3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
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…ou look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns are Tanzanian.” Singing Wells Influences: Kahithe One of our recent Singing Wells Influences was dancer and researcher, Kahithe. She has extensive experience in ethnographic research and fieldwork management, as well as 8 years of experience in ethnomusicological research in East Africa, with a special focus on dance traditions of Kenya. Ka…
Field Recording Report by Kahithe Kiiru Story
…ginal for his mastery and virtuosity on the drum. These two played a large number of popular Luhya folk songs and marked the perfect end to our stay in Isukha land. DAY 7 – Friday 23rd February 2018 On the seventh day of recording, we moved to yet another county of the Western region of Kenya – Vihiga County. Here we were welcomed by Philip Isilia, our contact for the area who is himself also a musician. In Emativini village of Ebubayi location…
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
FAQ’s Page
…ording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download fro…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…h from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the g…
2. Naizungwe Drums – progress report 1 Story
…t read our introduction to the project, do so here). A drum maker has been contacted, the correct trees have been sourced and cut down, the logs have been hollowed out and the skins have been formed. One of the early milestones was finding a tree out of which to craft the largest of the drums, no trivial task given the size and type of tree required. Here is our first video, James Isabirye talking about the tree and introducing the project: https:…
Day 3: Monday, 2017 February 20th Story
…e played in the JKI Kimbuga Military Band, while stationed at the National Service Headquarters. His most famous band is the DDC Mlimani Park Orchestra, which was essentially a factory band. The DDC stands for the Dar es Salaam Development Corporation. They had multiple hits in the 80’s and 90’s including: Mpenzi Edita (name of a lady who portrays the lead singer) and MV Mapenzi (essentially the ‘love boat’). The latter is an East Africa classic…
Day 2: Sunday, 2017 February 19th Story
…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…
Day 1: Saturday, 2017 February 18th Story
…ts are quite central to Tanzanian dance as are acrobatic acts. We spoke to Leo about this. “Yes, we love to bring comedy to our music. If you look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns are Tanzanian.” https://youtu.be/C-4PdHne3Jc We’ll leave you here. We checked in to our hotel, the Mediterraneo Hotel, Dar es Salaam. Tomorrow we head off for Bagamoyo….
Our journey to the Royal Drums: in the words of James Isabirye Story
…he lives in Kiboga which was about three hours away. She gave me his son’s number and Musisi’s and we called. I talked to him! My only thought at the time was: GET MUSISI TO KAMPALA. I could not lose another teacher. So I agreed I would send money for Musisi to meet with me. I gave him a job to teach students how to play the drums. I was so relieved to have found a drummer. He arrived in Kampala and we set out to teach. But very quickly it was cle…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…back. But in 1967 they brought us back to pay some wages and thank us for service I think. I am worried that they aren’t training the next generation and the music will be lost. But I also know if you play the music the children will come. I know if you set up a xylophone in a village and play good music, the children will come. We can’t blame them for not liking the music – they don’t hear it. When they hear it, they come and dance. Kopoliano Ky…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they are out there. And it gets much deeper. Our view of development is hardware – give folks roads, modernise them. But Singing Wells has discovered in fact –…
The History Of Benga Music: A Report by Ketebul Music Story
…ho were interviewed claim the word originated from the Congo. In the 50s a number of Luo people travelled to that vast country for work and adventure and came back home with the term. Other players and enthusiasts maintain that the term is derived from a Luo word, arguing that, in the Dholuo language, describing something as “obeng’ore,” for instance, implies it is in a state of looseness, lacks rigidity or seriousness. They advance that in music,…
Bigwala Trumpets perform for coronation anniversary News
…William Gabula Nadiope IV of the Busoga kingdom. The trumpets can be seen here performing at Budhumbula in front of the Kyabazinga (the elected ruler of the kingdom) and processing behind him. https://youtu.be/HtHhkMrlXWw Read about our contact with the Bigwala players here. James tells us that soon some of the Bigwala players will begin paid jobs teaching the instrument in schools, which is a testament to the continuing success of this project,…