Conclusion: Challenges and Recomendations Story
…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…
Day 4 – Tuesday 4th July 2017 Story
…ately a rather difficult interview to conduct because of the interviewee’s reservations, as well as for reasons of bad weather that chased us away before we could complete it. However, we did manage to find out several interesting information, notably, on his beginnings as a player and on the instrument manufacturing itself. Alex Ogwe confirmed our two generation theory and said he only started playing once his father was gone. He also gave us an…
2. Naizungwe Drums – progress report 1 Story
…enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting the progress of the drums thus far. https://you…
Day 2: Sunday, 2017 February 19th Story
…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…
Day 1: Saturday, 2017 February 18th Story
…ts are quite central to Tanzanian dance as are acrobatic acts. We spoke to Leo about this. “Yes, we love to bring comedy to our music. If you look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns are Tanzanian.” https://youtu.be/C-4PdHne3Jc We’ll leave you here. We checked in to our hotel, the Mediterraneo Hotel, Dar es Salaam. Tomorrow we head off for Bagamoyo….
Our journey to the Royal Drums: in the words of James Isabirye Story
…he lives in Kiboga which was about three hours away. She gave me his son’s number and Musisi’s and we called. I talked to him! My only thought at the time was: GET MUSISI TO KAMPALA. I could not lose another teacher. So I agreed I would send money for Musisi to meet with me. I gave him a job to teach students how to play the drums. I was so relieved to have found a drummer. He arrived in Kampala and we set out to teach. But very quickly it was cle…
Central & Eastern Uganda: Day 4, Part 2 – Flutes Story
…orm and packed ourselves up for the hotel, and packed in the hotel for our flight on December 4th back to Nairobi. We will not provide a field report for December 4th, but stay tuned for December 5th, when we continue recording Uganda musicians, but not in a field. In a studio. To a click track. With other professionals. As we seek to revive these sounds… Read part one: reflections from our time exploring the royal instruments of the Kingdoms of U…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they are out there. And it gets much deeper. Our view of development is hardware – give folks roads, modernise them. But Singing Wells has discovered in fact –…
The History Of Benga Music: A Report by Ketebul Music Story
…in active music. The era of 78 rpm discs and His Master’s Voice (HMV) gramophones had been ushered in by European producers when Kenya’s first recording studio was set up in 1947. This is the magical year in which pioneer guitarist, Fundi Konde, who was a member of the Entertainment Unit during the Second World War reportedly played Kenya’s first electric guitar. European recording companies were to hold a monopoly over the East African music indu…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…Muranga on the Thika road, arriving at the Nokras Hotel in Muranga at about 1800. Here’s the route: We were all pretty shattered, so had a quick dinner (only quick if you ordered fish or meat, the chickens were apparently hard to catch and took considerably longer), drank the mandatory round of Tuskers and slipped off to bed. Working Practices: Roles and Responsibilities of the Team Each day, we will also bring you a set of ‘working practices’ we…
Central Uganda: Day 5 – Jinja to Kampala Story
…dle players and 2 thumb pianos. They also have the traditional Ugandan Xylophone. All instrumentalists also sing and are supported by three ladies who sing and dance. The three core members are: Walusimbi Nsibambi Haruna: He the Founding Director of Nile Beat Artists. Walusimbi was once the Global Youth Earth Day Ambassador for Africa after winning the Global Youth Earth Day Ambassadors Competition in Marikina-Philipines. Nabayaza Sumaya Baiga: Sh…
Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…re, London, I received my first lesson in playing the Kiganda amadinda xylophone from the South African musicians Andrew and Paul Tracey before their evening show Wait a Minim.” “My work in Uganda led me to begin exploring that country’s traditional music initially with the aim of collecting useful materials for teaching purposes. That exploration has continued since then, apart from during the chaos of the periods of the rule of Amin and the Seco…
Central Uganda: Day 0 – Nairobi/London to Entebbe Story
…he hotel. We had a quick dinner and a few free drinks (we had charmed some flight attendants on the plane to contribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the AMF are Jimmy Allen (Founder), sound engin…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
Report from Womex 2013 News
…n which the Singing Wells project may be interested in the future – mobile phones and ring back tones as a method of delivery for music. Mike and I also attended the African music networking session which became the launch for a new initiative by the Cape Verde government. It has been calculated that music is their biggest export and so has set up the African Music Forum to make it easier for musicians to make a living – from visas and flights to…