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Ndagwa Msanga Group

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Ndagwa Msanga are a group of young girls are from Msanga and the Wagogo community. The group was formed in 1994 to encourage the young of the Wagogo tribe to embrace and appreciate their culture. Their style of music makes up all the musical styles of the Wagogo community. Their instruments are all about percussion: Ngoma (Drums) and Kayamba (Shakers). These young performers are amazing and if they are a sign, then the future of Tanzanian music i…

Twone Mbee Group

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  Twone Mbee is led by Christine Kisove. The group practices Itheke dance styles (Mwen-yenyo, Mutundo). They are from the village of Kiogwe, Nzambani District. The group was formed in 1994 and has 20 members. The songs ‘Asyai’: during this song they use the Ileve (tin thaker) and Vilingi (whistle). David Kithome uses shaker and Christine Kisove and Eliza Musyoka use the whistles. The song encourages parents to invest in education because that is…

Kaniini Kaseo Group

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  Kaniini Kaseo is an all women group led by Mumbi Wambua, in Kyolo style. The group is from the Kamba ethnic community (ukambani wa kitui, from the village of Kiongwe. They have 16 members and were formed in 1980. They performed 3 songs, all of which use the Ileve (tin shaker, played by Mumbi Wambua) and Vilingi (whistle): Mutambo wa iiu: This means the trunk of a banana tree; it says that the trunk can’t be climbed by boys. Mutongoi: This is a…

Mariene Traditional Dancers Group

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…with Monkey hide. The women cover themselves with green head scarves. The group uses the Kibere (shaker), performed by Jeremiah M’Mbiwiriaft, and the Coro (the flute), played by Simon Muriuki. The group played five songs, plus performed three magic moments: Arabamba Mwarone Mpandi mautine Kirarire: Song about pre-cirumcision; they are calling out to all that can hear that they boys are ready. Wikiri Mariri: Song is about herding… He asks a woman…

Albums Introduction Page

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…h the music of the area we were recording in.   Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…

Day 1 – Saturday 1st July 2017 Story

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Day one of our field mission was originally reserved for travel, for the road from Nairobi to Kisumu City. However, as our schedule was going to be tight, and some of the preliminary work had not been completed, we opted for a semi‐formal preparative interview with John Otieno ‘Rapasa’, a young nyatiti player based in Nairobi, yet from Alego area (Siaya County), who was a part of our team as a fixer and translator. The main objective of this semi…

Day 4 – Tuesday 4th July 2017 Story

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…ately a rather difficult interview to conduct because of the interviewee’s reservations, as well as for reasons of bad weather that chased us away before we could complete it. However, we did manage to find out several interesting information, notably, on his beginnings as a player and on the instrument manufacturing itself. Alex Ogwe confirmed our two generation theory and said he only started playing once his father was gone. He also gave us an…

Conclusion: Challenges and Recomendations Story

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…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…

The Togetherness Group Group

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…Music of the Batwa Kanyabukunga Batwa Community, Kisoro District, Uganda Lead Vocalist: Gaudancia Kampire…

Day Two: 8 March 2022 (Ilesi) Story

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…founder of the group, Obasie Palnyang, was still alive. By one o’clock the group arrived and our technical team went straight to work, setting up the musicians but before we could start recording, and just as the previous evening’s session, it started to rain. Luckily we were partially indoors so we did not get too wet. After about an hour the skies cleared and we were able to resume the recording session. However it took a bit of time for the gro…

Day Zero: February 15, 2020 – Assemble in Zanzibar Story

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…er made from coconut shells…”   We will meet this style on our second day, group one:  Mohamed Othman Kidumbak Group Unyago:    This is music by women by women and was used during rites of passage as the women prepared the bridge.  Originally, these were ‘secret songs’ and filled with metaphors that would explain about sex and love and all the wonderful and difficult parts of marriage.  As this music moved from the secret rites to more public perf…

Our Sponsors Page

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…original recordings were made. See our post on this project here. The Mara Group Type of sponsorship: Field recording day, Uganda 2013 Thank you to The Mara Group for sponsoring one of the field recording days during our visit to Central Uganda in November 2013. The donation was dedicated to our recording day in Mbale. Click here to read our field report from that day. We were also delighted to welcome Brad Gibbs from Mara to our recording session…

Tarajazz Group

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…traditional music such as Taarab as well as Western music. Members of the group: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxaphone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Songs: Alamina Dura – The orbit of the Gods Pakistan – written by Siti Binti Saad who loved Pakistan when she…