Day 2: Sunday, 2017 February 19th Story
…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…
Day 1: Saturday, 2017 February 18th Story
…ts are quite central to Tanzanian dance as are acrobatic acts. We spoke to Leo about this. “Yes, we love to bring comedy to our music. If you look at most circus troupes that are touring in the world today, a huge number of the acrobats and clowns are Tanzanian.” https://youtu.be/C-4PdHne3Jc We’ll leave you here. We checked in to our hotel, the Mediterraneo Hotel, Dar es Salaam. Tomorrow we head off for Bagamoyo….
Our journey to the Royal Drums: in the words of James Isabirye Story
…he lives in Kiboga which was about three hours away. She gave me his son’s number and Musisi’s and we called. I talked to him! My only thought at the time was: GET MUSISI TO KAMPALA. I could not lose another teacher. So I agreed I would send money for Musisi to meet with me. I gave him a job to teach students how to play the drums. I was so relieved to have found a drummer. He arrived in Kampala and we set out to teach. But very quickly it was cle…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they are out there. And it gets much deeper. Our view of development is hardware – give folks roads, modernise them. But Singing Wells has discovered in fact –…
The History Of Benga Music: A Report by Ketebul Music Story
…y, and has remained there since. It is at Chandarana’s studios that a vast number of musicians from western Kenya first put their work on spool tapes. Chandarana’s business acumen was in large part responsible for the replication of the Benga sound by singers from the mid-Rift Valley region. His shop and recording premises in the town are still in operation, though he has retreated into reclusive old age and is hardly keen on granting media interv…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…the Roasters in Nairobi in the 70’s. The musicians were very influenced by American Country music, and one of his songs was the ‘Yoodle’ which he recorded with Merciiria. He was heavily influenced by Gacungi wa Kamau, a pioneering accordion player who was the first ‘secular player’. He often visited Wanganangu’s homeland and recruited Wangangangu to pursue a musical career. We recorded 6 songs with Wangangangu over two sessions: Cal Wa Kadogo Ngur…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…Muranga on the Thika road, arriving at the Nokras Hotel in Muranga at about 1800. Here’s the route: We were all pretty shattered, so had a quick dinner (only quick if you ordered fish or meat, the chickens were apparently hard to catch and took considerably longer), drank the mandatory round of Tuskers and slipped off to bed. Working Practices: Roles and Responsibilities of the Team Each day, we will also bring you a set of ‘working practices’ we…
Kenya’s Amazing Musical Instruments News
…. When well-played, it takes on the role of the “fiddle” found in Irish or American country music. The Orutu is a one-string instrument played with a bow, whose notes are created by finger pressure against the central stick, producing the effect of ‘fretting’ notes. Watch here as the Aloka Ohangla Group plays “Nyar Karapul” (the Orutu is on the far left): Nyangile The Nyangile is a Luo instrument whose name literally means “box.” To play it, a mus…
Central Uganda: Day 5 – Jinja to Kampala Story
…azi Ow’omwano Tanoba: Tamenha Ibuga Nalufuka: This was an incredible dance number that ended with all the Singing Wells crew, and many of the hotel staff, jumping up and dancing with the group. Here is their music: James Isabirye says, “It is a challenge for me to talk about Nile Beat because I have so many feelings about it. But what I’m most proud of its contribution to the preservation of Ugandan culture by organizing the only festival since 20…
Central Uganda: Day 4 – Jinja Story
…s/traditions and can train the youths. One already died in May to move the number from 4 to 3 and one of the three surviving is very ill. But it is almost certain, now that the trumpets won’t disappear. Young people have some interest, thankfully, and are learning.” Click here for further reading on the Bigwala. Here’s their music: Adagha Nalya Drama Group Our second group was from the Bukoona Village and called the Adagha Nalya Drama Group. Their…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…tional African song, Malaika. American Farewell: After this they performed American Farewell (originally called “Wimoweh” and popularised as “A lion sleeps tonight”). Altawale. This was a great combination of heavy brass, traditional drums, marching band drums and a good old fashioned American Marching Band Twirler, straight from Music Man. Here’s their music: We loved what Julius had created. First and foremost he was giving these kids stability…
Singing Wells in Numbers…. News
…Andy did a litte homework for this one: Number of recordings of groups: 374 (this does not include other recordings like Magic Moments, Influences, etc…) Number of groups recorded: 83 Number of hours of music: 27 hours and 30 minutes. …
ILAM, Repatriation and Jimmie Rodgers/Chemirocha News
…immie Rodgers music was inspired by and build upon the influences of Black-American music, and it is only fitting that his work filtered back to Kenya. We find this circular tale in all music we are recording – most notably the massive influence of gospel on East African music, which, in turn was created in large part by Black-American music, directly inspired by early African village music. We listen to the likembe music in Uganda and here the st…
James Isabirye and Tabu Osusa Discuss East African Music News
…sounds vulgar – some Kampala teen-ager singing F this and F that in a bad American accent. Why is this good? Why is it unique? Why is it art? What they should do is learn about their culture, their identity – it is so rich, so wonderful, so new and exciting for others. If I’m an American or English person, when I hear a Ugandan I would want to hear something new from their culture – why do I want to hear t hem cursing about the police in Los Ange…
SWP Uganda 2013 – our proposed itinerary News
…ory of how music by Nile Beat and the Muwewesi Xylophone Group was used by American banjo player Bela Flack, whose album ‘Throw Down Your Heart: Tales from the Acoustic Planet’ won the Grammy Award for Best Contemporary World Music Album. Day 7 & 8: Music of the Baganda and ‘Influences’ After five days travelling in the field we will head back to the city for our final two days of recording which will focus on the music of the Baganda and also the…
A recording studio which fits into the back of an SUV Story
…nda!) We can also combine the two recording units into one to increase the number of inputs, while still working off battery power. The laptops use Avid ProTools recording software – an industry standard for recording and music production. The microphones we have chosen are industry standard models used in studios the world over but, most likely, not seen in the villages of East Africa. The equipment has been carefully selected so it can easily fi…