Day 5 – Wednesday 5th July 2017 Story
…me in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting…
Conclusion: Challenges and Recomendations Story
…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…
Introduction: Project overview and objectives Story
…outu.be/NqomPAxomxI “Masters of the Nyatiti” being a pilot programme for a new project series under Singing Wells, one of the objectives of this report is to reassess the original concept based on experiences from the field and to point out encountered challenges and difficulties in meeting concept objectives. Thus, I hope that this document will raise questions for discussion and generally assist in formulating a framework for future recording mi…
Recording Resources Page
…gside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are pa…
Global Influences Project: Artist Submissions Page
…lowing Amina Muta on Facebook. ATIENO OLUOCH X ADUNGU CULTURAL TROUPE This newest submission is called Wena and is by Atieno Oluoch. We loved the vocals and the way they complimented the rhythmic musical workings of the Adungu Cultural Troupe. This new version gave us summer vibes and felt incredibly uplifting! “I’m humbled by this opportunity and glad to have participated in the Singing Wells global project. When I picked the loop, I thought of c…
Uganda: music of the Batwa Gallery
…record the performances of six Batwa communities from the district of Kisoro – Birara, Mpwera, Kanyabukunga, Micyingo, Gatera and Kabahenda….
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…ay the 14th of February and flew to Zanzibar on Kenya Airways on the first flight on Saturday, making our way to the Ngawala Hotel. Temperature 33 degrees centigrade. Partially cloudy. Saturday was about set up, so we’ll use this ‘Day Zero’ post to fill you in on the purpose of the trip. First, Zanzibar is an island off Tanzania, with a long colorful history. Before it was ‘controlled’ by the Portuguese in 1503, it was a base for traders be…
Mission Page
…shared amongst the widest audiences and become a source of inspiration for new musicians. Aims of the Singing Wells Project East Africa is a region with a diverse cultural heritage. Its borders encompass a multitude of different ethnic groups, each with their own unique traditions and histories, languages and dialects, religions and beliefs, ways of dressing, music and dance. We believe the importance of preserving music traditions cannot be under…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rican rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab…
Day Three: 9 March 2022 (Kisumu) Story
…k almost an hour for the two to figure out Akwabi’s unorthodox, expressive free style for most of his songs before the actual recording began at 2:00pm. After a few false starts we finished the recordings of Peter Akwabi at 4:00 PM with his latest song which is a tribute to D.O. Misiani, the maestro of benga music who died in the lakeside city in May 2006. Next on stage was Olith Ratego, a musician whose unique dodo style is one of the oldest form…
Martin Fredrick Muyeshi Staff Profile
…ry, specifically the episode “Death in Ten Minutes” as a cameraman. In his free time he was freelancing as a music photojournalist/cameraman to gain more experience. He also joined Royal Media Services’ Citizen TV where he worked on the TV programmes Tabasamu, Nairobi Law andMashtakaas a Director of Photography and a Lighting technician. He later joined Ketebul Studio, where he went on to work on several studio projects, among them the studio’…
Kiplagat Edwin Kwambai aka Fifty Cows Staff Profile
…r the Singing Wells project at the time. Fifty Cows went on to be the main contact person and “fixer” for the project. In 2014, the Singing Wells again called on Fifty Cows for the first Repatriation Project by the International Library of African Music, which was supported by the Singing Wells. This repatriation project involved retracing and locating surviving musicians who had been recorded and their music archived by ethnomusicologist Hugh Tra…
Patrick Ondiek Staff Profile
…really love tribal music. So when the Singing Wells project offered him a new opportunity to discover the music roots of East Africa, Pato jumped at the chance. Why? “First, I love the exposure to different cultures – even my own. I have never heard a lot of the tribal music, even around my own villages. Our trip to Nyanza in November blew me away. I have never heard music like that. My favourite performance was by Okumu K’Orengo. I was so moved….
Our Sponsors Page
…2012 field recording visit to Kenya. Read all about it here. http://www.annewright.com/index.asp Institute of International Education Type of sponsorship: Field Recording Visit, Music of the Batwa, Uganda 2011 Through our relationship with The Ford Foundation we were able to apply for a grant from the IIE to fund our field recording visit to Kisoro in south west Uganda in 2011. Here we visited 6 Batwa communities and recorded their wonderful so…
Elgon Ngoma Troupe Group
…n Hero Brass Band. When you combine the two bands, the traditional and the new brass sound, Julius says, they blew audiences’ minds. As the bands have grown there are roughly 160 total members of his group, of which 100 are performers. They are roughly divided between the two bands. For income, they do performances and also work four acres of land to feed themselves. Many of the members also do arts and crafts or a skilled trade – Julius’s dream i…
Ekhunjwe Musical Group Group
…A folk group. Led by Stephen Bwire, a local music scholar who acted as our contact person and by the group’s secretary Wilhemina Oduor, this is a very organized group of twenty eight (28) members coming from the different administrative areas of Samia district. Ekhunjwe ya Abasamiawas formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education a…