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Elgon Ngoma Troupe Group

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…trade – Julius’s dream is to open up a hair and beauty studio so they can support the bride with her beauty and music. He hopes the troupe will give them opportunities to travel away from their homes, but also to preserve the traditions of Eastern Uganda to the rest of the world. ——– You can contact Julius at juliuswolimbwa@gmail.com or PO Box 2254 Mbale, Uganda You can find the Troupe on Facebook here. You can watch a video about the group here….

Conclusion: Challenges and Recomendations Story

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…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…

Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story

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…ut neighbours, where the band remembered times when all neighbours used to support one another Maria: A story about a woman that abandoned her kids Mazingira: a song about the environment and the need to protect the environment. Examples included stopping use of plastics and keeping your waste water away from your drinking water. Magic Moment: We recorded the beats of Majirani, percussion only Magic Moment: Majirani again to record slightly differ…

The Kalenjin of Kenya Album

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…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….

Contact Page

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…sponsorship, fundraising, publicity, volunteering or anything else, please contact Victoria Denison Email Victoria: victoria@abubillamusic.com Our business addresses Abubilla Music Wey Court West Union Road, Farnham, Surrey GU9 7PT (A Limited Liability Partnership. Registered no: OC354221) www.abubillamusic.com Abubilla Music Foundation Valiant House 12, Knoll Rise Orpington, Kent BR6 0PG (Registered charity no:1142173) www.abubillamusicfoundation…

Albums Introduction Page

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…h the music of the area we were recording in.   Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…

FAQ’s Page

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…ording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download fro…

Support Singing Wells Page

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…W — Donate your time, products or services We are always keen to hear from people who are happy to offer their time to help the project and from companies which may be able to support us with products or services free of charge. If you can help out in this respect please contact: info@singingwells.org…

Sangwamahoro and Royal Burundi Drums News

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Published in: Music of Burundi

…wars in Burundi and found shelter in Kenya. Initially focused on providing support to refugees, it later evolved into a cultural club designed to help children born in exile reconnect with their heritage—particularly their language and cultural practices—and to offer a platform for adults to meet, share experiences, and uplift each other. Today, Sangwamahoro has grown into a vibrant cultural collective, featuring a group of drummers, as well as ma…

Global Influences Project: Artist Submissions Page

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…the fast paced drums with a laid back bass and a simple bass drum beat to support the percussion. The shaker pushes the pace forward and accentuates the percussion. Other than defining the groove, the bass is also the lead instrument in this particular arrangement. The piano and gaara add more depth to the chorus parts and pull us away from the shakers’ high pace forcing us to lay back some more. I think the end result leans more towards dodo, at…

Day 1 – Saturday 1st July 2017 Story

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…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…

Mr Bado Group

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…o in Watamu called Bado Records, where he records his own music as well as support and help aspiring artists from Watamu. His songs, ‘Shemeji’ and ‘Susumila’ were mega hits in the coast region, earning him a performance slot at Safaricom Live in 2010. He has performed internationally, including in the USA as part of the Smithsonian Folklife Festival 2014. He released his album Kama Kazi with Ketebul Music. He mixes an impressive combination of sty…

Victoria Denison Staff Profile

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…in September 2010 to help establish the Singing Wells project. In order to support the project, Victoria set up The Abubilla Music Foundation, a company limited by guarantee, and then managed the application for charitable status with the Charity Commission for England and Wales. (Charitable status was achieved in June 2011). As well as acting as administrator to the Trustees, Victoria is the UK Project Manager for Singing Wells. Working closely w…

Our Sponsors Page

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…s to date, including the following: The Ciputra Group Type of sponsorship: Supporting Singing Wells projects in 2014 Thank you to The Ciputra Group for their generous support in 2014. Funds will be directed towards the Singing Wells project to repatriate the music recordings of Hugh Tracey currently archived in the International Library of African Music (ILAM) to the villages where the original recordings were made. See our post on this project he…

3. Background of the Naizungwe drums Story

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…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…

Field Recording Report by Kahithe Kiiru Story

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…I – leg rattles; EFIRIMBI – a metallic whistle; OLWIKA – antelope horn aerophone; LIKHANGO – another aerophone made out of a reed attached to a wild goat horn; MUTINDI – flat two-skin drum played using two wooden sticks. Their props included spears (lifumo), shields (esikhumba), fly whisks (mukia) and clubs (eskong’o). They were wearing hats and tops made out of leather, leaves and feathers, and most original skirts which were in fact recycled umb…