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Albums Introduction Page

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…h the music of the area we were recording in.   Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…

The Singing Wells podcast #3 Podcast

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…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo.   Click here to download the podcast….

Day 1 – Saturday 1st July 2017 Story

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…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…

Privacy Policy Page

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…s Cookies help to let us see (via Google Analytics) how many people have visited the site and what content is popular, and what isn’t. This is anonymous, so be rest assured that we’re not snooping on your browsing. You can opt out of Google Analytics (with certain browsers) – info on which you can find here: https://tools.google.com/dlpage/gaoptout There is also the chance that other services on our site – such as embedded videos from YouTube, may…

Day 9 – Sunday 9th July 2017 Story

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…). According to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types o…

2. Naizungwe Drums – progress report 1 Story

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…enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting the progress of the drums thus far. https://you…

Day 2: Sunday, 2017 February 19th Story

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…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…

Day 1: Saturday, 2017 February 18th Story

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…ts are quite central to Tanzanian dance as are acrobatic acts. We spoke to Leo about this. “Yes, we love to bring comedy to our music. If you look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns are Tanzanian.” https://youtu.be/C-4PdHne3Jc We’ll leave you here. We checked in to our hotel, the Mediterraneo Hotel, Dar es Salaam. Tomorrow we head off for Bagamoyo….

Our journey to the Royal Drums: in the words of James Isabirye Story

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…he lives in Kiboga which was about three hours away. She gave me his son’s number and Musisi’s and we called. I talked to him! My only thought at the time was: GET MUSISI TO KAMPALA. I could not lose another teacher. So I agreed I would send money for Musisi to meet with me. I gave him a job to teach students how to play the drums. I was so relieved to have found a drummer. He arrived in Kampala and we set out to teach. But very quickly it was cle…

Central & Eastern Uganda: Day 3, Part 1- Drum Making and Palace Players Story

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…bengwa Drum Makers (P.O. Box Mukono near Colline Hotel, Jinja Highway, opposite the Pork Joint). The shop is run by Abass Mirimu, a gentleman from the famous village of Mpambire which is known for its drum makers. Abass was the maker of some of the Entenga drums (the royal drums of the Buganda King). Above: Abass Mirimu To be specific, in the 15 drum set up we described here, Abass made the three standalone drums on the far right of the set up. We…

Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story

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…that say ‘see our animals not our people.’ And business is looking for big numbers which means popular things, which sadly means easy to digest, disposable pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they…

The History Of Benga Music: A Report by Ketebul Music Story

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…y, and has remained there since. It is at Chandarana’s studios that a vast number of musicians from western Kenya first put their work on spool tapes. Chandarana’s business acumen was in large part responsible for the replication of the Benga sound by singers from the mid-Rift Valley region. His shop and recording premises in the town are still in operation, though he has retreated into reclusive old age and is hardly keen on granting media interv…

Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story

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…the Roasters in Nairobi in the 70’s. The musicians were very influenced by American Country music, and one of his songs was the ‘Yoodle’ which he recorded with Merciiria. He was heavily influenced by Gacungi wa Kamau, a pioneering accordion player who was the first ‘secular player’. He often visited Wanganangu’s homeland and recruited Wangangangu to pursue a musical career. We recorded 6 songs with Wangangangu over two sessions: Cal Wa Kadogo Ngur…

Central and Eastern Kenya: Day 4 – Nkubu to Mukuuni to Nairobi Story

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…ith sequential breakfast order and departed for Mukuuni: We arrived on the site, the playing fields of the Mukuuni High School. We’re here to record one band, the Original Chuka Drummers, led by Eustace Mjuki Bundi. They are 30 males who all play drums except for their banner waver. They were formed in 1930 and have spawned so many imitations that they had to add the word ‘original’ to their name. They are Ameru, of Tharakanithi County. The group…

Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story

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…t will help them with the circumcision. They are then told to march to the site of the circumcision itself – in Steve’s case, this was a hike to his grandfather’s village. Along the way, the boys are shouted at and pushed around by other men. Women and boys are meant to stay back, and if they do get close to the young boys under-going the ritual, the boys are meant to try to beat them up. The boys are naked but have a Chinyimba on their wrist, whi…

Central and Eastern Kenya: Day 2 – Muranga to Kangema to Nkubu Story

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…in Kisoro (SW Uganda), we nonetheless had to take our 44 bags down to the site. We set up under a tree and recording 4 separate groups, all of whom stayed for the day. The 80 or so band members, all in full costume, were scattered across our 100 meter field. Unfortunately, the field was also shared by biting red ants – this created some interesting video moments, trying to keep the camera steady, while large chunks of your lower leg were being ca…