Day Three: 9 March 2022 (Kisumu) Story
…ngs with Dada Njoo being his biggest hit. After retiring from the Teachers Service Commission, Akwabi joined Kenyatta University’s Performing and Creative Arts Centre where he directed music activities for another 12 years before finally retiring to his village in Ebuhongo were he currently resides. During this recording he was accompanied by his younger brother Silvanus Anyangu (vocals), Ben Mukabwa (bass) and Fiston Lusambo (guitar). They were a…
Day One: January 18, 2019. Assemble in Tanzania Story
…hly 20-25 groups, and a 100-125 performances. We have roughly 1,000 videos online. Our general setup for a recording is: a) Steve is in charge of audio and we typically have two general mics for the group and 5-6 specific microphones for singers and musicians, b) we have three video cameras operating – one wide shot for full performance, one close up to capture details of instruments and one roving camera to provide a second angle on the performan…
Day Four: January 21 2019 Mwanza Story
…wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song had an incredible beat. Ng’oma ya Asilia: a traditional song Ali Nilihali: A lady turned down Man 1 because he was poor and settled on Man 2 who was even poorer. Meanwhile Man 1 got rich and lady came back to him and the song asks, “So how did it end up?” Magic Moment on a song Ndono. They then did a lot of dances with…
2. Naizungwe Drums – progress report 1 Story
…comes from a famous family of drum makers from Kalalu village, Buyanga sub country, Bugweri County in Iganga district. Muhamudu was taught how to make drums by two of his uncles who shared their wisdom and experience with him, and tells us that ever since he was young, his relatives and neighbours have all been drum makers. This begins to make sense when he says that one drum offers 54 different jobs: cutting the tree, shaping the trunks, putting…
Day 5: Wednesday, February 22nd, 2017 Story
…ini Village and drive back to Dar es Salaam. Liwambwe We left the Bagamoyo Country Club early on February 22 to go to the Ukuni Village to visit the Makonde tribe, to record the group Liwambwe. The Group Leader is: Atanas Teleni. It is a fairly new group, having played off and on for three years. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums calle…
Day 4: Tuesday, February 21st, 2017 Story
Recording at the Bagamoyo Country Club Early in the morning we return to the village Boma to collect musicians from the group Chibite, who we had recorded the day before. We love their energy and musicianship and wanted to record a fuller album. Three members were the same as yesterday: the brother/sister combo of Ndekwa and Ndahani and Ndahani’s daughter Grace. We then added Tabu and Estelle, two other sisters of Ndahani and Ndekwa. This was an…
Day 3: Monday, 2017 February 20th Story
…/RSE3dMgCEVk From the Boma Village we travelled to our hotel, the Bagamoyo Country Club and recorded music with Henry Mkanyia, his son Leo Mkanyia, Rajab Alli Nyunyusa, Tomato (Steven Jonas) Sophie Grant, and Elliot Wenman. First, a bit of background on all the players here: Henry: Henry was born in 1950 and has played in multiple bands throughout his life. He plays guitar and vocals. Earlier, when he was a soldier, he played in the JKI Kimbuga Mi…
Ketebul Music presents Shades of Benga Online News
…r partners and friends Ketebul Music have just launched Episode 2 of their online series Shades of Benga Online, to go alongside their book ‘Shades of Benga: The Story of Popular Music in Kenya 1946 -2016’. You can watch the latest episode below, and also find out more at their website here. Shades of Benga: The Story of Popular Music in Kenya delves into the foundations of modern Kenyan music, examining external influences from the English walt…
Central & Eastern Uganda: Day 4, Part 2 – Flutes Story
…orm and packed ourselves up for the hotel, and packed in the hotel for our flight on December 4th back to Nairobi. We will not provide a field report for December 4th, but stay tuned for December 5th, when we continue recording Uganda musicians, but not in a field. In a studio. To a click track. With other professionals. As we seek to revive these sounds… Read part one: reflections from our time exploring the royal instruments of the Kingdoms of U…
Recce to Tanzania for our 2020 Field Visit News
…eld visit in February. We are struck once again by the amazing talent this country has to offer, and can’t wait to capture some amazing moments with these artists when we visit again with the full team in a few weeks time. Thanks to the good people at Dhow Countries Music Academy for helping us with the information and contacts from their database. Getting a private crash course on the ganun from ganun virtuoso and teacher Rajab. In a few previous…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…back. But in 1967 they brought us back to pay some wages and thank us for service I think. I am worried that they aren’t training the next generation and the music will be lost. But I also know if you play the music the children will come. I know if you set up a xylophone in a village and play good music, the children will come. We can’t blame them for not liking the music – they don’t hear it. When they hear it, they come and dance. Kopoliano Ky…
Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story
…tune very cool drums inside and my drums will never go out of tune in the sun. As the sun dries them and the pitch rises, you simply wet them down to keep them in tune.” Here, we learn that drums must leave the drum maker with a tendency to pitch higher – that is, the sun will tighten them. You can always ‘loosen in the field’ with water and pounding of the fist on the skin (as we saw our royal drummers do), but you can’t pitch lower without goin…
The Return of Bigwala News
…one, and quite unique in its association with the political history of the country. The gourd and musical style were for hundreds of years an integral part the kingdom of Busoga, and would be played at coronations and other royal ceremonies. When Prime Minister Milton Obote sought to unify the nation in 1966, and in doing so abolished the kingdoms and made illegal the performance of Bigwala, the instrument had to be played in secret, and gradually…
The History Of Benga Music: A Report by Ketebul Music Story
…rds bore the label ‘Kanindo’. Another of Kanindo’s benga labels was called Sungura, Swahili for ‘rabbit’ and it too became the name given to a faster variation of the music, a spin off from kanindo. Currently sungura is one of the biggest music genres in Zimbabwe. It is said that many fighters during the independence war in Zimbabwe used to dance to kanindo records during the night vigils known as pungwe. However, it should be noted that Zimbabwea…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…ers in Nairobi in the 70’s. The musicians were very influenced by American Country music, and one of his songs was the ‘Yoodle’ which he recorded with Merciiria. He was heavily influenced by Gacungi wa Kamau, a pioneering accordion player who was the first ‘secular player’. He often visited Wanganangu’s homeland and recruited Wangangangu to pursue a musical career. We recorded 6 songs with Wangangangu over two sessions: Cal Wa Kadogo Ngurumo ya Sa…
Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story
…a. This is for entertaining in all seasons. Its use is unrestricted and is sung in remembrance of Bechau, an elder of Njuri Njeke, who always encourages the community not to forget their culture, especially Njun Njeke, the head of the council of elders. Ramare twasemania: Lead is Francis Rithaa and Lawi Mwiti. Is sung by men who are sent to pick the circumciser. They sing the song in two groups, who eventually agree on the choice of circumciser. ….