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Day 9 (AM): Ketebul Studio – Influences session for Cheri Story

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…of time on this Field Visit reporting the first part of our mission, which is to recording the tribal music of East Africa – in the field and with extraordinary sound and video quality. Our second mission is then to use these visits as inspiration for new artists to write music inspired by their tribal heritage. We now have developed a pattern – each field visit involves about 9 days in the field recording new groups AND then we return to Nairobi…

Day 8: Entebbe to Nairobi and Ketebul Studios Story

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…rough a metal detector. There was a large sign telling us not to bring in pistols and rifles. The van was then searched. At airport, we had to unload bags at departures, take them by trolly to bottom of stairs. Take all bags up the stairs. Find new trolly and proceed to next stage. All this would be fairly straightforward except we had 34 bags. There was then a line waiting to go into airport. The security guard monitored how many people could ent…

Promotion of Batwa cultural music: UOBDU report March 2013 News

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…n and would advise the groups on the best way of managing their groups. It is the same committee which usually selects the Batwa who are to perform to different occasions. All in all the staff performed to their expectations, thanks to them for their seriousness and dedication. BIRARA group This is one of the communities that is still cherishing music and dance as the Batwa culture it is still leading and very creative. The community members also…

Day 7 (pm): Recording at the Airport Guesthouse, Entebbe Story

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…d of his life at high school, playing rugby and studying ICT, Finance and History. He played percussion and the Likembe (thumb piano) very well during the course of the evening, and has enjoyed playing music his whole life. He accompanies Watmon’s group which plays Acholi style music (as they are from the North). Whilst talking to him I asked him about popular Ugandan music, as we’d heard alot during the week (usually being pumped out of local sto

Day 7 (am) – back to Kampala: Naguru to Entebbe Story

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…enough homage to it, you will be rewarded. After the massive contributions to the spirit last night we were given two great troupes in Naguru. Naguru is a suburb of Kampala and we forced our two big vans through the crowded urban streets to a little square where we set up for recording. Exactly 24 hours ago we set up to record in Northern Uganda in the village of Obuell-Lira. This was the most idyllic rural scene we’ve experience – with picture pe…

Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story

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Today was a tale of two halves. This is the sad second half. We left you waxing poetically about Macedonia (the band, not the place) and the way music saved dozens of lives as the village managed to survive occupation by the rebels and reoccupation by the government. We then hinted at problems. Rather than leave at 13:00 to travel to Kampala, we were forced back to Soroti with a broken wheel and only managed to hit the road again at 15:30. So we…

An Evening with Mserego Mwatela Group News

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…i. We interviewed Swalhe Mwatela Massai and his grandson, Ali Tungwa :   Q to the grandfather: In contrast to Uganda, we have seen many villages in Kenya where the traditional music is only played by the older generation. And yet your group is so young and vibrant. How have you managed to do this? A: To get the young people involved I decided to go to schools and teach music. I compose new material with my students and come up with something they…

Northern Uganda: Day 6 – Soroti to Obuell-Lira to Soroti Story

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…0 minute drive down rich clay roads. On the way, Joshua told us about the history of the group, which was founded in 1982. The group and its song Uganda Land of Freedom is legendary in the Teso region (the name for the collection of villages around us). Joshua While you read the rest of this, why don’t you play the Magic Moment of the band as a good soundtrack to their story? During the civil war these villages were under rebel control from 1989-1…

Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story

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…teed to find a beautiful Ugandan child smiling beneath it. The women are altogether different, carrying baskets of nuts and spices, water jugs, charcoal, thatched bundles, etc…. This, of course, gives them a ram rod straight posture, giving them a majectic air and a very practical crown. Before talking about the markets, let’s now talk about the middle of the road, where the vehicles are. There are two types of African roads. r oads in the day. An…

Northern Uganda: Day 4 – night recording at Fort Murchison Story

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…s, good lights attract bugs. These are Nile bugs, mind you, so in addition to the millions of little moths you’d expect, we had bat size critters, from very big grasshoppers to fairly intimidating beetles. Our recording sessions were part Singing Wells and part BBC wildlife documentary. We reassured ourselves that at least the bugs that whacked into you were unlikely to be mosquitos. But the night gave us a new insight as well. Many of the songs w…

ATTA is following Singing Wells News

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Our friends at Hills Balfour and the Kenya Tourist Board continue to be wonderful ambassadors of Singing Wells, introducing us to interesting and interested people who we can talk to about the project. Earlier this month I was their guest at the World Travel Market at Excel and I met representatives from a number of organisations and companies in the travel and tourism industry operating in the East African counties we are visiting during our fie…

Reporting back on recording trip to Kisoro, SW Uganda News

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…of six Batwa communities and in doing so learned a great deal about their history and their lifestyle in Uganda today. The following week, we invited ten of the Batwa performers to the Ketebul Music studios in Nairobi to record more songs, and in particular, collaborate with contemporary music artists to generate new material for ‘Influences’ – a series of new songs influenced and inspired by traditional themes. Our aim is to provide a lasting ben…

Northern Uganda: Day 4 – Pakwach to Widiang’a, Nebbi Story

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Another amazing start to the day. Today it was all about music of the Alur tribe. We drove from Pakwach across the Albert Nile Bridge into the Nebbi district to the village of Widyanga. The Music Alur Kingdom Troupe We set up amongst the ‘five layered’ thatched roof huts, settled down around the cows, goats and a really music loving chicken and recorded one single band, The Alur Kingdom Troupe, with every instrument imaginable: The Flute (yep, a…

Northern Uganda: Day 3 – from Gulu to Awach to Pakwach Story

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…en and their stories during and after the war, as they keep their families together through work dawn to dusk. Ker Kal Kwaro In complete contrast to our first band, the second and fourth band were all dance and percussion. First, Ker Kal Kwaro was a full dance band with amazing percussion, similar to some of the groups we met yesterday. The great thing about this band was its youth, with most of the dancers and percussionists under the age of 15….

A day in the field with Singing Wells News

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…ubilla Music. We are invariably joined by a local ‘fixer’ who will take us to the village and introduce us to the music groups who are expecting us. Once we arrive in our location, we liaise with the local musicians to find the best space to record. If possible we will record more than one of groups in each location, as it reduces the setup and breakdown time and maximizes the time for recording. We decide on two or three different ‘backdrops’ for…

Northern Uganda: Day 2 – from Gulu to Acet Story

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…nd the Gwara (calabash or tambourin with Samba drumming, in this case a tortoise sized shell that they hit with a brush of wire). In addition, one of the groups featured the Uvure, a wonderful horn. The Uvure in action… Omee Odokomit Our first group was Omee Odokomit, who played Apiri style. The group is led by Evelyn Ojok and was formed in 1981, disbanded for the war and reformed in 1999. The leader summons the band to practice by playing drums……