2. Naizungwe Drums – progress report 1 Story
…enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting the progress of the drums thus far. https://you…
1. Introducing the Naizungwe drums Story
…Just creatures moving the path of God’s gift called life and breathing the air meant for humans.” Below are excepts from Peter Cooke’s recordings of the drums that James talks about: http://www.singingwells.org/wp-content/uploads/2017/10/Peter-Cooke-naizungwe-recording-1.mp3 http://www.singingwells.org/wp-content/uploads/2017/10/Peter-Cooke-naizungwe-recording-2.mp3 What makes this project particularly exciting, is the difference of approach requi…
Day 3: Monday, 2017 February 20th Story
…ia guitarist) and his Mzee Morris’s drums. Ketebul Music first met Leo in Nairobi and helped produce his third album Bangili, which will be launched tomorrow night. Leo is very rooted in traditional Tanzanian music and his band features the Marimba (Tanzanian Xylophone) and a modified version Morris drums. He noted, “I want to play in the Morris style, but I can’t use his drums. They require fire for tuning and this isn’t practical as a gigging ar…
Day 2: Sunday, 2017 February 19th Story
…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…
Day 1: Saturday, 2017 February 18th Story
…billa Music Foundation Crew (Jimmy, Hunter, Sophie and Elliot) arrived in Nairobi from London the night before. The Ketebul team (Tabu, Steve, Patrick and Nick) spent the evening preparing equipment. After a brief hold up at airport to check documents and buy a chicken burger, we were met by our drivers, Isaac and Abdullah, and drove immediately to our first field visit – to the home of Mzee Morris’s son, Rafael Nyunyusa Morris. “Retracing the los…
Our journey to the Royal Drums: in the words of James Isabirye Story
…rted to practice. We didn’t have drums at first, we just worked on the xylophone that uses much of the same structure. And over time the professor, Musisi, and the students gradually developed a great relationship and are so committed to each other. Then I had to order the drums. I ordered them from Mpambire, a village where all great drums are made. We sent Albert Ssempeke and Musisi out to pick the drums and tune them. We brought in Peter Gaira,…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…back. But in 1967 they brought us back to pay some wages and thank us for service I think. I am worried that they aren’t training the next generation and the music will be lost. But I also know if you play the music the children will come. I know if you set up a xylophone in a village and play good music, the children will come. We can’t blame them for not liking the music – they don’t hear it. When they hear it, they come and dance. Kopoliano Ky…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…that say ‘see our animals not our people.’ And business is looking for big numbers which means popular things, which sadly means easy to digest, disposable pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they…
The History Of Benga Music: A Report by Ketebul Music Story
…963, the Ogara trio recorded the song “Selestina Juma” at the African Gramophone Stores, famously known as AGS, in Nairobi. Curiously, the song bears a distinct beat of ska, the precursor of today’s reggae. The trio’s guitar work was evidently inspired by influences from way beyond Luoland and was pretty much ahead of its time. It is possible that its ingenuity came from itinerant guitarists from the Congo, Uganda and Zambia who were already visit…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…famous Kikuyu accordion player, who played in clubs like the Roasters in Nairobi in the 70’s. The musicians were very influenced by American Country music, and one of his songs was the ‘Yoodle’ which he recorded with Merciiria. He was heavily influenced by Gacungi wa Kamau, a pioneering accordion player who was the first ‘secular player’. He often visited Wanganangu’s homeland and recruited Wangangangu to pursue a musical career. We recorded 6 so…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…Muranga on the Thika road, arriving at the Nokras Hotel in Muranga at about 1800. Here’s the route: We were all pretty shattered, so had a quick dinner (only quick if you ordered fish or meat, the chickens were apparently hard to catch and took considerably longer), drank the mandatory round of Tuskers and slipped off to bed. Working Practices: Roles and Responsibilities of the Team Each day, we will also bring you a set of ‘working practices’ we…
A Tanzanian Effort to Salvage the Music of the Past News
…muziki wa dansi is music that practically forces spectators out of their chairs. When you hear this music in concert, says Rebecca, everyone will be dancing. But the music itself wasn’t always meant to be pure entertainment. True to his socialist roots, Nyerere wanted his songs to carry messages as well. Most of these bands were set up by the government, who employed the musicians and paid for all their instruments. Some of their songs are actuall…
Kenya’s Amazing Musical Instruments News
…. When well-played, it takes on the role of the “fiddle” found in Irish or American country music. The Orutu is a one-string instrument played with a bow, whose notes are created by finger pressure against the central stick, producing the effect of ‘fretting’ notes. Watch here as the Aloka Ohangla Group plays “Nyar Karapul” (the Orutu is on the far left): Nyangile The Nyangile is a Luo instrument whose name literally means “box.” To play it, a mus…
Central Uganda: Day 6: Kampala to Entebbe Story
…te We set up directly in the Museum grounds and were surrounded by an open air museum which was a collection of traditional grass thatched huts from throughout Uganda. Fairly surprised museum guests stopped to watch us. A slightly miffed grass cutter politely agreed to hold off on his duties. We set up the band in front of one of the huts. Oh, and there were no trees. Oh, and it was sunny and hot. We cooked. Buganda Music Ensemble The Group was fo…
Central Uganda: Day 5 – Jinja to Kampala Story
…t’s car on the way (it was unclear if the car held the President). We returned to the Kampala Imperial Hotel and some of us were delighted to find a English football match on the TV (Arsenal vs. Southampton). And we were greeted by Air Conditioning which is most welcome by those of us from the North but feared and mistrusted by those of us from Nairobi. We look forward to recording tomorrow in Kampala. Apparently there is a marathon. We shall prov…
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…re, London, I received my first lesson in playing the Kiganda amadinda xylophone from the South African musicians Andrew and Paul Tracey before their evening show Wait a Minim.” “My work in Uganda led me to begin exploring that country’s traditional music initially with the aim of collecting useful materials for teaching purposes. That exploration has continued since then, apart from during the chaos of the periods of the rule of Amin and the Seco…