Conclusion: Challenges and Recomendations Story
…as shot in 11 days, which included master classes and a studio session in Nairobi. Considering the ambitious amount of information we wished to gather from each interviewee (as per the original concept) and the accompanying demonstration, it would be advisable for the recording schedule to focus on one individual ‐ one instrument maker per day only. Also, possibilities of postponed sessions and cancellation, technical or other difficulties that ma…
3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
Field Recording Report by Kahithe Kiiru Story
…like basket weaving and jewellery making for exhibition and sale. Their chairman, Mr. Bwire, also chairs the County Culture Committee and says he is “biased towards ethnomusicology” because “that’s where the beauty of the music lies”. Our recording session took place at the home of Dr. Paul Otwoma, a former MP for the area, who is the group’s patron. The choir of women was led by Wilhemina as a powerful soloist and backed by four men on various i…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
FAQ’s Page
…ording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download fro…
Page
…tists in the country. Together with the director of Alliance Française in Nairobi, Tabu Osusa co-chairs the steering committee of the “Spotlight on Kenyan Music“ project which seeks to discover and promote young talent, performing a blend of African music. The Kenyan government through its Ministry of National Heritage and Culture also supports this project. Tabu is also the Project Coordinator of Ketebul Music’s Retracing Series. Supported by the…
Day Four: 10 March 2022 (Rongo) Story
…each wider audiences and create new revenue streams. As we headed back to Nairobi on Friday, 11th March 2022, we had lively discussions on ways and means of empowering these marginalized creatives and on how to assist them to access global markets. They need a conducive environment that would enable them to showcase their individual musical talents and unique identities. If we succeed in our efforts, we believe they will rightfully take their plac…
2. Naizungwe Drums – progress report 1 Story
…t read our introduction to the project, do so here). A drum maker has been contacted, the correct trees have been sourced and cut down, the logs have been hollowed out and the skins have been formed. One of the early milestones was finding a tree out of which to craft the largest of the drums, no trivial task given the size and type of tree required. Here is our first video, James Isabirye talking about the tree and introducing the project: https:…
1. Introducing the Naizungwe drums Story
…val of the entenga royal drums of the Buganda kingdom starting in 2015 and contacted Singing Wells with the hope that we would support him with funding for his new project. We are excited to announce that we have agreed to support James in his endeavours and will be posting about the project’s development, which has been under way for a month now. James gives some background about his inspiration for starting this project: “I led the revival of en…
Day 3: Monday, 2017 February 20th Story
…ia guitarist) and his Mzee Morris’s drums. Ketebul Music first met Leo in Nairobi and helped produce his third album Bangili, which will be launched tomorrow night. Leo is very rooted in traditional Tanzanian music and his band features the Marimba (Tanzanian Xylophone) and a modified version Morris drums. He noted, “I want to play in the Morris style, but I can’t use his drums. They require fire for tuning and this isn’t practical as a gigging ar…
Day 2: Sunday, 2017 February 19th Story
…ing for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing and laughing…
Day 1: Saturday, 2017 February 18th Story
…billa Music Foundation Crew (Jimmy, Hunter, Sophie and Elliot) arrived in Nairobi from London the night before. The Ketebul team (Tabu, Steve, Patrick and Nick) spent the evening preparing equipment. After a brief hold up at airport to check documents and buy a chicken burger, we were met by our drivers, Isaac and Abdullah, and drove immediately to our first field visit – to the home of Mzee Morris’s son, Rafael Nyunyusa Morris. “Retracing the los…
Our journey to the Royal Drums: in the words of James Isabirye Story
…he lives in Kiboga which was about three hours away. She gave me his son’s number and Musisi’s and we called. I talked to him! My only thought at the time was: GET MUSISI TO KAMPALA. I could not lose another teacher. So I agreed I would send money for Musisi to meet with me. I gave him a job to teach students how to play the drums. I was so relieved to have found a drummer. He arrived in Kampala and we set out to teach. But very quickly it was cle…
Central & Eastern Uganda: Day 3, Part 2 – Interviews with Musicians of Uganda’s Royal Palaces Story
…back. But in 1967 they brought us back to pay some wages and thank us for service I think. I am worried that they aren’t training the next generation and the music will be lost. But I also know if you play the music the children will come. I know if you set up a xylophone in a village and play good music, the children will come. We can’t blame them for not liking the music – they don’t hear it. When they hear it, they come and dance. Kopoliano Ky…
Central and Eastern Kenya: Days 5-11:An Interview with Gregg Story
…that say ‘see our animals not our people.’ And business is looking for big numbers which means popular things, which sadly means easy to digest, disposable pop culture. The whole drive to “marketing” is killing our culture. If the numbers don’t come in on something than you stop it. But culture is hard to really invest in. You don’t go for the popular musicians doing the big things. You have to go to the real groups in the rural villages. And they…