for more information. If you want to independently release your music for sale or streaming using these samples, please get in touch with us so that we can grant you a license. Loops By Tempo/BPM Adungu Cultural Troupe – 111bpm Joginda Boys -116bpm Hiari Ya Moyo – 121bPM Rubanga Kingdom Awach Boys – 127BPM Otacho Young Stars Shoe Shine Box – 143BPM Aloka Ohangla Drum Solo – 146bpm E…

Our Sponsors Page

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…the Batwa communities we visited through our strong relationship with the United Organisation for Batwa Development in Uganda (UOBDU). http://www.iie.org   Soundcloud Type of sponsorship: discounted services Our entire archive is available to listen to on Soundcloud, and their players power the audio playback on our site – click here to visit our archive. Thanks to Soundcloud for their continued support in the Singing Wells project. You can sign…

3. Background of the Naizungwe drums Story

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…James Isabirye, who is co-ordinating the project gives us some background information about the drums and the traditions from which they come: Where do they originally come from and who played them? Uganda has about 65 ethnic societies according to the 1995 constitution. Each ethnic society had a way it was organized socially before the advent of colonialism. Most of the societies were and still are organized on clan system. One ethnic society ha…

Day Five: January 22, 2019 Mwanza Continued Story

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…mbe (MP), Minister, Ministry of Information, Culture, Arts and Sports, The United Republic of Tanzania. Dr. Harrison G. Mwakyembe (MP) We also met with Mizengo Kayanza Peter Pinda. He was the Prime Minister of the United Republic of Tanzania, from 2008-2015.  He is now a Patron of  the Cultural Yamnyausi Foundation.  That evening both Ministers hosted a fund raiser for the Foundation and invited Singing Wells members as special guests.  We were gr…

Day Three: Bungoma Town to Kakamega Story

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…ias, we travelled about 10 kilometers to another village to record Matungu United. Matungu United was founded by Richard Ometi, who is a Head Teacher of a local school, teaching sciences and also teaches students in traditional African instruments. The band was filled with various students, each learning to dance, sing and/or play a traditional instrument, including on the day: Fimuka: Shakers Lidungu: stringed instrument Isiriri: Single string in…

Contact Page

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…sponsorship, fundraising, publicity, volunteering or anything else, please contact Victoria Denison Email Victoria: victoria@abubillamusic.com Our business addresses Abubilla Music Wey Court West Union Road, Farnham, Surrey GU9 7PT (A Limited Liability Partnership. Registered no: OC354221) www.abubillamusic.com Abubilla Music Foundation Valiant House 12, Knoll Rise Orpington, Kent BR6 0PG (Registered charity no:1142173) www.abubillamusicfoundation…

Field Recording Report by Kahithe Kiiru Story

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…In Nabongo location of Mumias sub-county (Kakamega County), we met Mumias United Group led by Francisca Oduor. Established in 1997, Mumias United is a folk group that presents traditional music and dances of the Wanga. The Wanga (AbaWanga) are a sub-group of the Luhya people famous for their historical Kingdom. The Wanga Kingdom was the most highly developed and centralised kingdom in Kenya’s history before the arrival of the British and the colo…

FAQ’s Page

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…t these musicians. We also rely on local liaison personnel who have direct contact with the communities we visit and an expert knowledge of local music styles. During the field recording visits we also benefit from the voluntary help of the Abubilla Music Foundation trustees and UK Project Managers. How long have you been working on the project? We made our first field recording on the Kenyan coast in March 2011. The Abubilla Music Foundation was…